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The Mystery of Montague Morgan: A 1920s Christmas Country House Murder (Heathcliff Lennox) eBook PDF - KINDLE - EPUB - MOBI - AUDIOBOOK

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Morocco - Culture Smart!: The Essential Guide to Customs & Culture (84)

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Morocco is a land of spectacular scenery, with a rich history, and heady with tantalizing scents and colorful sights. The call of the muezzin seems to draw people from every corner of the globe. In 1956 Morocco gained independence from French colonial rule and was jolted into the 20th century. Today it is a country in transition&#8212a unique blend of Arab, African, and European ways of life. The teeming cities have an air of sophistication and joie de vivre, but life in rural areas has stayed much the same. And while the cities are highly westernized, tradition and religion still play a vital role in the everyday life of most people. With rapid change came problems. Lack of opportunity and high unemployment resulted in a &#8220brain drain&#8221 as educated Moroccans made their way abroad, and a fundamentalist interpretation of Islam started gaining ground among the urban poor. Even so, as technology becomes widespread and the world shrinks further, Morocco today is coming into its

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Murder in Venice (Lottie Sprigg 1920s Cozy Mystery Series Book 1)

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Murderous secrets are lurking in the City of Canals!1923. Lottie Sprigg is a lowly maid. But when she&#8217s hired by a wealthy heiress, she embarks on a thrilling journey across Europe and beyond. Lottie&#8217s expecting exciting exploits and spectacular sights. But she&#8217s not expecting murder&#8230In Venice, Lottie befriends a famous opera singer after reuniting him with his lost dog. Early the next morning, the singer&#8217s corpse is found floating in the Grand Canal.Who wanted the opera singer dead? Lottie is keen to seek justice for his orphaned dog. She&#8217s spotted some suspicious characters but fingers point to a shadowy figure who prowls the streets and bridges at night. Who is it?After a second slaying at a masked ball, Lottie&#8217s convinced she knows the culprit. But a twist prompts a new discovery and Lottie&#8217s pulled into a chilling chase through Venice&#8217s canals.The Venetian police are stumped. So how can Lottie unmask the killer?

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Murder at the Savoy: a 1920s cozy historical mystery (A Ginger Gold Mystery) eBook PDF - KINDLE - EPUB - MOBI - AUDIOBOOK

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The perfect English winter has hot chocolate, woolly mittens, a sprinkling of snow&#8230 and a murder? Thank goodness Lady Swift is on the scene! Winter, 1920. Amateur sleuth Lady Eleanor Swift is feeling festive. She is playing host to the entire village at Henley Hall for gifts, games and gingerbread. She&#8217s also purchased perfect presents for each of her household &#8211 not forgetting the biggest bone in the butcher&#8217s shop for her partner in crime, Gladstone the bulldog.As snowflakes fall, Eleanor is cheering on contestants in the traditional fun run in the grounds of the Hall. But tragedy strikes when one of the runners drops dead at the finish line. Dashing Detective Seldon is convinced it&#8217s just a heart attack, but Eleanor isn&#8217t so sure. When she finds a rather distinctive key where the man fell, Eleanor knows she&#8217ll never rest until she finds out the truth about what happened in her own home.

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1920s Essay Introduction

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In reaction to the financial crisis of 2008 scholars may be rethinking these conclusions. Economists have been questioning whether central banks can and should prevent asset market bubbles and how concerns about financial stability should influence monetary policy. These widespread discussions hearken back to the debates on this issue among the leaders of the Federal Reserve during the 1920s.
Fashion in the 1920s was all about the whole look and there were trends in how the body itself was fashioned. The simple lines and androgynous shapes of fashion looked best on bodies free from curves. Through exercise, diet, and various shaping undergarments, women attempted to achieve this look. The sporting look also helped facilitate a mode for suntanned skin. Many women cut their hair into a bob, a popular hairstyle that emerged early in the decade. Hairstyles kept getting shorter first with the shingle and then with the Eton crop, but like hemlines, as the decade drew to a close, women were starting to grow their hair longer again. The cloche hat became an extremely popular accessory that looked best with these short hairstyles.
This collection of primary source documents and essays provides in-depth coverage of the cultural, social, political, economic, and intellectual events of the 1920-1945 era. In keeping with the proven strengths of the Major Problems series, the compelling documents are grouped with important secondary sources, accompanied by chapter introductions, selection headnotes, and suggested readings.
The Civic Club dinner significantly accelerated the literary phase of the Harlem Renaissance. Frederick Allen, editor of Harper's, approached Countee Cullen, securing his poems for his magazine as soon as the poet finished reading them. As the dinner ended Paul Kellogg, editor of Survey Graphic, hung around talking to Cullen, Fauset, and several other young writers, then offered Charles S. Johnson a unique opportunity: an entire issue of Survey Graphic devoted to the Harlem literary movement. Under the editorship of Alain Locke the "Harlem: Mecca of the New Negro" number of Survey Graphic hit the newsstands March 1, 1925.2 It was an overnight sensation. Later that year Locke published a book-length version of the "Harlem" edition, expanded and re-titled The New Negro: An Interpretation.3 In the anthology Locke laid down his vision of the aesthetic and the parameters for the emerging Harlem Renaissance; he also included a collection of poetry, fiction, graphic arts, and critical essays on art, literature, and music.
The visual arts, particularly painting, prints, and sculpture, emerged somewhat later in Harlem than did music, musical theater, and literature. One of the most notable visual artists of the Harlem Renaissance, Aaron Douglas, arrived in Harlem from Kansas City in 1925. Later that year his first pieces appeared in Opportunity, and ten Douglas pieces appeared as "Ten Decorative Designs" illustrating Locke's The New Negro. Early the next year W. E. B. Du Bois published Douglas's first illustrations in The Crisis. Due to his personal association with Langston Hughes, Wallace Thurman, and other African American writers, his collaboration with them in the publication of their literary magazine Fire!! and his role designing book jackets and illustrating literary works, Douglas was the most high-profile artist clearly connected to the Harlem Renaissance in the mid- to late-1920s. And while these connections to the literary part of the Renaissance were notable, they were not typical of the experience of other African American artists of this period.
By 1920, Harlem, by virtue of the sheer size of its black population, had emerged as the virtual capital of black America; its name evoked a magic that lured all classes of blacks from all sections of the

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