Pick And Choose (Neutral) ZERO (DEMO)

Enjoy our latest collab "Sweet Angel", a song about embracing the eternal bond with our departed loved ones who now shine as our guardian angels watching over us 😇🙏.

Acer Vantes:
beacons.ai/acer_vantes

Golden Goddess: @goldengoddessmusic
linktr.ee/goldengoddessmusic

Sweet Angel

All Arrangements, Instrumental Tracks, Vocal Tracks, Lyrics, Recording And Mastering Copyright Sandcastle Music, 2025

Morning Light

私たちがとても幸せだったときのことを覚えていませんか？

remember

Shiloni's Instagram! https://www.instagram.com/shiloni__/?hl=en

Moonwalk

Airey mouse, airey mouse fly over my head
And you shall have a crust of bread
And when I brew, or when I bake,
You shall have a piece of my wedding cake.

Early bitten,
breakfast smitten,
You awake,
Stretching in bed like a homespun kitten.
Oh aye, there she is,
There is my sweet little miss.
Come come, sun’s all up,
Tide is in, so let’s begin.


“Five more minutes, Tad…”

“Oh aye, but only five more.
Better get going to see what,
What the day has in store”

Sweet so sweet,
My feet knows this street.
Knows the brine and salt,
Set on my skin,
The sea knows,
English-oak hair in the wind.

And I know,
Know this little place is ours.
Pesky picky pastry sweet,
Sweet-sour little heartbeat.

I think, you grow here
Little daffodil dear.
By the seals’ slow call,
A saltflower after all.

Lovely little tiny tousled head,
Breakfast served,
Of course in bed.
Aye, this our getaway
By the cove and Willy’s cave.
Two explorers bold and brave.

Stumble into the morning breeze,
Sun high on the tide and seas.
Let us roam now wild and free.

Past the old Watch House,
By the shore this little mouse.
She runs and skips,
Spray of salt on her lips.

“Tad, tad!
Look, that house is made of shells!”

“Hehe, aye little star.
Shall we go inside?”

Narrow lanes in a ribbon of blue,
Doorframes chipped to a kinder hue,
Fish-baskets dreaming by splintered beams,
Sun stitching gold through the harbour seams.
You point at a cat in a painted frame,
Give every gull a proper name,
Count boat ropes, one to ten,
Lose your place and start again.
Baker’s bell and a saffron bun,
Jam-sticky grin in the Cornish sun,
Cream like clouds on a granite scone,
You hum a tune I’ve always known.
Salt on your lashes, light in your laugh,
Sea writes our names in a foamy graph,
And even when the letters go,
The love stays bright below.

Sweet so sweet,
These feet know this street.
Know the brine and the lift,
Of a harbour shift,
Skiff-oars knocking a timbered rhyme,
Ticking the pulse of Polperro time.

And I know,
Know this little place is ours.
Lemon-kissed and pastry-pressed,
Tiny drum of a happy chest.
You bloom where the brine would drown,
Little daffodil in a tidal town,
By the seals’ slow call,
A saltflower after all.

Salt on the brow, salt on the bread,
Salt keeps the tears we thought we shed.
Sea-sweat mingles with the day’s warm light,
Turns every scrape into pearl and white.
What the wave takes, it leaves in kind,
A softer shore, a gentler mind.
Love grows roots in the stony brine,
Breaks through chalk with a quiet spine.

“Tad… listen. The sea is singing.”

Crab lines coiled in a pail of sky,
You squint one eye and you dare them try,
Pebbles pocketed, green, then grey,
We’ll count them home at the end of day.
Cliff-path thyme in a windy prayer,
Gorse sparks yellow in the salted air,
Hand in my hand at the harbour rail,
Watching a gig boat set her sail.
You say, “Tad, when the water goes,
Does it carry our footprints on its toes?”
I say, “Aye, but it keeps, you see,
The little you, safe here with me.”
For here where the world feels small and wide,
You flower straight through the turning tide;
And every tear I couldn’t hide
Turned sweet as kelp in the evening glide.

