Hindi Songs 2021, Hiphopart, Instasound, Hannah Diamond , Had After, Hiphoptypebeats, Heather Ann Thompson, Medvedev Swiatek, Jacksonville , Jaycritch, Ianuarie, Leyen, Latina,Salsa,Alejandro, Khomha, John Darling, Icône , Jose Gonsalez, Jam Blomqvist, Ketr, Ibiza Beach Music, Habsburg #Habsburger, Iazyatiji, Newhyperpop, Husky Lion Crew, Guyrichdj, Jazz,Anime,Anime, Hqr,, Harsh, Annoying, Kawaiimusic,  Mercado Financeiro, Halbwertszeit, Impact Tunes, Japanoise, Hantavirus, InsiderâS, Khaki Music, Hazoor, L’Amour.

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Jesuszavala,, Kreva, Mondom, Luckyali, Justbeingmyself, Ledri, Ma Plans, Karl Lingard, Olympicweightlifting, Sandra Mbuyi, Jorjitodgey, Lucas Oil Racing, Joeytrap, Maafkan Kesalahan Orang Sebelum Tidur, Kevvo, Monster D&B, Jerseyremix, Kollektivturmstrasse, Kaizer Around The World, John Paul Young, King Matthew, Kenora, Jno, Kcold, Marillion, Live Broadcast, Jordan Bruce Wayne J. Leon, Joakim Noah, Mattfax,  Malayalamremixclub, Kisahrosul, Jls, Lauded, Léozão), Kevin Durant Heat, Pink Glock, Latin Love, Modjo

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The 21-string harp, the kora, is a signature instrument of West Africa. Complex and beguiling, kora music was long the exclusive domain of griots, musical historians by heritage. But once recordings began to circulate in the 1970s, the instrument went international, finding its way into jazz, pop, rock and even classical and religious settings. In this episode, we sample a wide range of kora music, and hear tales of its remarkable global journey.

APWW #860
Produced by Banning Eyre

Journeys With The Kora

Kahe, Kasugu, Lilcoldwrld, Mickey Singh, Rendimentos, L-j, Lorrany, Love Without Tragedy, Kwikis, Kargi, Lauro, Leordproduciendo, Manuvers, Laflare, Kostenlose Aktienmusik, Kaamalot, Max Roven, Kiss Me More Slowed, Musicalodyssey, Masseurcerebral, Lildrughiil, Kendrickxasaptypebeat, Latest Remix, Keynote Speakers, Listenhott, Missluxury, Matt Gibson, Lena(Nl), K-lone,  La Peste, Kyodi, Mrkwkm, Latinmusicweek,, Losangelos, Lysosomes, Moose:, Kuller, Odia

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Sidiki Diabaté - Terminus Ft. @GAZO

Balbi, يباركلي, ---strassenbande, Aacm, Abdomen--s Sampled , (Vol., Cali Roots, چهره, สัตว์ป่า, (Lateinischer, El Puesto De Observacion, مبين, アイリーン・フォーリーン, -dad-ever,, ماحد, 유성수성, All The Money, Billy Jean King Cup, -mcalemaodograja, A Berry Tale, (E, Beziehungsanarchie,, -way, -rhythms, ​#Lagareh, مكس, ขนส่ง, African,, مجوفين,  کامو, Aldrichcroesaruba, A.E.Vanvogt, -sim-,  Military Fashion Show Industrial Metal Gothic , Abu Dhabi Call Girls, Call Girls In Abu Dhabi, Call Girls Abu Dhabi, ----,Retro, 디핵, Anti-Microbials

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Schlimmer Kann Es Nicht Werden - Santini Rein - LS - FCZ 1 - 0 Kommentare

Letica Schnell Unten - LS - FCZ 1 - 0 Highlights

Himra - Coulibaly & Diabaté  (Afro Club Remix)

