La película GREMLINS (1984) cumple 40 años y para celebrar tan memorable ocasión, he decidido liberar este capítulo de "Hermescindibles" dedicado a ella. Hermescindibles es el programa exclusivo de Patreon en el que hablo de "las películas de mi vida", aquellas que me parecen piezas perfectas de cine y que son fundamentales en mi formación fliméfila.

Libero este capítulo para celebrar esta hermosa película pero también para animarlos a que se suscriban a Patreon, donde encontrarán muchos programas como este y más. Si no quiere suscribirse, espero que les guste este monólogo de todas formas, porque lo hice con amor. 

www.patreon.com/hermeselsabio

Hermescindibles: ¡La obra maestra Gremlins cumple 40!

Episode 74! POLTERGEIST 2: THE OTHER SIDE (1986)! It’s the most powerful thing we have: Our annual AUNT MONICA POD, LIVE from Grandmom’s Basement!! We’re checking in with the A-1 Best Parents in MXD history, Steve & Diane Freeling with our A-1 guest, as we talk technology hygiene, summer vacation, reliving our youths, getting lost in the mall, irrational fears, a spill trauma breakthrough, Dana Freeling, kids & screentime & social media, family contracts, intense plots, and SO much more!

Ep 74 - Poltergeist 2: The Other Side (1986)

Star Trek First Contact

Star Trek First Contact - Cover

This is an original theme that I've basically had floating around in my head for nearly 20 years, and I'm excited to finally realize it with modern technology (as opposed to the old days when I was using soundfonts). While I consider it "Sci-Fi/Adventure" it's not quite in the same category as something like "Star Wars" or "Star Trek" (except for perhaps some of the softer themes from a couple of the shows, like Voyager or DS9), it's kind of more "romantic," for lack of a better term, emphasizing more the beauty and mysteries of space and space travel.

Beyond the Light of Stars | An Original Sci-Fi/Adventure Theme

Presenting the second half of our Movie Soundtracks special, featuring the music from some of our favourite movies. 

Outrageous Intro 
-- James Bond movies - David Arnold--
African Rundown (Casino Royale) 
The Sinking Of The Devonshire (Tomorrow Never Dies) 
Come In 007, Your Time Is Up (The World Is Not Enough) 
-- The Mummy - Jerry Goldsmith--
Camel Race
The Sand Volcano 
-- The Lord Of The Rings, The Return Of The King - Howard Shore--
A Storm Is Coming 
The White Tree
The Black Gate Opens 
--Lion - Dustin O'Halloran + Hauschka--
Lost Part 1 
Home Is With Me
Mother 
-- Prospero's Books - Michael Nyman--
Prospero's Magic
Come Unto These Yellow Sands 
Cornfield
-- The Matrix Revolutions - Don Davis--
Spirit Of The Universe
Neodammerung
--Moulin Rouge - Steve Sharples--
Bolero : Closing Titles
Outrageous Outro

Scenes From A Movie 2

A set of Variations on an Original Theme , with each Variation describing different scenarios and places

"SOUNDTRACK VARIATIONS" (Composed & Performed by Brian McCarthy)

It's our second Steve Miner movie in a row, as we're reviewing WARLOCK (1989) in our latest episode! 

We thought this would be an interesting movie to discuss after having so much fun talking about HOUSE (1985) in our previous episode, but we bumped it up the priority list after our host Eric watched its sequel WARLOCK: THE ARMAGEDDON (1993).  A review of that sequel is coming up soon (with a very special guest!), but before then we'll have our Halloween special, and Jake announces his pick for that episode at the end of our WARLOCK chat. In the meantime, we had a great time discussing a terrific script from David Twohy, along with some scenes trimmed from the original script, the directorial work of Steve Miner, and of course the fabulous central performance by the late Julian Sands. We really hope everyone enjoys this one.

If you'd like to follow us on social media, you can visit our Linktree page (linked below) but we've also listed some of our social media handles:
Linktree: linktr.ee/scarystuff
Official site: scarystuffpodcast.com
Twitter: @scarystuffpod
Instagram: @scarystuffpodcast
Letterboxd: @scarystuffpod
Incredibly Niche Merch: teepublic.com/user/scary-stuff-podcast

You can find a list of all the previous movies we've reviewed and their corresponding episodes (via the "Read Notes" option) here:
https://letterboxd.com/scarystuffpod/list/all-reviews-scary-stuff-podcast/

And as always, thanks so much for listening!

Some Few Remarks Upon a Pod Most Dire (WARLOCK [1989])

ᴄᴏᴍᴘʟᴇᴛᴇ sᴄᴏʀᴇ ғʀᴏᴍ ᴛʜᴇ ʀᴇᴄᴏʀᴅɪɴɢ sᴇssɪᴏɴs ғᴏʀ ᴄᴜʀᴛɪs ʜᴀɴsᴏɴ's "ʟ.ᴀ. ᴄᴏɴғɪᴅᴇɴᴛɪᴀʟ" (𝟷𝟿𝟿𝟽)
ᴅɪɢɪᴛᴀʟɪᴢᴇᴅ ᴀɴᴅ ᴍᴀsᴛᴇʀᴇᴅ ʙʏ ᴘᴀᴄᴏ ᴅᴇ ᴄʟᴇʀᴄǫ

Night Owl Massacre (Short)

White & Exley Fight (Alt.)

