Every successful thief (and screenwriter) knows that a daring robbery requires a powerful and well-coordinated distraction. That criminal axiom was evident in Charleston during the spring of 1731, when a gang of house-breakers allegedly planned to blow up the town’s brick magazine used for the storage of gunpowder. Authorities foiled the plot by arresting and executing the villains, but the inherently dangerous magazine in modern Cumberland Street persisted. Although citizens campaigned to move the powder elsewhere, a suite of issues delayed the completion of a more remote magazine until 1746.

Episode 285: The Charleston Gunpowder Plot of 1731, Part 1

During their year-long incarceration, the criminal trio accused of plotting to blow up Charleston’s powder magazine had ample time to argue among themselves and plan their escape from the insecure jail. Only two of the villains survived to face the king’s law in the spring of 1732, prompting suspicion of foul play at the prison. In the dramatic conclusion of this explosive story, we’ll learn who escaped the gallows and why the government’s efforts to close the dangerous magazine dragged on to the summer of 1746.

Episode 286: The Charleston Gunpowder Plot of 1731, Part 2

WARNING!!! WARNING!!! WARNING!!! Carnie flip. de & Koda at it again.

The Berfday Song

Shortly after the creation of the nation’s first municipal orphanage in 1790, the citizens of Charleston contributed generously to the construction of a large and well-documented edifice on Boundary (now Calhoun) Street that housed thousands of children between 1794 and 1951. The location of the institution’s initial home, visited by President George Washington in May 1791, is far less remembered, however. A search for clues to the location of Charleston’s first Orphan House leads to a forgotten Pinckney family property in the heart of Colleton Square.

Episode 288: Charleston's Forgotten First Orphan House, 1790–94

From the dawn of the Carolina Colony to the early twentieth century, residents of rural Charleston County enjoyed no police protection beyond their own vigilance. Ancient customs, imported from England and transformed by the institution of slavery, obliged free men to patrol their own neighborhoods on horseback, apprehend lawbreakers, and deliver them to justice. A paid rural police force gradually emerged in the early 1900s, fostered by the proliferation of automobiles, and eventually led to the creation of the modern Sheriff’s Department in 1991.

Episode 289: Policing Rural Charleston, from Colonial Posse to County Sheriff

Just beyond the boundaries of urban Charleston, a hundred-acre pasture straddling modern Meeting Street hosted a variety of public events during the second half of the eighteenth century. Crowds flocked to Newmarket, as the site was called, to toll their livestock, to watch racehorses traverse a one-mile oval, to witness the auction of large gangs of enslaved people, and to see Native American visitors camping beyond the pale of South Carolina’s colonial capital. In this episode of the Charleston Time Machine, we’ll explore the tangled history of one of the community’s earliest and least-remembered suburbs.

Episode 290: Charleston’s Suburban Racecourse and Slave Auction Site

Line Street isn’t the most glamorous thoroughfare in the City of Charleston, but it recalls a significant episode in the community’s history. During the darkest days of the War of 1812 with Britain, thousands of men and women—both enslaved and free—rushed to construct a zigzag line of fortifications across the peninsula between the rivers Ashley and Cooper to protect the city against the threat of hostile invasion. The peace of 1815 rendered their work superfluous, but the erasure of the “lines” after the Demark Vesey Affair of 1822 left a permanent record of the war on the urban landscape.

Episode 291: Line Street: Vestige of the War of 1812

An affluent Cuban merchant and his young pregnant wife set sail from Havana in May 1734 on a peaceful voyage to Hispaniola aboard their private schooner, but a piratical mutiny at sea claimed many lives and set the vessel adrift. Aided by a passing Bahamian mariner, the Nuestra Señora de la Concepçion came to Charleston in distress and gained protection from local authorities. Interviews with the survivors sparked a formal trial that imposed British law on foreign visitors and delivered resolution to a grieving Hispanic widow and her newborn daughter.

Episode 292: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 1

This week, old-time Appalachian multi-instrumentalists and educators Dan Levenson & Bob Carlin recorded live at the Ozark Folk Center State Park.  Dan and Bob acted as judges at our annual old-time fiddle & banjo contest where they also gave us this masterful evening performance.

“Dan Levenson is an Appalachian native who has grown up with the music of that region.  Today he is considered a respected master teacher and performer of both the clawhammer banjo and Appalachian style fiddle.  Dan performs and teaches regularly throughout the world, including in England, Ireland, Israel and Brazil.  He has taught at many music schools and camps, including in the John C. Campbell Folk School, Mars Hill, Maryland Banjo Academy, The Ozark Folk Center at Mountain View, AR, Banjo Camp North, The Rolland Fiddle Camp and Dan’s own Clawcamp and Old-Time Music instructional weekends held at various locations throughout the country.” - https://clawdan.com/about/  

“Banjoist Bob Carlin has been offering performances, lectures and workshops for over thirty years.  Carlin had largely left the solo arena in the mid-1990s after an invitation to join the band of songwriter John Hartford.  For six years, Bob Carlin toured throughout the United States and Canada with Hartford, even accompanying John on a ten day Japanese sojourn.  Since the death of John Hartford in 2001, Bob Carlin has returned to solo performing, teaching and appearances with other musicians.”
- http://www.bobcarlinmusic.com/teacher+performer/index.htm  

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original old-time fiddle champion Shay Pool playing the traditional tune “Grigsby’s,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks’ influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 4)

Ozark Highlands Radio

OHR Presents: Dan Levenson & Bob Carlin

The terrified survivors of a murderous mutiny aboard the Cuban schooner Nuestra Señora sailed from the Bahamas under the command of a hired English pilot in mid-June 1734. They sought to return to Havana with no questions asked, but the crew’s curious behavior alerted the new captain to mortal danger ahead. A secret pact forged in desperation spawned a violent counter-mutiny that spilled more blood and further depleted the crew, forcing the weakened schooner to make an emergency detour to the British port of Charles Town (now Charleston), South Carolina.

Episode 293: Mutiny and Murder aboard Nuestra Señora de la Concepçion, Part 2

I makes the jammers. The jimmity-jam-jambos, if you will. But I also do visual art stuff too, I do all kinds of stuffs. Enjoy my stuffs! X

Ozark Highlands Radio is a weekly radio program that features live music and interviews, recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas.  In addition to the music, our “Feature Host” segments take listeners on a musical journey with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.

Dr. Nic Butler, historian at the Charleston County Public Library, explores the less familiar corners of local history with stories that invite audiences to reflect on the enduring presence of the past in the Lowcountry of South Carolina.

New tracks tagged #Carolina,