In this episode, we review the new horror comedy, The Blackening!

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Black Horror Characters Matter (The Blackening Review - SPOILERS)

Brkr, Business,Jamie, Culfa, Dark Jazz, Bugsey(Soundtrack), Dupa, Dj Ss, Calvario, Bryce Da Devil, Charles Ross, Catsontrees, Cameroun, Clarky, Cut.Rar, Buld, Cafína, Cleanelectricity, Desi Trap, Brixtonradio, Elizabethtown, Chachy, Bruzed, Christmaspack, Ctrl Alt Del, Curso De Mergulho[, Chanelbags, Davematthews, Congress’S, Capoeira ,  Chakra Music, Fillmore East, Dkla, Cantini, Centrumrozvoje, Chris Brown Instrumentals, Conoci,, Cyazon, Changeagent

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𝚁𝚎𝚊𝚍 "𝚃𝚑𝚎 𝚠𝚎𝚍𝚍𝚒𝚗𝚐" 𝚋𝚢 𝙳𝚘𝚛𝚘𝚝𝚑𝚢 𝚆𝚎𝚜𝚝


𝙲𝚘𝚟𝚎𝚛: 𝙰𝚗𝚐𝚎𝚕 𝚋𝚢 𝚝𝚑𝚎 𝚆𝚒𝚗𝚐𝚜 - 𝚂𝚒𝚊
𝙰𝚛𝚝: 𝙷𝚘𝚗𝚘𝚞𝚛 𝚝𝚑𝚎 𝚜𝚝𝚛𝚞𝚐𝚐𝚕𝚎 - 𝙰𝙹 𝙷𝚊𝚖𝚒𝚕𝚝𝚘𝚗


𝕀 𝕕𝕠 𝕟𝕠𝕥 𝕠𝕨𝕟 𝕥𝕙𝕖 𝕣𝕚𝕘𝕙𝕥𝕤 𝕠𝕟 𝕥𝕙𝕖 𝕚𝕟𝕤𝕥𝕣𝕦𝕞𝕖𝕟𝕥𝕒𝕝 𝕠𝕣 𝕥𝕙𝕖 𝕒𝕣𝕥 𝕔𝕠𝕧𝕖𝕣
𝕀 𝕕𝕠𝕟'𝕥 𝕚𝕟𝕥𝕖𝕟𝕕 𝕠𝕟 𝕚𝕟𝕗𝕣𝕚𝕟𝕘𝕖𝕞𝕖𝕟𝕥 𝕠𝕗 𝕥𝕙𝕖 𝕚𝕟𝕤𝕥𝕣𝕦𝕞𝕖𝕟𝕥𝕒𝕝 𝕠𝕗 𝕥𝕙𝕖 𝕒𝕣𝕥𝕚𝕤𝕥 "𝕊𝕀𝔸" 𝕒𝕟𝕕 "𝔸𝕁 ℍ𝔸𝕄𝕀𝕃𝕋𝕆ℕ". 𝕊𝕖𝕔𝕥𝕚𝕠𝕟 𝟙𝟘𝟟 𝕠𝕗 𝕥𝕙𝕖 ℂ𝕠𝕡𝕪𝕣𝕚𝕘𝕙𝕥 𝔸𝕔𝕥 𝕡𝕣𝕠𝕧𝕚𝕕𝕖𝕤 𝕥𝕙𝕖 𝕤𝕥𝕒𝕥𝕦𝕥𝕠𝕣𝕪 𝕗𝕣𝕒𝕞𝕖𝕨𝕠𝕣𝕜 𝕗𝕠𝕣 𝕤𝕦𝕔𝕙 𝕒𝕤 𝕔𝕣𝕚𝕥𝕚𝕔𝕚𝕤𝕞, 𝕔𝕠𝕞𝕞𝕖𝕟𝕥, 𝕟𝕖𝕨 𝕣𝕖𝕡𝕠𝕣𝕥𝕚𝕟𝕘, 𝕥𝕖𝕒𝕔𝕙𝕚𝕟𝕘, 𝕤𝕔𝕙𝕠𝕝𝕒𝕣𝕤𝕙𝕚𝕡 𝕒𝕟𝕕 𝕣𝕖𝕤𝕖𝕒𝕣𝕔𝕙 𝕒𝕤 𝕖𝕩𝕒𝕞𝕡𝕝𝕖𝕤 𝕠𝕗 𝕒𝕔𝕥𝕚𝕧𝕚𝕥𝕚𝕖𝕤 𝕥𝕙𝕒𝕥 𝕞𝕒𝕪 𝕢𝕦𝕒𝕝𝕚𝕗𝕪 𝕒𝕤 𝕗𝕒𝕚𝕣 𝕦𝕤𝕖

