Scene 10: The Sunrise Moment
Morning again. But this time, no shame. No fear. She walks outside in the daylight — as herself. Hair down. Coat open. Heart full. And when someone calls out to her?

She turns. And she says:
“Call me she.”

🎵 SONG 10: "Call Me She"
A gospel-funk anthem of joy. She steps into her truth with pride. Not asking for permission. Owning her name, her body, her history. It’s not a reveal — it’s a homecoming.

Call Me She

Scene 4: The Dressing Room
Backstage, the drag family clocks her immediately: the trembling hands, the darting eyes, the hidden hunger. The queens take her in - not as a joke, but as a little sister. They pluck, paint, cinch, and coach. And in the chaos, something awakens.

🎵 SONG 4: "Tuck & Tape & Dream"
A fast, cheeky, ensemble number. The queens transform her — not just physically, but emotionally. For the first time, she sees herself smiling without apology.

Tuck & Tape & Dream

Scene 11: Returning to Her Throne
Back at Club Majesty, the queens see her walk in. No one scolds. No one lectures. They just laugh, open their arms, and pull her into the beat. This is her family. Her throne was waiting.

🎵 SONG 11: "What Makes a Queen"
An explosive, celebratory number. The drag family reminds her — it’s not wigs or tucks that make a queen. It’s survival. It’s voice. It’s coming back after you fall. It’s loving yourself out loud.

What Makes a Queen

Scene 3: A Doorway Into Possibility
She walks past a drag club on Lyndale. Outside, laughter spills onto the icy street. On a whim, heart pounding, she slips inside. It's loud, warm, alive. And then, the spotlight hits a drag queen on stage - and everything changes.

🎵 SONG 3: "The Queen on Lyndale"
She watches in awe as a queen owns the stage. For the first time, she sees a reflection of herself — not who she is yet, but who she could be. Her heart cracks open.

The Queen on Lyndale

Scene 5: Her First Time on Stage
Nervous. Terrified. Electrified. She steps into the light. Her name is called - Delilah Divine. She lip-syncs the first verse… then sings the next. The crowd roars. And just like that... she exists.

🎵 SONG 5: "Not Just Pretending"
A soaring performance. Her drag debut becomes a spiritual rebirth. She’s not playing dress-up. She’s finally living.

Not Just Pretending

Scene 12: The Walk Home
It’s snowing. She and her love interest walk hand-in-hand down the same street where it all began. She’s not in costume. She’s not in character. She’s just her. No more ballgown. No more borrowed name.

Just Delilah.

And the world finally sees her — as she is.

🎵 SONG 12: "Cinderella in the Snow"
The final ballad. Gentle. Glowing. Joyful. She walks home, not waiting for rescue, not hiding from truth. She didn’t find a fairytale. She built one. In stilettos. In snow. In her name.

Cinderella in the Snow

Scene 1: The Garage
We open on an auto shop in South Minneapolis. It's 6 a.m., fluorescent lights flicker above oil-slick concrete. Our protagonist - still known only by her deadname — clocked in like she has every day for years. Her coworkers crack jokes. She laughs along, voice lowered, body stiff. Her real self is buried beneath layers of grime, steel-toed boots, and practiced masculinity.

🎵 SONG 1: "Uptown Locker Room"
The daily performance of masculinity feels like suffocation. She hides her femininity beneath grease-stained uniforms and unspoken shame.

Uptown Locker Room

Scene 7: The Spark of Love
At a diner after a late shift, she runs into someone she knows — a friend from work, or maybe a familiar face from the drag club crowd. There’s a quiet tenderness between them. A connection. But he uses the wrong name. And she doesn’t correct him.

🎵 SONG 7: "Your Name’s Not Hers"
A tender, hesitant duet. He knows something's different. She wants to tell him, but the fear is still too big. Still, he listens — and maybe that’s enough, for now.

Say Her Name

Scene 2: Alone at Home
That night, she sits in her tiny apartment, staring at herself in the mirror under buzzing bathroom lights. The mask of manhood is gone. She traces her face with shaky fingers, wondering what’s underneath - what might be possible.


🎵 SONG 2: "This Face Ain’t Mine"
A vulnerable ballad. She examines herself in the mirror, unsure if the woman inside is real; but yearning for her anyway.

This Face Ain’t Mine

Scene 9: Rock Bottom
She’s alone in her basement apartment. The lights are off. The wig is on the floor. She feels like she lost everything: her job, her safety, her voice. But slowly, she realizes… Delilah isn’t gone. She’s just quiet. And she’s waiting.

🎵 SONG 9: "The Basement of Myself"
*A devastating, intimate ballad. She reckons with despair — and starts to rebuild. Delilah was never a character. She’s the core. And she’s still here.

The Basement of Myself

I'm just a songwriter, standing in front of a computer, asking it to sing my heart out. Welcome to my world where I weave words into lyrics and let technology bring them to life.

New tracks tagged #DragQueenMusical