From the upcoming Oddisee mixtape "Tangible Dream"

Mixtape available exclusively with "The Beauty In All" his new instrumental album everywhere October 1st.

Produced by Oddisee
Vocals by Oddisee

Order Album

Oddisee - Own Appeal

Own Appeal

Killing Time

Yeezus Was A Mortal Man

Some time ago I worked for a Berlin based NGO called MICT while running Jakarta Records. During this time I helped organize a recording session in Tunisia with 9 female singers and musicians from Tunisia, Libya & Egypt together with Oddisee and Olof Dreijer of The Knife. "Nouh Al Hamam" by egyptian singer Maryam Saleh is the first leak of the project. You can pre-order the vinyl here. Below you can find the infos for this project....

http://jakartarecords-label.bandcamp.com/album/sawtuha

A little less then three years ago the political situation in many countries of the Arab world changed dramatically. Uprisings started in rural areas of Tunisia and from there spread to various countries in the region. Millions gathered in the streets united by their demand for more democracy, rights and participation in the political process. In most cases the reaction of the governing dictators were relentless and severe towards every form of protests. Violence in the streets of Cairo, Tunis and Bengasi escalated and resulted in the overthrow of the governments in Tunisia, Egypt and Lybia.
A year later a group of female singers and musicians from Tunisia (Nawel Ben Kraiem, Badiaa Bouhrizi, Medusa, Houwaida), Libya (Nada) and Egypt (Donia Massoud, Maryam Saleh, Youssra El Hawary) met in Mohsen Matri Studio in Tunis to sing- against corruption, despotism, patronization and narrow-mindedness. The song with Syrian artist Rasha Rizk was recorded some months later in her political asylum in Cairo. Sudanese/American producer Oddisee and Olof Dreijer of the Swedish pop duo The Knife joined the session, participating in the creation of the musical backdrop as well as the often multi-instrumentalist female singers. For the vinyl edition producers such as Brenk, Blackjoy and Blundetto contributed remix versions of the project.

At the time and still today especially musicians and especially women were and are trapped in a spiral of repression, discrimination and violence. "Sawtuha" (Arabic for "her voice"), the album that is the product of the 2-week session, is a vital encouraging testament of rebellion against the repression of democratic rights, gender inequality, and lack of inclusion. The music is an organic mixture of traditional Arabic music, regional influences and various forms of contemporary Western musical genres. A mixture that may sound contradicting at first but makes total sense once you listen to the music.

The studio session was organized by the Berlin based NGO MICT (Media In Cooperation And Transition) and was funded by the German Federal Foreign Office.

www.facebook.com/MaryamSaleh.Official
www.jakartarecords.de
www.mict-international.org

Maryam Saleh - Nouh Al Hamam (Produced by Oddisee)

Stream Details: http://smarturl.it/OngoingThing20syl

20syl - Ongoing Thing (Feat Oddisee)

Follow 20syl
https://twitter.com/mr20syl
https://www.facebook.com/mr20syl

Follow Thissongissick
https://twitter.com/thissongisnick
https://www.facebook.com/thissongissick

Stream Details

20syl - Ongoing Thing (Feat Oddisee)

@onandonrecords - 2014
Buy "Motifs" EP on itunes : smarturl.it/MotifsEP

http://www.facebook.com/mr20syl
http://twitter.com/mr20syl
http://instagram.com/mr20syl

FREE DOWNLOAD

20syl - Ongoing Thing - instrumental [FREE DL]

from the mello music group album "Persona" coming out 3/10.
prod. Oddisee | vocals: Oddisee & Phonte hook: Tamisha Waden | art: Oliver Barrett

If the soul of hip-hop belongs to the culture, the skeleton belongs to the independent label. From Sugar Hill to Def Jam, Tommy Boy to Rawkus, Fondle Em to Def Jux, the genre’s best music has been birthed by imprints that brazenly defy the status quo, those who champion fearless artists and always prize quality over commerce.
 
For the last eight years, Mello Music Group has lived by that ethos. If you’re reading these words, you’re inevitably well aware of its ascendance and growing legacy. But more importantly, you know the artists—those singular voices channeling the spirits of the past and spitting premonitions of the future. Boom-bap at its best: evolving and expanding the art form, capturing stories of the struggle, upholding the tradition, and keeping the crooked honest.
 
Persona unveils the murderer’s row that is the Mello roster of 2015. Oddisee, Apollo Brown, yU, L'Orange, Red Pill, Open Mike Eagle, Rapper Big Pooh, Quelle Chris. The stars of the present teamed with timeless innovators like Phonte (Little Brother), Blockhead, Ras Kass, Gift of Gab (Blackalicious), Oh No, Masta Ace, and Bilal Salaam. The result is something that binds current greats with the pioneers who paved the asphalt. It’s both a historical moment and hard as hell.
 
