Tadi, I loved this sound! Thank you for help to spread this great remind of Guru Rinpoche e DJKR 💕❤️💕💕❤️😊😊😊🙏🙏🙏

❤️❤️❤️❤️❤️✌🏽✌🏽✌🏽

OFFEN 016 was long time in the making, and we could write a lot about it - from the first time Lena Willikens played it in Warsaw on 30.11.2019 to the quest for Tadi in Shanghai -, but we’ll live it at first words that fantastic sound designer, producer and DJ Tadi Yan wrote about „7 Diamond Lines“: 

„This is a well know Guru Rinpoche Prayer, and has been chanted at least 1800 years. It has seven lines. Almost all the Tibetan people know this and practice it. Guru Rinpoche was like the second buddha to them also known as Padmasambhava. 
This was recorded in Taipei 2013 during the Ushinisha Vijiaya Puja, chanted by a very famous lama Dzongsar Jamyang Khyentse Rinpoche.“
credits
released February 12, 2021 

Written and produced by Tadi Yan 
Recorded in Taipei 2013 during the Ushinisha Vijiaya Puja 
Chant By Dzongsar Jamyang Khyentse Rinpoche 
inner sleeve art by : Sheng 
design by Patrick Keuthen / Percy 
Mastering by Enrico Mercaldi at Timetools Mastering 
Special thanks to Lena Willikens 
12“ vinyl - 45rpm 

Offen Music 2020


非常荣幸能在宗萨仁波切和其他佛菩萨的加持下完成这首单曲，其内容是莲花生大士的祈请文，也叫金刚七句。莲花生大士是藏传佛教的开山祖师，在我的认知里，他总是和力量，降服，迅捷，有关。和宁静，安全，被动，没太多联系。所以就有了这首曲子。enjoy!

you can get the vinyl or Digital linked below. =) 
thanks for your love! 

https://clone.nl/item63446.html

https://www.discogs.com/release/17550880-Tadi-Feat-DJKR-Seven-Diamond-Lines

tadi Feat. DJKR - 7 diamond lines (original mix)

Seven Diamond Lines - DJKR - 49Times (Practice Version)

Hung orgyen yul gyi nubjang tsam,
Pema gesar dongpo la,
Yatsen chok gi ngödrub nye,
Pema jungne shye su drak,
Khor du khandro mangpo kor,
Khye kyi jesu dak drub kyi,
Jingyi lab chir shek su sol,
Guru pema siddhi hung

https://open.spotify.com/album/4I8HYXwEMN1Ek2huoFuSHI?si=xoqdRfcdRnef_2w4COx_MA

https://music.apple.com/us/album/nirvana-beyond-extreme/1715307751

https://music.youtube.com/playlist?list=OLAK5uy_kEhnNIw8DXchh4ZUOxGWrC0Djj-vRto4c&si=8sJ-ns9R33UtHzZb

Seven Line Prayer by Dzongsar Khyentse Rinpoche (kodo17 remix)

