labor51 | 
research department - 20250906

magnus frickelsen livesets are not usual
he also goes very straight into the manipulation of the sounds. 
effects lover magnus shows a enthusiastic liveset - stream or download...

info:
only a few weeks ago we were very proud of the result from the further CONTACT liveset. allover a full range techno liveset with self created sounds and arrangements - and we didnt stop working on it and we want to share the upgrade of CONTACT -  the liveset became more samples, we added a lot of additional percussion elements to be sure that every sound played just one time. we overworked the setting of the channel effects and we named all created clips with senseful descriptions. it stayed raw and dirty but i wanted to change the main synth because of the old one was using system ressources without effort and then we found something maybe better. the one shot vocals became the most volume fixing work but there were many sounds that i changed because the sound was to similar to another sound. the channel effects got updated and the parameter manipulations were on nearly every given knob or fader. also the buttons became a overworked routine because i found a way where i think its more sorted and the overview makes sense. what you cant see is the colorful liveset in ableton while the process. just a small change and the whole liveset was clearer. now its complete structured and sorted what was our big hope. its near to the point where we say a better workflow isn´t possible... in this state of the work it became a detailed (experimental) minimal techno liveset with a high grade on groove and atmosphere. with supporting short vocal elements and more familiar sounds. we are proud of it because its the best work so far. 

maybe you like it too. comments welcome...




labor51 | research-department

contact

magnus frickelsen - liveset - CONTACT

somethin

Inspired by one man’s over-the-top suffering and an over-compressed swarm of oscillating rage, this track is a love letter to The Wicker Man—but make it DnB.

Built in Ableton 12. Basslines scream. Synths sting. The bees are in your ears now.

🐝 Nic Cage wouldn’t approve. You definitely should.

Screaming Bees

We all feel it at times, and I guess that's what I tried to capture here. The progression hopefully signifies an inevitable escape.

Weight of the World

Atwa - Reflex

I'd left this beat unattended for a while, so the mood took me and it turned into an unintentional boss fight.

Collateral

I did the thing to the thing, which I cannot mention because of demonetisation. Anyway, this has a bit of a live feel to it, and I very much enjoyed making it. I hope you enjoy the listening!

Illuminate(d)

[The Audio Contains High Decibels]

Listen to "VVR" by DAMNUGLY
Sample Music 2025

Connect :

YouTube →
https://youtube.com/@DAMNUGLYMUSIC

BandLab →
https://bandlab.com/damnugly

Audiomack →
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DAMNUGLY - VVR

I'm not sure where this came from, but it is a rousing jaunt through fairly classical progressions. 

Flutter

List ...

[00:00] Break, MC Fats - Natural Way (Remix)
[02:56] FarFlow - Run It Back
[04:19] Dez - Slums
[05:25] oz - Power
[08:00] Wingz - Light Up VIP
[09:28] BassHunterz - Double Dip
[10:38] DJ Hybrid - Run Upon It
[12:08] Objectiv - Diss
[13:57] GRAVIT-E - Deciwomp
[15:26] Wingz - Submission VIP
[18:01] Vibe Chemistry - Sweet Love
[20:13] Sorn, Luke Truth - Dutchie
[21:31] Dez - Recalibrate
[23:26] TRAUMATIZE - Joker
[24:38] Promo Zo - Pie & Mash
[26:06] Tomoyoshi - Keep The Vibe
[28:41] L-Side, Selecta J-Man, Rider Shafique - We Ruff
[31:15] BorkerBrothers - Timelapse
[32:44] Tomoyoshi - Madness & Creation
[36:02] Dan Guidance, Salem Focus - Why's The Water Blue
[38:15] Monolth, B-Don, Macca.47 - Signs and Signals
[40:49] Hiraeth, Drumslave, Freddy B - Stuck In The Mud
[42:40] GZY - Defective
[43:46] Cool Hand Flex, Bladerunner - Melody Madness (Bladerunner Remix)
[45:58] Enea - Still Here (Dava Rmx)
[47:26] RnG - HIGAN
[50:28] FarFlow - Simple
[51:40] Wingz - Submission VIP
[52:46] Teddy Killerz - Give Me
[55:21] Clipz - Belly
[56:27] Smote - Reflection

Subsonic Structures & Neuroacoustic Frequency #016

thatstoougly@gmail.com 🔌

Pull Up 🏃‍♂️

YouTube →
https://youtube.com/@DAMNUGLYMUSIC

SoundCloud →
https://soundcloud.com/damnugly_music

BandLab →
https://bandlab.com/damnugly

Audiomack →
https://audiomack.com/damnugly

ReverbNation →
https://www.reverbnation.com/damnugly

Instagram →
https://instagram.com/damnuggly


Deep House, Tech House, Lo-Fi House, UK House, UK Garage. 
Released on DeepTech Records, Hotoven Records, Bubble'N'Twist. 
Always deep groovy weird shit! Stay tuned!

JD Lysdexic is a drum and bass enthusiast-turned-DJ who’s been hooked on jungle rhythms since they first rattled their brain 25+ years ago.  Now setting their sights on production, JD is channeling decades of passion into creating tracks that blend the high-energy chaos of Jump Up, the infectious grooves of Dancefloor, and the gritty intensity of Neuro. Whether behind the decks or in the studio, JD aims to bring unforgettable vibes to the drum and bass community.

[label-information]
labor51 is a subdivision of the german techno label tt-rec (tooltechrecords)

we run a research department

I have been creating music since my misspent youth. Every song has a story.

I started with sample based tracks via Dance eJay and Acid Music on my x486 PC, the output from which I would describe as interpretive.

My first writing from scratch started with the glorious Yamaha RM1x and subsequently the Yamaha RS7000. With limited responsibility and seemingly endless weekends, I found the creative spark.

I have diddled a bit with my Teenage Engineering OP-1, Novation Circuit and Korg Electribe 2 (see tracks for evidence), and I briefly touched the Native Instruments Maschine MK2 but I didn't have the PC power to run with that.

Once Akai announced the MPC Live, I was positively salivating and purchased on release.

It has always been about an all in one box solution for me, and now I am only limited by my own creativity and precious free time (thanks, kids).

I write things that I like to listen to, but commercial music this is not. I could see my music in a game, artsy video or fever dream.

At least, when it's all done, I can say that I made some nice noise, even if nobody else thinks so.

Gordy (AKA Fischen Vikker).

New tracks tagged #Abletonlive