“Synapse Attack” is the moment the Quantumbreak stops behaving like music and begins behaving like a neurological event.
Dia-Zé-Pam-100MG unleashes his most mind-warping creation yet — a hyperspeed labyrinth of fractured rhythms, multidimensional pulses, and melodic shrapnel that ricochets directly through the nervous system.

Built with the full power of Ableton Live 12, Push 2, Embodme Erae 2, and the Komplete Kontrol S61 MK3, this track isn’t produced… it’s engineered, like a sonic particle accelerator firing breakbeats faster than the brain can consciously track — yet somehow remaining coherent, groovy, and terrifyingly alive.

Where previous Quantumbreak tracks pushed the boundaries of rhythm,
“Synapse Attack” vaporizes the boundaries entirely.
It folds tempo into geometry, turns sound into a mental corridor, and drags the listener through 42 overlapping perceptions of time. It’s hypnotic, aggressive, psychedelic, and mathematically absurd — the kind of track that could make a supercomputer sweat.

Some will call it experimental.
Some will call it impossible.
Most will simply call for medical assistance.

Enter at your own risk.
Dance if you dare.
Survive if you can.

Synapse Attack

“Holocron” is what happens when Quantumbreak outgrows physics, asks the laws of tempo to step outside, and vaporizes them with a single kick.

Forged with Ableton Live 12, the Push 2, the Embodme Erae Touch (freshly awakened into its final form), and the S61 MK3, this track isn’t just fast — it’s non-measurable. A pulse that slips into tachyon territory, a groove that bends timelines, and a melody that behaves like a multidimensional organism.

Here, hyperspeed becomes architecture.
Every pattern folds in on itself like a sonic holocron: a cube of encrypted knowledge, each face revealing a new logic of breakbeats that shouldn’t exist… but somehow do.

Quantumbreak reaches a higher state:

Groove at light-fracture velocity

Percussion that seems alive

Melodies shaped like collapsing galaxies

Rhythms that lock into impossible symmetry

This is not noise.
This is not chaos.
This is precision beyond human scales, delivered with ruthless clarity.

Holocron is not a track.
It’s a data cube from a future genre that hasn’t been discovered yet.

Open it at your own risk.
Decode if you can.
Survive if you’re lucky.

Holocron

“Tachyonic Threat” is what happens when Quantumbreak stops being about speed… and starts bending time itself.
A hypnotic, hyper-accelerated corridor of rhythm, built from motifs so fast they shouldn’t exist — yet somehow stay groovy, coherent, and eerily alive.

Driven by a surgically precise kick engine and fractal percussion architectures, the track pulls the listener into a trance-state where reality loops, folds, and twists into new geometries.
It’s minimal, but not simple.
It’s mental, but not chaotic.
It’s fast — impossibly fast — yet every movement feels intentional.

The result:
a tachyon-fueled piece of Quantumbreak, hypnotic enough to induce visions and sharp enough to destabilize your internal clock.

Enter carefully.
This one doesn’t just break BPM limits —
it outruns causality.

Tachyonic Threat

“Abyssal Groove” is not a track — it’s a gravitational collapse set to rhythm.
A Quantumbreak descent into a subaquatic dimension where pressure is measured in BPM and the dark matter pulses in sync with your synapses.

Here, Dia-Zé-Pam-100MG dives past the limits of velocity and deep into something stranger:
a groove born in the hadal zone, where melodies shimmer like bioluminescent creatures and percussion strikes echo like tectonic plates cracking in slow motion at impossible speed.

The kicks throb beyond human thresholds, yet remain hypnotically danceable, creating the uncanny sensation of drifting and sprinting at the same time.
The pads swell and collapse like a cosmic trench breathing, the textures swirl in fractal spirals, and the entire mix feels like a message whispered by an ocean that exists outside linear reality.

This is ambient pressure meeting hyper-tempo, a union of mental trance, abyss-core tension, and pure Quantumbreak insanity — sculpted through the Push 2, the Embodme Erae 2, and sheer dimensional stubbornness.

Abyssal Groove is the soundtrack of a place where light doesn't reach…
…but rhythm does.

Welcome to the deep end.
Try not to sink.

Abyssal Groove

“Red Pillz” is Dia-Zé-Pam-100MG at his most unhinged, unfiltered, and unavoidably transcendental — a full-spectrum Quantumbreak assault built from live-played Erae 2 patterns, acid hallucinations, and rhythmic architecture that folds space like origami on DMT.

Everything here is performed, not programmed.
The percussion is a hyperactive ritual: finger-drummed at human speed, then blasted into tachyonic territory where grooves mutate, multiply, and collide with impossible precision. It’s the sound of a drummer losing his physical form and becoming pure intention.

Acid lines twist like serpents made of laser light.
Nappes bloom into psychedelic storms.
The rhythm keeps shifting like a Rubik’s cube that solves itself at 1000+ BPM.