𝐇𝐚𝐭𝐞 𝐦𝐞 - 𝐏𝐫𝐢𝐧𝐜𝐞𝐬𝐬 𝐍𝐞𝐩𝐡𝐭𝐡𝐲𝐬 (𝑩𝒂𝒔𝒔 𝒃𝒐𝒐𝒔𝒕)

GREYCLOUD prodby@badsoul_beats

Earth Born - Dani Morr and The Echoes

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There’s wealth and celebrity, there’s propaganda, and there’s phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year!  Listen, subscribe, and share!

Episode 194 topics include:
Giants at the High Museum of Art in Atlanta

celebrity and wealth in art

iconography

the who’s who of Black art

Kehinde Wiley’s 30ft painting

Barkley Hendrick

propaganda in exhibitions

Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.

The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today’s Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition’s “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition.


See more:  Giants exhibition at the High Museum

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IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

SNP 195 Giants_mixdown

Ariel Dannielle comes back home to the Studio Noize podcast! We been following Ariel since she came on the single digit episodes of the Noize and we love how she has grown as an artist. If you’ve seen her work you know about her wonderful use of color, her complex compositions and her love of all things girly. She talks about her adventures in these art streets from LA to New York to Chicago and back to Atlanta. We get into her approach to painting and capturing moments, her obsession with painting food, her process of capturing these moments of womanhood/girlhood in her paintings. Its more of that good art talk that you love with one of our favorites. Listen, subscribe, and share!

Episode 196 topics include:

working on solo exhibitions

Feels Like Glitter show at UTA Atlanta 

being obsessed with painting food

capturing moments with friends

artistic influences

using yourself as reference

making in different ways

experiencing a residency in Morocco

studio space in Atlanta

representing womanhood and girlhood in art

Ariel Dannielle (b. 1991) is an African-American painter born and raised in Atlanta, GA. She graduated from University of West Georgia, where she received a Bachelor of Fine Arts. Drawing directly from her life, Ariel creates large-scale paintings that depict the daily experiences of young Black women through her personal and playful lens. 

She believes in the importance of her artwork to provide a look into Black girlhood/womanhood that can be represented and understood. 

This acrylic archive has enabled her to explore aspects of the mundane, human vulnerability and sexuality. Influenced by Kerry James Marshall and Mickalene Thomas

, Dannielle focuses on developing personal narratives within her portraits that challenge gender and racial stereotypes. By placing herself in the paintings, Dannielle welcomes the viewers to also participate in a process of introspection.

Ariel’s work has been showcased at the Venice Biennale 2024, California African American Museum, Monique Meloche Gallery, Soco Gallery, UTA Atlanta, Harvey B. Gantt Museum, Mint ATL, The Goat Farm, ZuCot Gallery, Dalton Gallery, Trio Contemporary Art Gallery, Sheetcake Gallery, and Perez Museum Miami. She was MOCA GA Working Artist Fellow of 2019-20 and an Artadia 2018 finalist. She also showcased her first mural with Living Walls x Adult Swim in Atlanta, Georgia in 2022.

 

See more:  Ariel Dannielle website + Ariel Dannielle IG @byaridannielle

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

SNP 196 - Feels Like Glitter w/ painter Ariel Dannielle

The seventh season of The Object begins March 24!

Today, an encore presentation of an episode about Joe Minter and the "yard show" artists of Alabama. Thirty-five years ago, Joe Minter received a vision. Soon, his half-acre property outside Birmingham, Alabama, began to fill with sculpture—reflections on everything from slavery to 9/11 to climate change—fashioned out of junk: car parts, toys, industrial detritus, gizmos of all sorts. An elaborate example of the Southern Black tradition of the yard show, with Minter as its genial showman. Now, it's among the last of its kind, and as museums and collectors come calling, the race is on to determine the fate of Minter’s art and how to think about it.