Sweet so sweet,
My feet knows this street.
Knows the brine and the bite,
And the soft-gold light,
Knows the song in the rigging’s twist,
Copper on the evening mist.

And I know,
Know this little place is ours
Shell-bright laughter, flour-dust hours.
You grew in salt, you grew in sun,
Two hearts knotted and tied as one.
By the seals’ slow call and the harbour wall,
You bloom, you bloom
A saltflower after all.

Sleepy mouse in a tide-rock bed,
Sea hums low while the day turns red.
“Five more minutes?”, aye, take ten.
Tomorrow we’ll roam these lanes again.

saltflower

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7

blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html

artwork
https://unsplash.com/ja/%E5%86%99%E7%9C%9F/%E6%97%A5%E4%B8%AD%E3%81%AE%E7%B7%91%E3%81%AE%E6%A4%8D%E7%89%A9%E7%95%91-ZQy5hIumWZI

Louis Vierne: Idylle, Suite bourguignonne Op.17, No. 2. ルイ・ヴィエルヌ ブルゴーニュ組曲  牧歌

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7

blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html

artwork
https://pixabay.com/photos/heaven-stars-moon-venus-universe-5114501/

Louis Vierne:  Danse rustique, Suite bourguignonne Op.17, No. 6. ルイ・ヴィエルヌ ブルゴーニュ組曲  田園舞曲

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7

blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html

artwork
https://unsplash.com/ja/%E5%86%99%E7%9C%9F/%E9%81%A0%E3%81%8F%E3%81%AB%E6%9C%88%E3%82%92%E6%9C%9B%E3%82%80%E3%83%94%E3%83%B3%E3%82%AF%E3%81%A8%E9%9D%92%E3%81%AE%E7%A9%BA-iNy3n41Erik

Louis Vierne:  Clair de Lune, Suite bourguignonne Op.17, No. 7. ルイ・ヴィエルヌ ブルゴーニュ組曲  月明かり

In When the World Learned to Listen, gravity has rhythm and curiosity becomes sound. Set against dark trap beats, heavy bass, and ghostly synths, the track transforms Sir Isaac Newton’s discoveries—motion, light, gravity—into a sonic meditation on chaos and comprehension. Two voices intertwine and diverge, navigating tension and collapse, echoing the invisible laws that govern planets and perception alike.

The beat pulses like a cosmic heart, fractured yet precise, mirroring the unseen order in the universe. The duo doesn’t plead but listens—tracing paths of comets, arcs of planets, and the subtle prisms of light—exploring whether order exists before consciousness or emerges through observation. By the final resonance, darkness and rhythm fuse into reflection and awe.

A tribute to Newton, a dialogue with the cosmos, and a dance with the unseen.

When the World Learned to Listen

Empathy for Doctor Dawkins
Robert Fulton ©2021
Capo 4, C Position (Key of E)

Guitar Intro Over Am G F (x4)
Walk into C

    C               G
Can Richard Dawkins drop his guard
       F
In his lab coat _ crisp and clean
       C
Can he let it slip
                       G
Soften his bitter scene

    C              G
Can Doctor Dawkins catch his breath
       F
At the wonder of his world
       C
Can he fall in love
     G                         C
Like I do-when when I think of you

Am          G
Walk into a Western night
F
Sky shines-blue-black an’ white
Am                             G*
Milky Way _ blowin’ through my mind

Am              G
Think back to a midnight grill
F
Holdin’ hands and hot air still
Am             G                   C
Our tears hold dust from a billion stars

    C               G
Can Richard Dawkins drop his guard
       F
In his lab coat _ crisp and clean
       C
Can he let it slip
                       G
Soften his bitter scene

    C              G
Can Doctor Dawkins catch his breath
       F
At the beauty in his world
       C
Can he fall in love
     G                         C
Like I do-when when I think of you

Guitar Solo Over C G F (x4)

Am           G
Missteps and crossroads
F
Talking in our quiet code
Am                             G*
Laughter all-along the zig-zag way

