Ne/Na is a soundpoem from the transmedial project liminal. In Slovak, "ne" is a negative prefix and "na" is both a prefix and a preposition. Ne-Na here creative two clashing sound forces. More on www.liminal.name

NE/NA

This is a recording of my sound poetry performance Escapism @ Huellkurven event in Vienna 23/1/2014. 
The prerecorded word samples were manipulated by Sonorum Instruments in Usine Hollyhock using Leap  Motion controller. 
Thanks for recording and photo to Jorg Piringer.

Escapism

PRE is a soundpoem from the transmedial project liminal. More on www.liminal.name. Pre means "For" in English, but is also a prefix.


TA  is a soundpoem from the transmedial project liminal. More on www.liminal.name. Ťa means "Of You" in English, but here it is also transformed into the conceptual and emotional play with other letters, like "a" and "k" - to create a word "atack", "and of you" and else in Slovak.

bztb is a soundpoem from the transmedial project lucent. More on www.lucent.liminal.name. The prerecorded sounds were manipulated by hands and fingers gestures in the space via Leap Motion Sensor and Usine software. The other layer consists of using sound effects with realtime spoken word.

bztb

expire is a soundpoem from the transmedial project lucent. More on www.lucent.liminal.name. The prerecorded sounds were manipulated by hands and fingers gestures in the space via Leap Motion Sensor and Usine software. The other layer consists of using sound effects with realtime spoken word.

expire

Gűnther Anders writes in his book Die Antiqiertheit des Menschen: “Today’s Prometheus asks: ‘Who am I anyway?’” The question of individual ontics resonates in the era of transhumanism also through the connection of the human and the cybernetic that is probably our own now. Transhumanism as already today’s humanism, is here approached through the reimplementation and recontextualisation of phrases from Oswald Wiener´s Zur Konzeption des Bioadapters and the citations from a Japanese cyberpunk film Ghost in the Shell, both the cult works on the topic. In this sound poetry performance, Leap Motion controlled software is used for the real-time manipulation of vocal samples and is combined with sounds and voices. The noise-poetic-soundscape vibrates by echoing the scale from whispers to shouting, referring to the traversal between consciousness and unconsciousness of (trans)human experience. It also wants to question the traditional ideas connected with transhumanism (male-machine)and gives it a feminist twist. 
Thanks to Ferdinand Schmatz for reading quotes from Oswald Wiener´s "Zur Konzeption des Bioadapters", a part from his literary work „die verbesserung von mitteleuropa, roman“ from 1969.

Gnosis 3.0

This soundpoem is created by 2 layers: 
my poem 
a mix of pieces of poetic texts - "Text for Nothing #4" by Samuel Beckett and "The Love Song of J. Alfred Prufrock" by T. S. Eliot

My voices someone answers

This soundpoem belongs to the project EVERYTHING YOU WRITE CAN BE USED FOR YOU. The text that is read is appropriated from all the email messages (on 4 email accounts) that I received 30. October 2012. 
This multilingual, mutligenre soundpoem reflects my everyday reading experience.

I bxd

This soundpoem belongs to the project EVERYTHING YOU WRITE CAN BE USED FOR YOU. The text is appropriated from my chat on 30. October 2012 and forms an anagram that becomes reduced in each following part, until reaching the final "OOOOOOOOOOOOOOOO".


Zuzana Husarova

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