–·𓈝𓉦𓈝𓉦 [night dance of the Nubians]

𓆲 [Golden Gate of the Ecliptic]

𒀯𒀯[pliː.ədiːz the seventh sisters]

𓉓 𓉔 𓉕 𓉖

𓇵 𓇶 Hyksos Talks 𓇵 𓇶

𓊗𓊗𓊗𓊗 [contact at Nibiru]

𓅔⌿⏃⍀⏁⊬ ⏃⏁ ⏃⋔⍜⌇⟟

𓂊 𓂋 𓂌 𓂍𓂌𓂋

𓃉 𓃊 𓃋 𓃌 [contact]

Lost Voice by Mr.FLEN is a high-energy house track that combines atmospheric synths with punchy beats and melodic vocal chops, perfect for the dance floor.

House Music, Mr.FLEN, Lost Voice, Dance Track, EDM, Vocal Chops, High-Energy, Synth-Pop, Club Banger, Electronic Music, Reverse Reverb, Pitch Shifting, Auto-Tune, Sidechain Compression, Uplifting Beat, Dance Floor, DJ Track, Bassline, Catchy Melody, 128 BPM, C minor, Atmospheric Music, House Genre, Vocal Effects, Music Production.

Lost Voice

Don't put your volume too high at the start! This goes from clean nice sounding plucks to full on washes of changing frequencies that go all over the place.

This is a demonstration of a set of modules I wrote for the axoloti/ksoloti patcher.
The arbitrary spectrum oscillator uses a frequency shifted feedback to create a spectrum where the partial spreading can be controlled in both upper harmonics as well as harmonic divisions and octaves. It can also be thru-zero frequency modulated and it's output is in a sine/cosine configuration to always provide you the real and imaginary part of your generated spectrum. As the module is internally polyphonic and has an inbuild AD-envelope, up to 16 spectra can be stacked upon each other, each with their own envelope timing. This also makes it great to use as a fm-modulator as multiple related spectra can be stacked upon each other to mimic plucking, brass and rubbing.

The second module is a combination of delay, neoFM, pitch shifter, frequency shifter and a doubled (nested) allpass filter to create delayed feedback that can completely change it's frequency content and diffusion over time. This all also works as a real/imaginary pair, so even the outputs of the delay are still in a real/imaginary relation for further frequency shifting processing or other things that might use that relation without the need of any hilbert transform to split signals into a real/imaginary pair. Delay time is cubically interpolated to provide as clean as a modulated&pitchshifted delay as possible (both delaytime and pitchshifter make use of this same function as these are summed before calculating the exact delaytime+pitchshifter positions) and can be modulated up to audio-rate with a dedicated "neo-FM" input that is set to a small maximum modulation width.

SirSickSik - Shifting away0.2

Music is not just an art form for me—it's a lifeline, a form of therapy that sees me through the highs and lows of life. Each track I create is a piece of my soul, translated into sound. It's in the depths of melodies and rhythms that I find solace, pouring my emotions and experiences into each note as a way to heal and understand myself better. My music is a diary of my journey, a reflection of the inner workings of my mind and heart. When you notice an influx of new tracks, it's a signal that I'm navigating through tougher times, seeking refuge and expression through my music. This direct channel from my innermost thoughts to your ears is what makes my music raw, real, and resonant. So, as you listen, know that you're not just experiencing a song, but a chapter of my life, a moment of catharsis, and a piece of my path to healing. My hope is that it may offer you the same comfort and escape it provides me.

All tracks made by SirSickSik
Visit the soundcloud website for more tracks.

Pitch Shifting is an experimental audio-visual collaboration established in 2019 between musician Grgur Savic and visual artist Sanja Star. Continuous journey of wave motion and alternating currents through highly abstract visual and sound, performing electro-acoustic sets in close conversation, dissolving boundaries across media and genres: musical, visual, art, animation, video, improvisation, compositions, real-time performance, analogue, digital, acoustic and electronic.

Creating visual expressions and spatial arrangements of collages and animations for audio-reactive visual set, Star uses a visual semiotic system of digital motion collages, using 3D art, creative code, animation and design techniques. Recreating the sound of different types of machines, in – out scenery and other human-made objects, Savic fuses together an intermix of classical music (extended techniques), noise (aggressive confrontation and dissonance), IDM (computer manipulation and digital synthesis), minimalism and electroacoustic music.

New tracks tagged #Pitchshifting