Bloody Christmas (Begin)

Goodbye

Lynn's Bedroom

I composed this over the last couple of days mostly to play around with some new instruments and plugins, but I ended up liking where I was going with it so I stuck with it till the end. The romantic "Lawrence of Arabia"-esque opening is based off of a motif I composed a couple years ago for another Ancient Egypt-related piece, "Scepter of the Pharaohs," though with some modifications. The piece then transitions to a march/parade-like, rhythmically driven section that keeps building over time; I was imagining some sort of caravan or parade and just rolled with it.

Aside from "Lawrence of Arabia," I of course also drew inspiration from Jerry Goldsmith's score for "The Mummy" (one of my top-favorite Goldsmith scores), as I did with "Scepter of the Pharaohs," but this piece is a little different in that I kept it to a more traditional-romantic style, as opposed to including some odd synth sounds like I did in "Scepter."

Giza Procession | Music Composed by Joe Harrison

A MIDI recreation of one of Goldsmith's early pieces of library music for CBS, which was eventually used in the Twilight Zone episode "Hitch Hiker"

Secret Room (Jerry Goldsmith CBS library cue)

Video link: https://youtu.be/7Spu5dpcCgg
I composed the following music based on the main themes of Alan Silvestri and Jerry Goldsmith to imagine what the encounter of these two sacred monsters on screen would have been like...

Rambo vs Predator (musical tribute) video link in desc.

The Kraken

ᴍᴜsɪᴄ ᴀʀᴄʜɪᴠɪsᴛ, ᴄᴜʀᴀᴛᴏʀ, ᴅᴊ ᴀɴᴅ ᴠɪɴʏʟ ᴅɪɢɪᴛᴀʟɪᴢᴇʀ

- ʀᴀʀᴇ ᴇᴘ’s, sɪɴɢʟᴇs, ᴀʟʙᴜᴍs
- ʜᴀʀᴅ ᴛᴏ ғɪɴᴅ sᴏᴜɴᴅᴛʀᴀᴄᴋs ᴀɴᴅ sᴄᴏʀᴇs
- ʀᴇᴍᴀsᴛᴇʀɪɴɢ ᴅɪɢɪᴛᴀʟ ғᴏʀᴍᴀᴛs
- ᴅᴊ ᴀᴛ ᴠᴀʀɪᴏᴜs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴇᴠᴇɴᴛs ᴀs ᴅᴊ ᴘᴀᴄᴏ
- ᴍᴏʀᴇ ɪɴғᴏ ᴏɴ ᴍʏ ᴡᴇʙsɪᴛᴇ

Adventures in Music. Let the music do the talking, and take you to another place.

Mucha conversación interesante sobre la vida, el cine y la cultura plop, directo de nuestras bocas con halitosis a sus orejas con cerumen.  Presentando el FlimCast y el Podcast Sin Nombre. 

I've been composing orchestral music for over ten years now and have had the opportunity to score the soundtracks for some professional audio drama productions, short films, and video games. My influences: Jerry Goldsmith, John Williams, James Horner, John Barry, Elmer Bernstein, Bernard Herrmann, Ennio Morricone, Guy Michelmore, and others.

https://www.facebook.com/noblepeanut

A podcast about Parenting + Horror movies! Because parenting is scary stuff.

Horror movie deep dives, discussion, and dissection. Available wherever you get your pods!

Sci-Fi-Distopian music delivery. In the case of an End-of-the-World event, no refund or exchange shall be made.

This page being full, continuation of the Martian Adventures here: https://soundcloud.com/omelette2mars 

Livraison de musique SF, sauce dystopique. En cas de Fin du Monde, nous ne reprenons ni échangeons aucun article.

Stefan Kraft creates cinematic orchestral music that bridges classical tradition with modern emotional storytelling.

"Hi there, I’m Stefan Kraft – a German composer creating cinematic orchestral music that bridges classical tradition and modern emotional storytelling.

My works move between film score, neo-classical, and ambient sound worlds – driven by piano, lush strings, and detailed orchestral textures. Each piece aims to tell stories that words can’t, capturing both beauty and quiet intensity in sound.

My style is often compared to composers like Thomas Newman, James Newton Howard, or Rachel Portman – emotional yet refined, with a focus on harmony, texture, and atmosphere.

I believe music can reach places that logic can’t – and that’s why I write. If you’re drawn to cinematic soundscapes filled with warmth, melancholy, and a sense of wonder, you might feel at home here.

So grab your headphones and join me on a journey somewhere between classical elegance and cinematic emotion."

New tracks tagged #Jerry Goldsmith