You can see Minter's art in Alabama, of course, and at the Minneapolis Institute of Art: https://collections.artsmia.org/art/132218/voyage-in-chains-joe-minter

Encore episode: Yard Show: The World According to Joe Minter

Produced by Robi Theophilus (beat switch by Thai Beats)

White Liberals

The Atlanta art community is second to none. The scene is so vibrant, diverse and supportive in so many ways. Courtney Brooks has been on the scene as an artist and curator for many years. She recently got the opportunity to open her own gallery space, CBrooks Gallery, and take her creative vision to the next level. We caught up to Courtney live in her gallery space to talk about her growth as curator from to doing pop-up shows to running a gallery space, balancing her artistic practice with curating and how to pour into yourself after you do so much for others. It’s that good art talk you love to hear on the Noize! Listen, subscribe, and share!

Episode 204 topics include:
operating an art gallery

special art residency 

integrating art into residential spaces

Know Regrets inaugural show at CBrooks Art Gallery

growth in curating from pop-ups to galleries

Journey of a Black Girl project

making art focused on Black girls/women

taking care of yourself

Courtney Brooks Bio:

An avid supporter for all creatives, Courtney is proud to be a visual artist first and is not afraid to experiment with various mediums like, watercolor, acrylic, oils and photography.  Through  personal experiences, traveling aboard, whether teaching art classes, painting  on canvas or walls, her love for art and building relationships have led to a journey of curating. Since 2014, she developed professional skills that have provided a platform for her peers through creative direction,team building, private and community fundraising events, solo shows and group exhibitions. The significance of the work Courtney has contributed thus far has opened many opportunities. She is the former a Gallery Director  and curator of  the Southeast Community Cultural Center, known as the ArtsXchange’s  Jack Sinclair Gallery. In addition, the first woman of color  Curator- in- Residence for Art the Atlanta BeltLine,  where she will have the freedom to transform a public art space. 

Brooks has a gift to work with a wide range of  entrepreneurs, small businesses, grass root based organizations  and collaborates  with emerging to established visual artists of multiple disciplines, cultures and backgrounds. Along with assisting artists/ muralist  as a curator, she focuses on understanding the creative process and undiscovered narratives that provides a sense of urgency. Her  goal is to help maximize artists’ potential and  expand the visibility in their careers. She understands that being curator carries  a role with great expectations and It is a privilege to share work from private collections, establish studio visits and handle concepts with care.


See more: Courtney Brooks’ website + Courtney Brooks IG @cbrooksart

Follow us:

StudioNoizePodcast.com

IG: @studionoizepodcast

Jamaal Barber: @JBarberStudio



Support the podcast 

www.patreon.com/studionoizepodcast

SNP 204 Building Yourself Up w/ curator Courtney Brooks

"Though an army besiege me, my heart will not fear; though war break out against me, even then I will be confident."


~lyrics~
U cod lobby ass crackers getting fucked
why u hate trans people nigga u are stuck
u aint goin no where, yet i keep it tucked
cuz u roaches multiplying by the mfn dozens
fucking on ur cousins
Don't you know I always really was what u wasn't
Ain't no discussion
No I ain't budging
cowards talk shit but in my face its nothing
Black filth king from the wrong side of the tracks
hold me up like a tack
U could never subtract
the essence of moi
The blackest of gods
that I be
you pussies don't know me
no we are not homies
no
I keep a big gun for u bitch boys
big toys new one every day like I'm rich roy
hit boy the way that i handle the beatings
pussy get beated 
pussy get heated
pussy cyaan do nun
bad bitch finna gimme sum scrumptious
average niggas sit n wish upon it
You are not worthy to be my opponent
squash u like a bug
roll u like a rug
rock u like im geodude
nigga we don't see u dude
~ I understand ~ 😔

stupid cowardly dipshits

𝐎𝐜𝐞𝐚𝐧 𝐭𝐚𝐬𝐭𝐞𝐬 𝐥𝐢𝐤𝐞 𝐞𝐚𝐫𝐭𝐡𝐥𝐲 𝐰𝐚𝐯𝐞𝐬 𝐢𝐧 𝐨𝐮𝐭𝐞𝐫 𝐬𝐩𝐚𝐜𝐞

A couple of dudes talking about comics, movies, tv and whatever else comes up!

"The Object" podcast explores the surprising, true stories behind museum objects with wit and curiosity. An object's view of us. Hosted by Tim Gihring, produced by the Minneapolis Institute of Art.

I can't wait for y'all to hear this new song I'm working on ✒️🔥

Just another 🥷🏾
Free 🍉 
🖕🏾🧊
 
Currently boycotting Spotify so this where you can find me at.

If you message me on IG, I'll treat you just like the group chat with the people I grew up with:

https://www.instagram.com/mateobesinging?igsh=MzRlODBiNWFlZA==


New tracks tagged #black art