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Les bobines embarquées sont des pistes sonores qui font entendre l’enquête à partir de sons embarqués sur le terrain et en répétition. Cet objet est pensé comme un album d’archives qui laisse entendre la création en train de se faire.

Matrixé·e·s

Expérience sur skaï

Nuit éternelle

Gerbeur Mazurka

Ces bobines sont des pistes sonores composées à partir de sons embarqués sur le terrain et en répétition. Cet objet est pensé comme un album d’archives qui laisse entendre l'enquête en même temps que la création en train de se faire.

A/R D977

Échappée musicale

সোনার পাখি 
Shonar Pakhi

Poem by Parvathy Baul & Sanatan Das Baul

Parvathy Baul: vocals, ektārā, ḍugḍugi, nūpur
Lokkhon Das Baul: vocals, dotārā & nūpur
Chayan Biswas: ḍhol
Rabi Biswas & Jhumki Hembram: ālponā paintings
Gilles Monfort: soundscape


সোনার পাখি “Shonar Pakhi” (The Golden Bird), first part composed by Parvathy Baul, second part by Sanatan Das Baul.

The song translates as follow:

“Oh! The golden bird,
Please don't leave the cage at once.
Sit in my heart cage
And sing the name of Hari.
 
Unattainable bird can't be tamed.
It won’t leave the cage either.
 
Oh! The golden bird,
You come and go 
In and out of the cage
Through the days and nights,
Wild bird flies away forever some day.
Oh! the golden bird,
Fakir asks:
‘Did you enter this cage by knowing?
When you fly away where do you go?’

⁂

The bird breathe in the cage of bone
Comes in and goes out twenty one thousand and six hundred times
Through the day and night,
Does anyone knows the secret of the bird? 

One who knows the secret 
He goes beyond the cycle of birth and death
His mind remains fixed in the golden chamber
He moves with the air. 

How does the form becomes formless? 
Does anyone knows its ways?
But if you know for once only 
You will cut the worldly bondages.

My mad father says in your chamber of breath
The man of heart is always engrossed in divine play
Oh mad Sanatan you will surely go across
First surrender yourself, worship the feet of the Guru.”

(Translation by Parvathy Baul)

The birds ‘dawn chorus’ soundscape was recorded by Gilles Monfort near Sanatan Siddhashram (near Shantiniketan, West Bengal, India), in March 2019, with a Nagra VI digital recorder and a Schoeps KFM6 stereo microphone.

https://www.parvathybaul.com

https://www.gillesmonfort.fr

https://www.zamanproduction.com

Cover photograph by Yann Lagoutte 


Excerpt from
BĀUL & ĀLPONĀ
Premiered in April 2019 at Théâtre Claude Lévi-Strauss
Musée du quai Branly — Jacques Chirac (Paris)

https://quaibranly.fr/fr/expositions-... 

Parvathy Bāul: vocals, ektārā, ḍugḍugi, nūpur, kartāl
Lokkhoṇ Das Bāul: vocals, dotārā & ānandalaharī
Gilles Monfort: vocals, tānpūrā & soundscape
Chayan Biswas: percussions
Rabi Biswas: ālponā paintings & scenography
Jhumki Hembram: ālponā paintings & scenography

Jean-Hervé Vidal: production & scenography
https://www.zamanproduction.com

⁂

Resident stage manager: Benjamin Karamehmedović
Director: Giuseppe De Vecchi
Lighting: Guillaume Tisseyre & Jean-Hervé Vidal
Live sound engineer and sound recordist: Alec Melloul
Sound mixer: Gilles Monfort
Camera operators: Mustapha Seffar, Maude Le Gléau, Julie Terrasson, 
Key grip: Jean-Claude Bono

⁂

Musée du quai Branly — Jacques Chirac

Venue crew:
Christine Drouin
Anne Behr
Benjamin Karamehmedović
Aliénor Caussé
Olivier Orsucci
Pauline Gérard

Shonar Pakhi

Shonar Pakhi | Parvathy Baul, Lokkhon Das Baul & Chayan Biswas (soundscape by Gilles Monfort)

Texte extrait de "La faim du tigre" de René Barjavel - 1973

Tu n'es qu'un Os

Une virée dans l'un des plus anciens marché de Paris, à la rencontre des vendeurs et des brocanteurs qui l'animent 6 jours sur 7. Le marché d'Aligre est un lieu atypique et plein de joie. C'est d'autant plus vrai que j'ai enregistré cette émission le 31 décembre 2022, juste avant le passage à la nouvelle année ! Avec les visages sonores de Paris, je vous invite à découvrir la capitale autrement que par les sempiternelles images qu'on nous propose.

LES VISAGES SONORES DE PARIS- EPISODE 4- LE MARCHÉ D'ALIGRE

La création scénique Horizon Gasoil est augmentée de projets satellites qui donnent à voir la démarche et qui soutiennent la pièce. 

Bobines embarquées sont des pistes sonores qui font entendre l’enquête à partir de sons embarqués sur le terrain et en répétition. Cet objet est pensé comme un album d’archives qui laisse entendre la création en train de se faire.

#documentaire #creationsonore #enquete #archives #performancesonore

Composer, sound artist, field recordist, multi-instrumentalist and singer.

My work is diverse and expressed through many different genres, media and projects: live performances (electronic music, jazz, rock, classical, early music, free improvisation, vocal polyphony, North Indian classical music...), electroacoustic compositions, phonography, music scores and soundtracks for films, dance and theater plays.

My gurus: 
Floris Nico Bunink (jazz piano)
Jean-Claude Ledoux (natural sciences)
Thierry Thibault and Arnaud Boukhitine (tuba)
Ustads Sayeeduddin Dagar and Wasifuddin Dagar (North Indian ‘dhrupad’ singing)
Allan Wright (singing technique)

As part of bands or under my own name, I performed in many different venues and festivals in more than 20 countries around the world, from Vietnam to Chile, Australia to Costa Rica....

Recent highlights include sound creations commissioned by Festival “En chair et en son” (Paris, 2016), “World sacred music festival of Fès” (Morocco, 2017), "Un autre Orient" (carte blanche to festival "Les Orientales", in "Lieu Unique", Nantes, 2017), "Each morning of the world" (2018 and 2019, web releases), and for the show "Baul & Alpona" with Parvathy Baul (Musée du Quai Branly, Paris, 2019).

Worked with Ugo Boscain, Mico Nissim, Parvathy Baul, Ludwin Bernaténé, Gyohei Zaitsu, Christiane Bopp, Alain Weber, Julie Mondor, Marc Niess, Theater Titanick, Ulik, Fanfare Le SNOB, Ramzi Aburedwan, François Ribac, Solène Cerutti, Moon Pallas, Coup d'Marron, François Morel, and many more...

All titles presented here are protected and part of the SACEM repertory.

New tracks tagged #Créationsonore