USDT

Que Mira' Bobo- Le 4, Le 6 Et Le 9

This isn’t a track. It’s a takeover.
Minted. Locked. Unstoppable.
“Tap In” flips the script—no labels, no middlemen, just pure Web3 power.
Trap meets crypto. Bars meet ownership.
You don’t stream this.
You collect it. You own it.

💥 For the ones building in silence.
🎧 Press play. Tap in. Own everything.

Tap in

"Cycles Don’t Lie" is a crypto-trap sermon from the mountaintop — part prophecy, part dancefloor confession. Dylan Flare delivers hard-earned wisdom from years of riding the highs and surviving the lows, flowing over DJ CRUZE’s cinematic, bass-heavy production. This track is for the traders who’ve seen it all... who know that every euphoric top and bloody bottom is just another turn in the eternal spiral. 

With glitchy vocal chops, gospel-tinged hooks, and drops that hit like market capitulation, this banger is both a trading anthem and a spiritual awakening. For anyone who’s ever learned the hard way: the charts don’t lie… and neither do the cycles.

🌀 "You can ignore the charts, but the charts won't ignore you."

LYRICS
[Intro]
 They forget, every time...  But the charts don’t. Cycles don’t lie.

[Verse 1]
 Life-changing gains, wealth that matters, Not memes, not scams, not influencers' chatter. Three cycles deep, I seen the hype inflate, Then the rug gets pulled, and the weak debate. They scream "We're early!" while I set alarms, Watching whale shadows moving through the farms. Cold wallet locked, that’s my digital vault, While they're praying for pumps, I’m planning exits with salt.

[Hook - Trap Choir Harmony] 
Where we goin'? (Where we goin'?) Cycles don’t lie. (No, they don’t.) Whales move quiet, (like the tide, yeah), While the noobs cry. (Ooh.) Four years up, then rewind, Ride the wave or read the signs. This ain’t hope, this ain't a try, It’s truth in motion, watch the sky.

[Verse 2] 
Charts break patterns like habits in spring, One last bounce? Or the end of the fling? Tone Vays hesitates, Matt called the top, S and P at all time highs, still we drop. Is this a pause? Or a proper decline? Either way, I’m dry-powdered and aligned. Guppy turned dolphin, now swimmin’ with grace, Shadowing whales, while y’all chase face.

[Breakdown Bridge]
 Joe Saz said there's a gap, And it echoes like a trap... Back to forty thou... snap.

[Hook - Refrain / Auto-Tuned Gospel Layered] 
Where we goin'? (Say it clear now) Cycles don’t lie. (Don’t lie) Whales move quiet, (slip by night) While the noobs cry. (Cry, cry) Four years up, then rewind, Ride the wave or read the signs. This ain’t hopium, this ain’t hype, This is patience paid in time.

[Final Verse]  
They said 200K, now eyes wide shut, Didn’t sell strength, now they stuck in a rut.  I bought despair, sold euphoria’s glow, Wrote my plan, stuck to the flow.  No more dreams, just charts and signals, I read the tide, not retail jingles.  They bought the hype, I bought the dip, But sold the top — let that wisdom rip.

[Outro]
 I’m not a prophet. I’m not a preacher. I’m a witness. Three cycles deep, still breathing. When the silence comes... That’s when I move.

Cycles Don't Lie (original mix)

All of my latest music is on..
https://unitedmasters.com/a/mbaileyz

Immersive soundscapes that blend trap, hip-hop, electronic, and experimental genres. Fuses cultural commentary with unforgettable rhythm.

mBaileyz

From B-Boy Battles to Bass-Driven Revival
Raised in a small Southern town where hip-hop was a lifeline and breakdancing a rebellion, DJ CRUZE carved his place in a culture that didn’t always welcome him, but couldn’t ignore his talent. Influenced by legends like Egyptian Lover, UTFO, and LL Cool J, he mixed tapes, popped and locked, and earned a reputation as the best breakdancer in town.

Life took him through Christian ministry, digital animation, political activism, and back to music... each chapter adding layers to his sound. From church choirs to dubstep house parties in LA, DJ CRUZE’s journey is a fusion of soul, grit, and reinvention.

Now, armed with AI tools and decades of creative fire, he’s producing forward-facing hip-hop and bass-heavy EDM that moves bodies and stirs spirits. His latest tracks blend old-school electro with modern production, echoing a lifetime of rhythm, resistance, and rebirth.

“I make music for the dancefloor and the soul. It’s graffiti for the ears, praise for the pulse.”

Stanton's music is available on SoundCloud, and he’s seeking collaborators, curators, and platforms that believe in stories that move people... literally and emotionally.

Follow me on my EDM DJ/Producer journey.  Thank you for your support!

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