Am            G
Moonlight and autumn's fall
F
Your touch lights through it all
Am              G                 C
Sunshine brings myste’ries of the spring

    C               G
Can Richard Dawkins drop his guard
       F
In his lab coat _ crisp and clean
       C
Can he let it slip
                       G
Soften his bitter scene

    C              G
Can Doctor Dawkins catch his breath
F
Grateful for his world
       C
Can he fall in love
     G                         C  C
Like I do-when when I think of you

Guitar Outro Over Am G F (x4)
End on C


Empathy for Dr Dawkins (Vocal and Acoustic Guitar)

This powerful and lyrical poem is a meditation on the divine essence of language. The poet sees words not as mere speech, but as living energy — wings that lift thought, a sword that cuts through ignorance, and a flame that ignites hearts.

Each word carries light from the depths of human spirit, transforming silent thoughts into truth and emotion. Through language, forgotten dreams are reborn and shared. The poem reminds us that words can heal, inspire, or burn — they connect souls and bridge the gap between the human and the divine.

In its final verses, the narrator humbly accepts rejection, choosing instead to keep spreading light and compassion. Every soul, even the lost ones, remains his brother and friend.
“The Word” celebrates the eternal force of speech — as a bridge between people, and between humanity and something greater.

Слово

Slymn VS La Bête

A late-night ride through Shibuya in the rain. “Kienai Light” blends Japanese rap (GG) and airy female vocals over a warm, neon-tinted beat.

The lyrics switch between Japanese & English and talk about a small beacon of light in your chest that never fades, even in the middle of digital noise.

Put on your headphones, imagine the city lights reflecting in the puddles, and let the hook loop in your head: “Stay with me tonight, kienai light…”

🎧 Vocals/Rap: WuWi, GG
💿 Genre: J-Pop / J-Urban / Hip-hop

If you’re feeling this track, drop a comment, repost & add it to your late-night playlist 🌃✨

Kienai Light

Scientists reveal hidden quantum light states with record 300,000x brightness The advance could lead to faster, energy-efficient technologies in quantum computing and photonics. 

Recorded under the Sweet Songs label for your Cybernetic Fusion series, “Quantum States” brings the newest breakthrough in photonics into sound. Inspired by scientists revealing hidden light states with unprecedented brightness, the track blends mandolin, fiddle, and electronic pulse into a vivid journey through discovery. It captures that moment when dark excitons ignite, opening the door to faster, energy-savvy technologies and a whole new way of shaping light itself.

 Quantum States turns the newest photonics breakthrough into sound, tracing how hidden light states burst into record brightness and open new futures in energy and tech. A Cybernetic Fusion track shaping tomorrow with strings and pulse.
 #AdamRSweet #SweetSongs #CyberneticFusion

Verse 1
 Deep in the lattice where the shadows hide,
 A whisper of light begins to slide.
 Dark excitons stirring in their secret place,
 Waiting for a hand to shift their state.
 One pulse, one tune, and the barriers fall,
 What was hidden starts to answer the call.
Chorus
 Quantum states rising in a brand-new way,
 Bright as a dawn in a world of gray.
 Three hundred thousand times the shine,
 A surge of tomorrow across the line.
 Strings and circuits breathing as one,
 Light in the shadows finally undone.
Verse 2
 Researchers guiding every twist and turn,
 Shaping the glow in the way stars burn.
 Photon by photon, a rhythm appears,
 A pulse that has waited for countless years.
 The smallest spark becomes a wave,
 Opening doors to the futures we crave.
Chorus
 Quantum states rising in a brand-new way,
 Bright as a dawn in a world of gray.
 Three hundred thousand times the shine,
 A surge of tomorrow across the line.
 Strings and circuits breathing as one,
 Light in the shadows finally undone.
Bridge
 From hidden forms to blazing sight,
 A path is cleared through the realm of light.
 Let the mandolin ring with the beams’ reveal,
 Let the fiddle trace what the photons feel.
 New worlds shimmer at the edge of view,
 Waiting to be shaped by me and you.
Final Chorus
 Quantum states rising in a brand-new way,
 Bright as a dawn in a world of gray.
 Three hundred thousand times the shine,
 A surge of tomorrow across the line.
 Strings and circuits breathing as one,
 Light in the shadows finally undone.


