"See The Candy Gleam" spins a classic 90s Texas vibe through a modern trap lens. 
Heavy bass and twangy synth accents underscore FlipGame’s smooth, Southern drawl, painting a vivid picture of candy-painted slabs, codeine-soaked nights, and unflinching street hustle. 
A mid-verse jailhouse interlude amplifies the stakes, while hazy female vocals provide an eerie counterpoint to the raw, confident flow. 

The result: a dark, head-nodding anthem that seamlessly merges retro swagger with contemporary grit, capturing both the hype of a club banger and the rough edge of underground hustle.

See the Candy Gleam

Scene: We rewind five years to Texas. Flip Game rides a quiet strip, chrome bright, pockets right, trouble in the rearview.

Narration:
“To understand how we got here, we rewind five years, back to Twenty Twenty Five.”
“In Texas, Flip Game rolls low down a quiet strip. Chrome bright, pockets right, trouble in the rearview.”
“He smiles like a secret, taps the door twice, and the block leans in.”
“Roll the tape… See the Candy Gleam.”

Purpose: Sets time and place after the 2030 Overture and cues the first character chapter. Built as a subtle lo-fi trap bed under a calm narrator so the transition into See the Candy Gleam feels seamless.

Credits:
Written and produced by KANTIBUS (Kris Antibus)
From the album edition of the END
Suggested order: On the Pond → Rewind: Twenty Twenty Five → See the Candy Gleam

the END

Rewind: Twenty Twenty Five (Interlude) - the END

Scene: Cartagena and Medellín docks at night. Racks Atlantic, Chicago baritone tactician, has been flown in quiet and left louder with no papers. He counts exits he cannot buy. A coupe with Texas plates rolls slow. FlipGame leans out and offers a door that opens… sometimes.

Script highlights:
“It was supposed to be a meeting. Then the doors shut and the papers vanished.”
“Legend, you look light today.”
“We didn’t say cartel. We didn’t say debt. We just started walking.”

Purpose: Bridges Nonchalant into the Colombia fallout and sets the cause for the Vegas convergence. Designed as a tight spoken-word over a low lo-fi trap bed so it flows into the next chapter.

Placement in playlist:
On the Pond → Rewind: Twenty Twenty Five → See the Candy Gleam → Rafters → Simp Sick → From Ash → Nonchalant → Medellín Lesson → Side to Side → Bogotá Rumors → The Slip …

Credits:
Written and produced by KANTIBUS (Kris Antibus)
Voice direction: Racks Atlantic perspective
From the album edition of the END

Medellín Lesson (Interlude) - the END

Scene: Inside a luxury car at night. A quiet call is made while a small pharmacy bag sits on the console. The money is clean. The mind is not. If you want him sharp, pull him back now. Or point him and say when.

Purpose: Bridges Night Terrors into Sickness. Confirms the slide without naming names and keeps tension forward in under twenty seconds.

What you will hear:
• Velvet but firm voice over an ultra minimal lo fi trap bed
• Short lines and held breaths that push straight into Sickness

Placement in playlist:
Night Terrors → Check on Flip → Sickness

Credits:
Written and produced by KANTIBUS (Kris Antibus)
From the album edition of the END

Check on Flip (Interlude) - the END

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

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