'Marrat' (translates; Sometimes) is Saied Silbak's latest single.
Inspired by an unsuccessful love story, Silbak sings for the first time in his own voice, a song of his lyrics, composition and arrangement.
The song's structure emphasizes the crescendo and intensity of Saied’s own personal experience throughout the relationship. He uses elements of classical music, Arabic music and sound effects that take listener on a sonic journey that starts small and fragile but ends big and strong.

Marrat (Sometimes)  | سعيد سلباق - مرّات

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"Thaher", named after 'Thaher Al Omar Al Zidani' (~1689-1775) who was A Palestinian ruler of Northern Palestine and attempted freeing 
the country from the Ottoman empire. An attempt which unfortunately ended in betrial by his own family.
This piece was written in his honor, summing his amazing powerful journey, mourning his death and betrayal and finally 
absorbing his power and continuing the journey.

Oud and Composition: Saied Silbak
Piano: Akram Haddad
Percussion: Maen Al Ghoul

------------------------------------------------------------------------

"ظاهر"، نسبةً الى ظاهر العمر الزيداني (١٦٨٩-١٧٧٥)، احد الحكام الفلسطينيين في فترة الحكم العثماني (او الاحتلال العثماني) والذي حاول تحرير فلسطين من هذا الحكم, لكنه
لقي حتفه بعد ما تمت خيانته من قبل عائلته.
هذه المقطوعة مهداة الى ظاهر ولمسيرته المشرفة كما ان قسما من المقطوعة هو نعي وتعبير عن حزن شديد وخسارة لا توصَف, نهايتها رسالة بأن المسيرة مستمرة ولم تنته بعد.

عزف عود وتلحين: سعيد سلباق
بيانو: اكرم حداد
ايقاع: معن الغول

Thaher

English Follows
مقطوعة 'نعي للانسانية' من تلحين سعيد سلباق تأتي كرد فعل على الجرائم السائدة ضد بعض الشعوب في العالم والتي اصبحت جزء لا يتجزّأ من الحياة اليومية.

تم تلحين المقطوعة سنة 2016 وهي تتألف من قسمين:

القسم الاول: 'نعي الانسانية' وبه تُحمَل الانسانية، وهي دون علامات حياة، ويتم نقلها الى مثواها الاخير.
القسم الثاني: 'القيامة' وسط واقع مرير، تعود الإنسانية من شظايا حلم إلى الحياة، متغلبةً على قوى الشر المسيطرة.
________________________________
Saied Silbak`s 'Requiem for Humanity' comes in response to all the inhumanities* staining the world.

Composed in 2016, The requiem consists of two movements;
- The first movement (The requiem) describing the current situation in which Humanity is dead and carried to its final destination.
- The second movement (The Resurrection) describing a fantasy in which humanity resurrects in attempt to overcome and .

*Definition of inhumanity; plural inhumanities. 
  1- a : the quality or state of being cruel or barbarous. b : a cruel or barbarous act.
  2- absence of warmth or geniality.

~~~~~~~~~~~~~~~~~~~~~~
الموسيقيين
Musicians

Saied Silbak (Palestine) - Composition and Oud.
Rola Milad Azar (Palestine) - Vocals.

iyatraQuartet - www.iyatraquartet.com
Alice Barron (UK) - Violin.
Will Roberts (UK) - Percussion.
George Sleightholme (UK) - Clarinet/Bass Clarinet.
Rich Phillips (UK) - Cello.

Recorded Live in Oxford by 'Tim Hand Production'.
Vocals recorded in Palestine by Akram Haddad.

Requiem For Humanity

English follows
اداء حي لاغنية "تعليمات للمواطنة الصالحة". مأخوذ من عرض "بَلا_بِزِر", من تأليف سعيد سلباق.
حيفا 6.12.2018.

الحان وكلمات – سعيد سلباق

منى بكري – غناء
 سعيد سلباق – عود
اكرم حداد – بيانو
تشارلي رشماوي – جيتار باص
معن الغول - ايقاع
روبير ايوب – ناي
------------------------------------------------
A live performance of the song “The Good Citizen's Manual”. Taken from “Bala Bizer” (translates; seedless) concert by Saied Silbak.
Haifa, 6.12.2018.

Lyrics and composition by – Saied Silbak.

Muna Bakri – vocals
Saied Silbak – Oud
Akram Haddad – Piano
Charlie Rishmawi – Bass Guitar
Maen Alghoul – Percussion
Rober Ayoub - Nai

The Good Citizen's Manual (Haifa) -- تعليمات للمواطنة الصالحة - حيفا

Saied Silbak is a Palestinian composer and oud player born in Shafaa`mr, in the lower Galilee of occupied Palestine. He began training in classical piano at the age of four, before moving onto the oud in his early teens to delve deep into the nuances at the base of Arabic music. Silbak has a unique understanding of different types of music, from Arabic, Turkish and Indian to classical Western styles. 

His signature sound, created through his artful ability to fuse these styles together, has seen him perform around the world at festivals and concert series in the UK, Belgium, France, Palestine, Morocco, Argentina and beyond.

In recent years he has worked with many artists on interdisciplinary projects and has been involved in educational and community work, developing a politically and socially engaged practice.

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