If most compilations are nothing more than a loosely thrown together collection of songs, Persona boasts meticulous focus. These aren’t spare tracks, they’re potent messages and poisonous darts. “Requiem” finds Phonte and Oddisee indicting American racism and Xenophobia with fury and precision. On “Homicide,” yU and Nottz leave blood dripping all over the canvas. There’s “Celebrity Reduction Prayer,” where Open Mike Eagle lampoons fundamentalists and religious zealots over Oddisee’s warm Stevie Wonder keyboards.
 
But there’s ultimately no need to do the track-by-track breakdown. This is an anthology in the most traditional well-curated sense. Turn here if you want to find the best hip-hop artists of their generation in raw and unfiltered form. The bars are brimstone; the beats force your neck to swivel. Through all the discontent, rays of hope begin to emerge. If you remember the feeling you got when you first heard Soundbombing, stop searching. The slang has changed, the style remains indelible, the latest personas have emerged. The new sound is here.



Requiem (feat. Oddisee & Phonte)

from the upcoming album Oddisee "The Good Fight" (5/5)
https://itunes.apple.com/us/album/the-good-fight/id969829649

In a landscape overrun with abstract indulgence and shallow trend-chasers, the Prince George’s County, Maryland artist Oddisee has created 'The Good Fight', a record that reminds you that it’s music before it’s hip-hop. Due May 5th on Mello Music Group, it’s for the fans and for himself. It finds the musical heavyweight balancing between craft, career, and successfully growing into the world around him. Stream the first single, "That's Love".

Album Description:
Oddisee makes music that rattles in your bone marrow. It’s imbued with love, honesty, and selflessness. It’s virtuosic in its musicality, direct in its language, and infinitely relatable.
 
In a landscape overrun with abstract indulgence and shallowtrend-chasers, the Prince George’s County, Maryland artist has created “The Good Fight,” a record that reminds you that it’s music before it’s hip-hop. Released on Mello Music Group, it’s for the fans and for himself. It finds the musical heavyweight balancing between craft, career, and successfully growing into the world around him.
 
For Oddisee, “The Good Fight” is about living fully as a musician without succumbing to the traps of hedonism, avarice, and materialism. It’s about not selling out and shilling for a paycheck, while still being aware that this is a business requiring compromise and collaboration.
 
It’s music that yields an intangible feeling: the sacral sound of an organ whine, brass horns, or a cymbal crash. It’s not necessarily the syllables, but rather what they evoke. A song like “That’s Love” is more than a declaration; it’s a meditation on our capacity to love and the bonds binding us together. Ambition and greed war with our sense of propriety. “Contradiction’s Maze” offers a list of paradoxes we all face (“I want to tell the truth when it hurts/but when it comes to me, I want the blow softened.”)
 
Oddisee’s production simmers in its own orchestral gumbo. You sense he’s really a jazzman in different form, inhabiting the spirit of Roy Ayers and other past greats.  The Fader’s compared him to a musical MC Escher, calling hailing his “grandiose and symphonic sound” and “relevant relatable messages.” Pitchfork praised his “eclectic soulful boom-bap.”
 
“The Good Fight” acknowledges the stacked odds, but refuses to submit.
 
It’s both universal and personal. The child of a Sudanese immigrant highlights the rigors of his own upbringing: his pregnant mother working the register until she was about to burst, his pops’ shuttered diner that couldn’t survive Reaganomics—the one that Oddisee drives past every time he returns home, just to remind him how quickly the world can turn bad.
 
It’s these minor details that add into something major. It’s testament to the indelible nature of art: when you can turn what you love into something that lasts.


Oddisee - That's Love

Oddisee has unveiled the second song from his forthcoming full-length album ‘The Iceberg,’ out February 24 on Mello Music Group.  The song debuted today on Ebro’s Beats 1 radio show.  

“Like Really” is a cutting song, the prolific MC and producer reflecting a state of disbelief in the political climate.  For the second verse Oddisee flips the meaning to address how some perceive of him as an artist.  It’s set to deep soul with chilly trap inflections and is an important piece in the overall concept of ‘The Iceberg.’  

“How you gonna make us great when we were never really that amazing /
take it back what, I don’t find hanging black lives entertaining/
how do you police the streets of a neighborhood you do not engage in/
why a brother get three for a sack while your brother go free for a raping”

Oddisee has announced a show in LA on February 3, where he will open the 2017 season of the First Friday’s series at the Natural History Museum.  On January 27 he will host a a full rehearsal with his band Good Compny open to the public featuring his band Good Compny in his hometown of Washington, D.C., open to the public at St. Stephen's Church.  A three-month international tour begins March 2 in Paris.  
 
