Mvntana - Steal Her Man Challenge x Deezl - More than Human

Steal Her Man Bcos Im More Than Human

*Play on good speakers or headphones*
Geophones and ambisonic microphone array converted to binaural headphones

Spiders are affected by vibration in various ways. They use their orb webs to transmit and detect vibrational information, allowing them to sense potential prey or mates, as well as abiotic sources like wind.

Under stones and human detritus, in subterranean realms, lives troglodytic species of spider Nothophantes horridus. Nocturnally roaming in narrow fissures in this rich limestone habitat sporadically emerging. A UK biodiversity Action plan priority species, extremely rare and only exist in these two places in the world (both in Plymouth UK).
This rare arachnid  last home was a quarry, filled in with concrete and destroyed to make space for luxury unaffordable housing.

Planning permission was refused for this site in 2015, however the property developer is trying again with greenwashing plans for eco pods and activity park treating the natural world as a spectacle to be consumed and extracted from. Will this refuge for extremely rare spiders exist for much longer? Or will human greed and commerce make this spider extinct?

Failure to protect this site would be catastrophic.

A more than human space between the world that people and arachnids inhabit.

Vibrational Arachnid soundscape Radford Quarry Plymouth UK, 2024

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more-than-human sissejuhatus

More than representation: a short piece created with the Thames, for inclusion in a 15 minute paper at TAG (Theoretical Archaeology Group) annual conference, at Bournemouth University, December 2024. Created with field recordings from the Thames foreshore at Deptford, waking and talking with Claire Harris (MOLA/QMUL), Tom Chivers (MOLA/QMUL), Helen Chittock (MOLA) and Lesley McFadyen (Birkbeck).

Thames contact

Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

El ChiQle Suertudo 

@deBruijnSequence pt. 2

Archaeologist. Likes scapes: land, sea, sound.

New tracks tagged #Morethanhuman