Nice blend of leads + great touch on the keys!

What a beautiful journey through time... I liked the nineties... good old days, hehehe. Great song, with great sounds and a wonderfully authentic mix. Could it be that you added another part at the end but then left it out? I've been humming a melody to myself for a while to somehow complete this part, hahaha. Never mind. Great song, even if it is a bit short :)

the production is stunningly good.  The percussion is SO punchy and tight!  LOVE that snare.  Great composition too!

This sounds technically flawless, beautifully composed and highly enjoyable. Awesome work !

groovy and punchy! drums are spectacular!

hey...make it longer! i'm having real fun!!!

As some others have mentioned already: great drum sound!

5 Star!

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

This is my OSC for May 2025 made from the sounds of Ragnarok2
made with 58 instances of Ragnarok2 and the following free vsts:


TDR Kotelnikov
BX Masterdesk Classic
Airwindows Monitoring 3
KHS Delay
DevilSpring
Deelay
TDR Nova
DearVr Pro2
Raum
Valhalla Supermassive
KHs Dual Delay
Saturation Knob
AirWindows DubSub2
Spacer
KHs Transient Shaper
ExoVerb
FreshAir
Limiter No6
KHs Haas
Pancz
STFU
TensJr
IronOxide Classic2
BusterSe
TDR Molotok
GClip
Ozone Imager 2
BussColors 4
KHs Clipper

Bitwig:
Sculpt
Focus
EQ2
Convolution
Tool
FX Layer
Key Filter
Note Transpose
Multiband fx2
Mid-Side Split
Instrument Layer
Delay-1
Filter+
Delay-2
Multinote
Fx Layer

Kiltarlity

OSC#195 - FullBucket's Ragnarök 

DAW: MuLab
Instances: 40
FX: DearVR Pro 2, Deelay, Supermassive, FrankCS, OTT, LoudMax, Magic Carpet, KSHMER EssentialKick, TDR Nova, TENSjr, IVGI2, Plateau2

Taron - Stealing the Ragnarök

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

Hi everyone, I created a similar piece to the previous one from OSC 194, but in a different sound version.
I used 31 instances (Ragnarök 2)

All effects from Studio One 6.6 + free Dreverb2
=========================================



--------------------

DAW: Studio One 6.6
31 instances - Ragnarök 2 / basic sounds from bank 1 and 2

---------------------

FX:
- built-in plugins from Srudio One 6.6
"Compressor, Binaural Pan, mixverb, Pro Eq, splitter, mixtool, limiter, analog Delay
+ free Dreverb2"

=====================

Mastering:
Mastering using built-in Studio One 6.6 effects

=========================

The joyful 90's Hard ver. (OSC #195 - All instruments in the song are from VST Ragnarök Mk2)

My entry for OneSynthChallenge195

All synth patches made from scratch with the Ragnarök VST Instrument by Full Bucket Music

Session Details

REAPER

Ragnarök x11

Master

JS Soft Clipper/Limiter
FirComp2
LoudMax

Analysis

SPAN
JS Goniometer
Gtune
JS Loudness Meter Peak/RMS/LUFS

Channels

bx_cleansweep x3
ValhallaSupermassive x3
FRANK x3
RandARP x2
Saike SEQS
IVGI2
NastyDLAmkIII x2
HY-Delay4_free x2
ReaEQ x3
epicCLOUDS x2
TDR Nova
ChowMultiTool - Analog EQ
JS J Clip
Flux Mini 2
DReverbLite x2
OTT
Airwindows Consolidated  ClipSoftly

My Right Hand (by phankiejankie303)

Made all sounds from only Full Bucket Music's Ragnarok 2
https://www.fullbucket.de/music/ragnarok.html

Ragnarok 2 x 27
Bitwig 5.3.8
Bitwig FX: Delay+, EQ+, Compressor+, Dynamics, Tool
Other FX: vladg Limiter no6, TDR Nova, XFer OTT, Dragonfly Room, Valhalla Supermassive

z.prime - Boom Boom Tss

This is my entry for the KVR One Synth Challenge #195 Feb 2025.
All sounds are made with the "Ragnarök 2" AU plugin by Full Bucket Music in Logic Pro.

Körangar (OSC#195 May 2025)

Composed and produced by Liqih for OSC 186 at KVR.
Using only 10 instances of Primer VST synth by Audible Genius.

1x Kick Drum
2x Snare
1x Hi-hat
1x Bass
1x Skank chords
1x Synth vocals
1x Synth plucks
1x Percussions
1x Pad


# DAW : Ableton Live
# Ableton effects: Delay, Reverb, Compressors, Gate, EQ-Eight
# Free FX: Cymatics Space Lite, Master compressor: BeatSkillz Max 1 

The joyful 90's Hard ver. (OSC #195 - All instruments in the song are from VST Ragnarök Mk2)

Tachmansky

Recent comments

Norby

Romeo Knight 1

1980-F

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