Quantum States

THE DECENT

Light of My Life

SET MIXADO 001 QUEM SACODE E ELE DJ DANIEL MG 20 MINUTOS

Thank you for listening.

----------------------------

I'm Japanese living in Tokyo.
I've been playing piano for overr 40 years, and electric piano for more than 30.
You'll find more details below.

----------------------------

pulchra - from the first Kanji "美" of my name.
flow - the left radical of the second Kanji "江" of my name.
p f - short for pianoforte.

----------------------------

I subscribed to NextPro because it offers unlimited uploads.
- I practice classical pieces that I want to perform, and upload recordings with fewer mistakes.  
- I record adlib/improvisations whenever I feel like playing simply moving my hands.  

----------------------------

I started with a toy piano.  
More than 40 years ago, my grandfather gave me a mahogany Kawai upright piano.
I studied piano with Ms. Kazuko Makishima from the age of 5 to 17.  She was an elderly woman in my neighbourhood who wore colorful clothes and loved the Electone as well as the piano.  
In high school, I played electric bass in a rock band with friends in a club.  (I haven't played bass since then, though.)

I entered university (not a music school or major) and joined a piano club called Piano-no-kai.  The members, friends enjoyed playing the piano and explored  classical pieces, popular, jazz, and more - each in their own way.  


After graduation, I bought my first electric piano to play at night after work.  (My mahogany Kawai piano was sold.)
I've replaced electric pianos due to broken parts.  
My current one is the third one.  I've been playing it for over ten years with a repair.


I began learning jazz because I wanted to know music theory. (I didn't - and still don't -  play jazz well.)  
First, I learned with Mr. Shu Sugawara, who works as a writer and a translator. 
Later, I learned with Ms. Miki Hayasaka at the Kawai music school in Omotesando.  I learned theory and co-created a little music piece.
I also joined a small free jazz band, where one of my colleagues from work was playing.  

After that, again I returned to classical piano, studying with Ms. Yukiko Asami at the music school.  
She taught me how to play with more fluency and elegance, and with greater attention to detail than I had learned before.

After that, I studied a little harmony and counterpoint on my own.

- others -

I enjoy watching anime and movies with my husband.

I often use my hands, body - sensing, adjusting, etc.


I'm Japanese, born and living in Tokyo.

Note: I'm not an native English speaker, so fluent or casual conversational English can be difficult for me to follow.  When you kindly send a message, I appreciate language similar to what you'd find in a newspaper or textbook.
尚、日本語はくだけた表現でも何でも大丈夫です。
----------------------------

Robert William Fulton, Jr. is an American songwriter who explores themes of resilience, heartache, and redemption delivered through intimate and lived-in vocals. Drawing from life, Fulton crafts honest, homegrown roots music. His country, folk, blues, and bluegrass arrangements strike a balance between stripped-down authenticity and full-band energy.

Melodic/Color Bass Artist from Midwest Kansas

Bookings/inquiries: musicbyacervantes@gmail.com
More of me: https://beacons.ai/acer_vantes

Welcome To Sandcastle Music & God Bless Everyone who takes the time to listen to the Music I create.  I've Written and Recorded over 300 songs, but only post a limited amount of them at a time.  

I've been a Musician/Songwriter for many years and Write, Arrange and Record every Instrument in my songs (Keyboard, Synth, Acoustic Guitar, Electric Guitar, Bass Guitar, Alto & Soprano Sax, Drums & Percussion).  The Vocals in every song are sung by me and I write all of my own Lyrics.

Special Thanks to Tylor McDonald At Sweetwater Music where I buy all of my Instruments and Recording Gear!