“Red Pillz” isn’t just fast — it’s alive.
It breathes, writhes, spirals, and breaks open new mental corridors as it moves. It’s a manifesto for what Quantumbreak becomes when you fuse it with psychedelic trance logic, hyperspeed drumming, and the chaotic imagination of an artist who doesn’t recognize the concept of “limits.”

Take the pill.
Enter the vortex.
But don’t expect to come back in the same shape.

Red Pillz

liveset con Ableton 12, todo nativo
controlador Ableton Move
México, 2025

si quieres que presente este liveset escribeme por DM 
fantasmogenesismx

evolución - live set experimental latin acid dance

“Akuma VS M.Bison : DOUBLE K.O.” is the moment the Quantumbreak universe stops pretending to obey physics.
Forged with two Erae 2 controllers, a hyperspeed workflow, and BPM levels that should require a legal permit, this track is a full-scale dimensional clash:
Akuma’s razor-sharp brutality colliding with
M.Bison’s telekinetic heaviness
until both forces implode in a synchronized, catastrophic DOUBLE K.O.

Built at over 1000 BPM, the track bends rhythm into impossible shapes — micro-polyrhythms, fractal grooves, and fluid velocity changes that strike with martial-arts precision.
Every pattern is performed, not programmed: a duel fought in real time on luminous silicone pads that ripple like chi energy.

The sound design is a battlefield of warped harmonics, shifting stabs, spectral pads, and percussive anomalies that behave as if they’re alive.
The groove never dies — it mutates, reforms, attacks again.

This is not just speed.
It’s combat-theory music, a cosmic fight scene rendered as Quantumbreak audio.

If you survive the impact, congratulations.
If not… well, the title warned you.

Welcome to the arena.
FIGHT.

Akuma VS M.Bison : DOUBLE K.O.

“Middle of Nowhere” is a descent into a shifting desert of fractured timelines — a hypnotic, ultra-fast Quantumbreak ritual where groove survives against impossible odds. Built entirely on instinct, dual controllers and sheer entropy, this track blends tribal pulses, psychedelic textures, and high-dimensional rhythms that shouldn’t logically coexist… yet somehow do.

A drifting mirage, a spiral, a storm — and a reminder that even in the absolute void, the beat finds a way.

Enter at your own risk.

Middle Of Nowhere

“Overload” pushes Quantumbreak into its most extreme territory yet — a neural storm of hyperspeed drum pressure, collapsing polyrhythms and hallucinatory harmonic bursts sculpted through Dia-Zé-Pam’s dual Erae 2 setup.
This is not just fast. This is structural compression of time.

From the opening seconds, Overload detonates like a reactor pushed past its safety limits:
relentless micro-percussion, elastic kick clusters, fractured ghost-melodies and glitch-saturated textures swirling into a vortex dense enough to bend perception. Every layer is alive, mutating, folding back on itself, expanding outward like a digital supernova.

The track shifts between chaotic propulsion and twisted groove, creating a strange, impossible balance—simultaneously destructive and hypnotic, like a rave inside a particle accelerator.

Built in pure instinct mode, played like an instrument possessed, and driven by the raw physicality of the Erae surfaces, Overload embodies the next step of the Quantumbreak sound:
faster, denser, more psychedelic, and aggressively alive.

If you enjoy music that vibrates the edges of consciousness, steps outside BPM logic, and treats rhythm as a multidimensional organism…
welcome to Overload.

This is the signal.
Brace your neurons.

Overload

“Instinct” is a hyper-charged dive into the raw, unfiltered core of Quantumbreak — a track built at the edge of collapse, where rhythm mutates faster than thought and the subconscious becomes the true conductor.

Driven by dual Erae 2 control, this piece erupts from pure improvisation: tactile drumming, pressure-sensitive pattern morphing, and harmonic fragments that warp between states like unstable particles. Every section feels alive, mutating organically, refusing any linear structure. The BPM climbs and coils into itself until the groove becomes something beyond groove — a swarm, a pulse, a feral logic only the body understands.

“Instinct” thrives on chaotic micro-syncopation, psychedelic texture sculpting, and unexpected harmonic surges that break through the rhythmic storm like flashes of raw consciousness. It’s a track that doesn’t “progress” so much as it evolves, accelerating and shedding layers until only the essential remains: motion, energy, animal intuition.

This is music built without a blueprint — composed by reaction, sensation, and impulse, captured in the moment before conscious thought could intervene.

If Quantumbreak had a heartbeat, this is what it would sound like.

Instinct

"Art Is An Explosion !" 
 -Deidara, Naruto Shippûden



"Collapse, Sakanade..."
 -Shinji Hirako, Bleach

experimental beatmaker
reggaeton / trap / hip hop instrumentals
idm inspired, trip hop, glitch hop, breakbeat
also a vj and audiovisual artist
mexico city based
fantasmogenesis.com

New tracks tagged #Ableton live 12