Toumani Diabaté - “Jarabi” (5:07)
Toumani Diabaté - “Mani Mani Kuru” (5:29)
Toumani Diabaté - “Queen Bee” (5.04)
Toumani Diabaté - “Boulevard de l'Indépendance” (3:58)
Toumani Diabaté & Ali Farka Touré - “Kala” (5:07)
Toumani Diabaté - “Ismael Drame” (5.46)
Toumani Diabaté & Kayhan Kalhor - “Anywhere That Is Not Here” (3.58)
Roswell Rudd, Toumani Diabate - Bamako - 6.28

Dünyayı Dinliyorum #894: 11 Ağustos 2024 Pazar günü 95.0 Açık Radyo’da Yayınlanan Program

Molacg

Suite For Molacg

Afropop Worldwide is an internationally syndicated weekly radio series, online guide to African and world music, and an international music archive, that has introduced American listeners to the music cultures of Africa, Latin America and the Caribbean since 1988. Our radio program is hosted by Georges Collinet from Cameroon, the radio series is distributed by Public Radio International to 110 stations in the U.S., via XM satellite radio, in Africa via and Europe via Radio Multikulti. 

Biography
Martin Kirkegaard (1976 - ) is a danish contemporary folk musician rooted in the improvisational aspect of the music based on the narrative storytelling. “real music should always have a real story to tell. A story that emanates from the moment of conception” he comments. His melodies and sketches come from the free space between his instrument and himself. Though he comes from a Blues and Jazz background he considered himself a folk musician but draws upon everything he hears. “Don`t box me in” he says. ”The world consists of sounds just waiting to get articulated”. In the light of this his travel to Africa has made a big and lasting impression on him and his way of looking at his instrument. Especially the string instruments of West Africa has inspired his guitarwork quiet a bit. And together with his travel to Scotland and The United States he has gathered a connection (in his mind) between the different folk music of the continents. He believes that every music is connected one way or the other. Of course he has his heroes (Robbie Basho, Ali Farka Toure, Abdullah Ibrahim, Bert Jansch, John Renbourn, Miles Davis, Ravi Shankar, Albert Ayler ect.) and his favorite patterns and colors but he always try to remodel, disassemble and translate the sounds he hears. On rare occasions he can play a covertune but he prefers to write/create/play everything himself. “It doesn`t fell right to me playing other people`s music. Maybe it is because I know it is not mine. I fell it is some others story that I am telling - I fell it is an alienation”.  Martin also believes in obstructions in music. He considers obstructions as a remedy for creating. And his most significant obstruction must be that he does not work with overdubs. Everything must be played as heard in real time. “That way I can make my music more authentic”. I feel that I can be present in the moment on a hole other level”. Maybe it is considered “old school” but I like it that way. You know, it is just a man and his instrument – a craftsman on process” he says. 

For many years he played in the trio DaFuGa that toured around Denmark for almost 8 years. Since then he has worked as a solo guitarist. In this context he has played concerts in Denmark at museums, festivals, small venues ect. The response has been surprising good (considered the somewhat narrow music genre) and his repeating patterns and almost hypnotic way of playing has left a lasting impression on the audience.    

Tar Gui is his official solo album debut (on vinyl) and consists of 8 pieces for guitar and 2 for banjo. It is an album full of decolorization, beauty spots, open wounds, small animals, love, rashes and other qualities. Here, no robot can hit the real edges of the music. It's music between the man and his wood.
The interview where done by 
Nitram Coltyard, May 2020

Züri Live - mehr als 93 Minuten. FC Zürich live:  Reportagen, Emotionen, Informationen, Interviews. 

Every Sunday from 12:00 to 13:00, the Dünyayı Dinliyorum (I Listen To The World) program airs on  Apacik Radyo in Istanbul. This radio show is dedicated to showcasing the rich diversity of World Music, introducing listeners to captivating sounds from different cultures around the globe. It aims to bring to light music that is often overlooked or unheard by mainstream audiences, providing a platform for emerging artists and lesser-known genres. The program is skillfully produced by Zekeriya Şen, who brings his passion and expertise to curate an engaging and enlightening experience for the listeners.

New tracks tagged #Diabaté