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

The Prayer Of Kuntuzangpo

*
Darmangah Studio is holding a music event titled "Dar Ma Negah, Dar Ma Sheno" which means look at us, listen to us.
*
The first event: Celery stew (Khoresht KARAFS) 
*
Performance: Steelwave titled 4.5 x 2
*
Steelwave
He is an architect and a self-taught musician. He is like this in relation to the piece 4.5 x 2
says that
Sometimes you feel like you belong in a place, sometimes you don't. Sometimes you feel like you belong to a time, sometimes you don't.
For me, as an architect for whom music is an experience, pieces of music are formed from this sense of belonging or even lack thereof. Where a question arises in me, and this question is for me in the piece 4.5 x 2, what is my understanding of a street called Jomhouri? How is the Jomhouri in my place and era? And finally, what is my relationship with the Jomhouri? The beginning of the formation of this piece for me was by dividing time into four periods of ten years and contemporary history, but over time, time and place became intertwined for me, the discreteness of the parts disappeared, it became impossible for me to separate black and white, and the layers of time They fell on top of each other. In the end, what you hear is like the concept of the Jomhouri, as well as the urban planning of the contemporary Jomhouri Street from my point of view, immersed in thick smoke that covers everywhere and parts of it can only be understood and seen with lights, that too in absolute blackness.
* 
Jomhouri means Republic
*
Stylist: blueultramarine.studio
Titled: Jomhouri
Jumpsuit
Fastoni and mohair fabric
Yellow metal-pen
*
Producer: Studio DARMANGAH
Audio Technical Director: Mehdi Behbudi
Videographer: Mohammad Zahedi
Art Manager: Negar Yazdanpanah
Content management: Mari Shirzad
Dar Ma Negah, Dar Ma Sheno Team: Lina Elyasi, Behrouz Memar Moshrefi and Mohammad Ghazali
*
The first event Dar Ma Negah, Dar Ma Sheno in the Darmangah studio, October 2024
*
ستودیو درمانگاه رویدادی موسیقیایی با عنوان در ما نگاه، در ما شنو برگزار می کند
*
رویداد اول: خورشت کرفس
*
اجرا
Steelwave
با عنوان ۴.۵ در ۲
*
Steelwave
معمار و‌ خود-آموز موسیقی است. او در رابطه با قطعه ی ۴.۵ در ۲ چنین
می گوید که
گاهی به مکانی احساس تعلق می‌کنی، گاهی نه. گاهی به زمانی احساس تعلق می‌کنی، گاهی نه
برای من به عنوان یک معمار که موسیقی برایش تجربه است قطعات موسیقی از همین احساس تعلق یا حتی عدم آن شکل می‌گیرند. جایی که سوالی در من به‌وجود می‌آید و این سوال در قطعه ی ۴.۵ در ۲ برایم چنین است که درک من از خیابانی به نام جمهوری چیست؟ جمهوری در مکان و دوره‌ی من چگونه است؟ و در نهایت این‌ که نسبت من با جمهوری چیست؟ شروع شکل‌گیری این قطعه برای من با تقسیم‌بندی زمانی به چهار دوره‌ی ده ساله و تاریخ معاصر بوده اما به مرور برایم زمان و مکان در-هم تنیده شد، گسسته گی بخش‌ها از بین رفت، جدا-کردن سیاهی و سفیدی برایم غیرممکن شد و لایه‌های زمانی بر روی هم افتادند. در نهایت چیزی که می‌شنوید مانند مفهوم جمهوری و هم‌چنین شهرسازی خیابان جمهوری معاصر از منظر من است، فرو رفته در دودی غلیظ که همه جا را پوشانده و تنها با نورهایی بخش‌هایی از آن قابل درک و دیدن است، آن هم در سیاهی مطلق
*
طراح لباس
blueultramarine.studio
 عنوان: جمهوری
لباس سرهمی از پارچه فاستونی و موهرو  فلز زرد-قلم
*
تهیه کننده: ستودیو درمانگاه
مدیریت فنی صدا: مهدی بهبودی
تصویربردار: محمد زاهدی
مدیریت بصری: ​​نگار یزدان پناه
مدیریت محتوا: ماری شیرزاد
 در ما نگاه، در ما شنو: لی-ینا الیاسی، به-روز معمار مشرفی و محمد غزالی
*
اولین رویداد در ما نگاه، در ما شنو در ستودیو درمانگاه به تاریخ مهر ماه ۱۴۰۳
*
@Steelwave.music
@blueultramarine.studio
@cou_cou-i
*
www.instagram.com/darmanegah_darmasheno/
www.youtube.com/@darmanegah_darmasheno 
*
studio DARMANGAH

در مآ نگاه، در مآ شنو: رویداد شماره یک: خورشت کرفس

Jami Sieber - Mandlovu Mind

Visitation Dreams

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

tadi Feat. DJKR - 7 diamond lines (original mix)

t....adi

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