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Angry Inspiring Rap Type Beat - "Weight pt.2" Instrumental

Fun and upbeat, old-time jazz / vintage jazz. Cheeky, feel-good, toe-tapping, retro jazz with clarinet, saxophone, guitars, upright bass and drums. (Stem files available).

Using this music for anything other than personal listening requires a License which can be obtained from our website www.Shockwave-Sound.com.

We allow FREE use of our music in non-monetized YOUTUBE videos where we get to keep a soft copyright-claim on the video. This copyright claim does not cause the video to be blocked or muted, and it does not cause any negative effect on your YouTube account standing. It only means that you cannot monetize the video, and we earn a microscopic income for each view of your video. 

To use the music in a monetized YouTube video, or for any other project, commercial or non-commercial, other than personal listening, a license is required.

From our website you can get this track in various versions, edits, mixes, cuts. Stingers, seamless loops, alternative mixes. For many of our tracks (not all) you can also get STEM files. (More information about Stem files: https://www.shockwave-sound.com/blog/production-music-tracks-with-stem-files/)

License this music royalty-free for use in your own media: YouTube, videos, games, apps, podcasts, websites, trailers, background music, advertising, presentations, etc.:

https://www.shockwave-sound.com/royalty-free-music-track/24760/those-were-the-days

Buy/License

Shockwave-Sound - Those Were The Days

Miror B's Single Voice Rag

Hij moest sneller. Sorry.
Please make sure to check out my other tracks!

Huub Hangop - Wat Een Palen Overal (Thivale Uptempo Remix)

Another ragtime piece featured in The Cuphead Show! (Drop 3)

Root Beer Rag - The Cuphead Show!

An early 21st Century twist on a late 19th Century staple that was the very leaping off platform for jazz, rhythm and blues, and rock. It's syncopation on top of a steady march beat aims directly at the feet and is capable of dense complicated ascending and descending harmonies.

Rag-oo

<read or <>Download Book Rag and Bone Winter Hope: A Christmas Victorian Romance (Victorian Historical Christmas Romance) on Iphone Full Pages. Here=> https://rz.freereadpdf.club/?book=B08PBZ6HDD <=.eBooks Supporting format: PDF, EPUB, Kindle, Audio, MOBI, HTML, RTF, TXT, etc.
download>> or read` ePub/pdf Rag and Bone Winter Hope: A Christmas Victorian Romance (Victorian Historical Christmas Romance) Kindle Unlimited PDF is a great book to read and that's why I recommend reading Rag and Bone Winter Hope: A Christmas Victorian Romance (Victorian Historical Christmas Romance) on Textbook.
 #down

~(Download) Rag and Bone Winter Hope: A Christmas Victorian Romance (Victorian Historical Christmas

ZERO STATE KID Rag Sadi Gali LEHMBER HUSAINPURIA RDB And Parmjit Singh DJBYGP OFFICAL SONG

Nyan Cat Rag - As Played By Tom Brier (Updated!)

O P P S #2 - BNÉ & LP

ABRUZZI - LIBERTA #1

Pianist MYRNA SETIAWAN performs GOLDEN GATE RAG, Op. 123 (1974, revised 2021) by GARY LLOYD NOLAND. This piece is dedicated to the memory of pianist/composer VICTOR STEINHARDT (1943-2021).

GOLDEN GATE RAG (Op. 123), Myrna Setiawan, piano

Raghad Aka Rag , she first became interested in the electronic music after the first 2019 mdlbeast festival in her country.
Her love for House music is driven by her devotion to the dance floor energy and her effort to belong in the scene from a younger age ! 
Her musical journey started from taking courses until and managing to get her name appear in many underground gigs and many big stages such as F1 , Mdlbeast and AlBalad  by her moving and groovy beats! her music is described as an infinite connection and a true effective good energy.

BURN BEAST 008 - RAG

hello my name is Maddix, im a average kid Who Likes Trains and stuff ig
What Im Doing Rn: i really don't know
Age:14
Oc: WMSR 734
Birthday: January 26 2009

Writer/composer; creator of Land of the Gods. I work for Ego Plum on The Cuphead Show, Jellystone, SpongeBob Squarepants, Kamp Koral, and The Patrick Star Show

I mess around with gamedev in my spare time; most tracks here are from those various projects

Shockwave-Sound.com, a label/brand by Lynne Publishing, is music library of high-quality, carefully developed, royalty-free music / stock music. We founded our site in April of 2000 and since then we have added new music to our catalog weekly. We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

We use Soundcloud as a means of demonstrating our work for you and other people. If you are a known customer on our site, you may apply for access to download non-watermarked preview files.

When you buy one of our tracks from our site, you are in fact not just buying the track, but you are buying a license to legally use that track commercially and in public. 

Our music is highly suitable for use in Film and video, YouTube, TV and broadcasting, Podcasts, video games and casual games, advertising / commercials, websites and streaming videos, wedding videos / DVD's and much, much more. We've had our music licensed by Microsoft, Estee Lauder, Nissan, IBM, and many, many more. 

We currently have over 20,000 tracks online and most of them are available in various versions / cuts / edits / loops, to give you options in editing.

We have a website with lots of useful information, articles, insights, blogs etc. about royalty free music, music rights / copyrights, music licensing, music composition and production, sound effects production and more.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

I make uptempo tracks and extended edits.

Jeffrey Plunkett is an actor living in NYC. He is creating original incidental music for live theatre productions and film.  Neatly all the artwork accompanying each track is Mr. Plunkett's and is available in many sizes and materials from canvas to acrylic glass. He can be reached at Jeffplunkett@gmail.com .

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A creative platform for fresh music, art & culture. Rooted in the Middle East and shared across the Globe.

New tracks tagged #Rag