音楽は私に光をもたらします

液体リディム ♡

Sweet Songs is an independent record label specializing in roots and electronic music

Wuwi | 東京発。眠れない夜と壊れた夢のためのカワイイグリッチ。

🎧 DJ Denis Lop — Biography

Stage Name: DJ Club
Real Name: Denis L.
Born: April 9, 1980 — Nizhny Novgorod, Russia

DJ Denis Lop began his career in 1997 at Club “Spice” in Haifa, quickly becoming its resident from 1997–1998. His energetic style and unique musical taste led him to perform across numerous Israeli clubs throughout the late ’90s and early 2000s.

From 2001 to 2002, he served as a resident DJ at Club “Armageddon” (Karmiel), and from 2003 to 2004 — at Club “Spider” (Haifa).
Over the years, he played in many well-known venues, including:

Spice (Haifa) — 1997

Amsterdam (Haifa) — 1997

Valentines (Haifa) — 1998

Abaco (Haifa) — 1998

Energy (Akko) — 1999

Ha-Homa (Tel-Aviv) — 1999

Ace Bar (Nahariya) — 1999

Armageddon (Karmiel) — 2001–2002

Natan-Zan (Haifa) — 2001

Dolphinarium (Tel-Aviv) — 2001

Spider (Haifa) — 2003–2004

A-Oman (Jerusalem) — 2005

Technion Bar (Haifa) — 2005
…as well as many other smaller venues across Israel.

In 2008, his music program “Life in the Big City — 3” gained great recognition and toured multiple dance bars in Tel-Aviv.

After a six-year break from the DJ scene — during which he changed countries, built a new family, and left old memories behind — he returned with fresh energy. Moving to Canada marked a new creative chapter, inspiring him to continue making music, crafting new remixes, and performing in local clubs with a renewed sound and a distinctly Canadian groove.

✅ Personal Notes

Loves:
The 15 minutes before a club night begins — the silence, the calm heartbeat, everything ready… and everyone waiting for him to press Play.

Dislikes:
Beer and Coca-Cola.

Recommends:
Listening to classical music in headphones.

Knows:
Exactly when to “run” from the dancefloor before the crowd starts throwing tomatoes :)

Skills:
Can dance Tango.

Support our mission to raise awareness around child loss through music, stories, and shared hope. Every contribution helps us honour the memory of our children and support others walking this path.

All demos here is made from the span of 9 years. Produced By me, and Singing and Rapping by myself.  All these demos currently on my page has been Private. i just turned them from Private to Public date: 13.11.2025.

New Complete Songs will be released here and Spotify from 2026 and forward. Maybe sooner than that.

New music from Red Alfa
Drum and bass, Jungle and Breaks

Red Alfa is a talented artist in the world of drum and bass and jungle music. Hailing from the UK, he developed a deep passion for electronic music at a young age and quickly became entranced by the genre's fast-paced rhythms and intense energy.

Inspired by legendary artists like Goldie, DJ Hype, and LTJ Bukem, Red Alfa has developed a unique sound that blends the heavy basslines of drum and bass with the raw energy of jungle.

Red Alfa's dedication to the genre is evident in his music, as he is constantly working to push the boundaries of what is possible in drum and bass and jungle music. He approaches each track with a meticulous attention to detail, ensuring that every beat and every sound is perfectly crafted to create an immersive and unforgettable experience for the listener.

In addition to his music, Red Alfa is known for his passion for the genre and his dedication to creating a community around it. He actively supports and collaborates with other artists and promoters in the scene, constantly working to elevate the genre and bring it to new audiences.

With a growing fan base and a reputation for producing some of the most innovative and exciting music in the genre, Red Alfa is quickly becoming one of the most respected artists in drum and bass and jungle music. Be sure to check out his unique sound and energy and experience the world of Red Alfa for yourself.

https://open.spotify.com/artist/162rVjeQmMPEFwEFTFOiHC?si=4w_W0K02S2yaStGWLgVJDA

New tracks tagged #LIGHt