TOUR DATES
February 3 – Los Angeles, CA – Natural History Museum First Friday’s 
Feb 17 - Reykjavik, Iceland @ Sonar Festival
March 2 – Paris, France – La Place
March 3 – Lyon, France – Bizarre!
March 4 – Nantes, France – Stereolux
March 6 – Bristol, UK – The Lantern
March 8 – Manchester, UK – Gorilla
March 9 – Dublin, Ireland, The Sugar Bluc
March 11 – London, UK – Islington Assembly Hall
March 13 – Munich, Germany – Ampere
March 14 – Erfurt, Germany – Franz Melhose
March 15 – Berlin, Germany – Gretchen
March 16 – Hamburg, Germany – Mojo Club
March 17 – Cologne, Germany – Gloria
March 18 – Stuttgart, Germany – Im Wizemann
March 19 – Frankfurt, Germany – Zoom
March 22 – Nijmegen, Netherlands – Doornroosje
March 24 – Rotterdam, Netherlands – Bird
March 25 – Amsterdam, Netherlands – Paradiso
March 26 – Brussels, Belgium – Ancienne Belgique
March 28 - Barcelona, Spain @ Apolo 2
March 30 - Milan, Italy - Biko Club
March 31 - Cully, Switzerland @ Cully Jazz Festival
April 1 - Zurich, Switzerland @ m4Music
April 4 - Zagreb, Croatia TBA
April 7 - Sofia, Bulgaria - Sofia Live Club
April 8 - Bucharest, Romania - Arenele Romane
April 10 – Vienna, Austria – Grelle Forelle
April 11 – Warsaw, Poland – Stodola
April 18 – Philadelphia, PA – Theater of Living Arts
April 20 – Washington, D.C. – 9:30 Club
April 21 – Raleigh, NC – King’s Barcade
April 23 – Atlanta, GA – The Loft
April 26 – Houston, TX – Fitzgerald’s
April 27 – Dallas, TX – Dada Dallas
April 28 – Austin, TX – Empire Control Room
May 1 – Denver, CO – Bluebird Theater
May 5 – San Diego, CA – Music Box
May 7 – San Francisco, CA – The Regency
May 9 – Eugene, OR – WoW Hall
May 10 – Portland, OR – Hawthorne Theatre
May 11 – Seattle, WA – Neumos
May 12 – Vancouver, BC – Biltmore Cabaret
May 13 – Spokane, WA – The Big Dipper
May 14 – Boise, ID – Neurolux
May 17 – Omaha, NE – Slowdown
May 18 – Minneapolis, MN – 7th Street Entry
May 19 – Milwaukee, WI – Shank Hall
May 20 – Chicago, IL – Lincoln Hall
May 21 – Indianapolis, IN – The HiFi
May 25 - Pittsburgh, PA @ Smalls
May 26 – Detroit, MI – Arab American National Museum
May 27 – Toronto, ON – Lee’s Palace
May 28 - Montreal, QC @ Newspeak
May 30 – Boston, MA – Brighton Music Hall
May 31 – New York, NY – Highline Ballroom

Oddisee - Like Really

MC/Producer from Washington DC 
dluedtke.mgmt@gmail.com
https://twitter.com/oddisee
https://instagram.com/oddisee
https://www.facebook.com/oddiseemusic




Making Beats & Rhymes since 1995
C2C ・ Hocus Pocus・On And On
・・・・・・
Management :
yann@onandon-records.com

Label :
http://www.onandon-records.com

Jakarta Records is a record label from Berlin/Cologne, Germany. We have released music by artists such as Ta-ku, Kaytranada, Anderson Paak., IAMNOBODI, Umse, Mura Masa, L'Orange, Suff Daddy, Akua Naru, Blitz The Ambassador, Sango, JuJu Rogers, Pat Van Dyke, Asagaya, Ivan Ave, ANDREA, Bluestaeb, Flo Filz, Benny Sings & Olivier St. Louis, Gianni Brezzo, K Le Maestro, J. Lamotta, Otis jr. & Dr. Dundiff, S. Fidelity, Illa J , Ill Camille, Enoq, Melodiesinfonie, Geronimus Brothers, Freddie Joachim and many more.

 <a href="http://www.Thissongissick.com" rel="nofollow" target="_blank">Thissongissick.com</a> We like sick songs&#13;


Sounds Beautiful Like The Truth || Apollo Brown, Quelle Chris, L'Orange, Joell Ortiz, The Lasso, Open Mike Eagle, Namir Blade, Oddisee, Skyzoo, Blakk Soul

Popular tracks tagged #Oddisee