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This Podcast aims to strengthen and deepen social cohesion within the community of Pietermaritzburg across all diverse groups, encompassing all individual citizens, regardless of
their cultures, races, sexual orientations, and gender identities and expressions, to achieve the
common good.
Supported By Uthingo Network and American Corner Pietermaritzburg

Isibani Episode 2 Season 2

This is the song of a refugee, the asylum seeker. It’s based on the letters of a Chinese asylum seeker from the "Golden Venture", a ship that had run aground off NYC in the ’90’s. We corresponded during the long period she was detained, and her faith and love deeply touched me. 

She was frightened and depressed, but she was also filled with hope and love. The refrain “carefree” comes from her letters, where she would write “carefree” with a little bird drawn next to it, in the margins or at the end of her letters to me, or on the back of envelopes. 

She showed me how resilient and defiantly loving the human heart can be even as you try to break it. I know she touched mine. 

From my heart to yours, 
Demian Elaine' Yumei ~ Silent No More
https://silentnomore.substack.com

Track 7: SONG OF HOPE
1993 Lyrics and melody by Demian Yumei 
2004 included in “DreamSinger: For the Sake of Love” CD

Lead vocals, Demian Yumei; Background vocals Chris Davis and Stacey Young; Vocal arrangement, Demian Yumei; Music arrangement, Chris Davis and Stacey Young; Instruments by Stacey Young; Additional keyboards by Chris Davis; Produced by Demian Yumei and Stacey Young; Recorded by Stacey Young at Axis Studios: axis4@comcast.net

* * *
Care free… Oh, forever

Can you hear me?
I am softly calling.
Come sit beside me
Come, dream with me
There is a future
My heart can see 

Love sings inside of me
I want to fly so high
Can you hear me?
Carefree, in your loving arms
Oh, forever

Carefree, I am singing
Oh, to live free, I am dreaming

Come walk beside me
Come, you will see

Love sings inside of me
I want to fly so high
Can you hear me?
Carefree, in your loving heart
Oh, forever

Carefree, I am singing
Oh, to live free, I am dreaming

Come sit beside me (by the willow tree)
Come, dream with me (dreaming beautiful dreams)
Come walk beside me (I will wait for you)
Come you will see (sometimes dreams do come true)

Na, na…
Can you hear me? 
Carefree, in your loving arms
Oh, forever…Can you hear me...Can you hear me?

For the Sake of Love

Song of Hope

This months conversation is with Sudanese human rights activist and refugee rights activist Napuli Paul Langa.

Napuli Paul Langa is a human rights activist who worked for the Sudanese Organization for Nonviolence and Development (SONAD), and is active in the Refugee Movement in Berlin, Germany, who have fought to maintain their place at Orianienplatz since 2013.

We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage.

You can find out more https://www.alfabus.us/s-w-e-a-t/

Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world.

S3E12 S.W.E.A.T. with Napuli Paul Langa

S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies.

photos by Onsoh Studios and Claudia Brijbag

please support S.W.E.A.T. on my patreon page 
https://www.patreon.com/madkate

S.W.E.A.T. hostex  Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies.

With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance.

Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure.

New tracks tagged #asylumseeker