I took each of the 3 30 second snippets, loaded them into Samplr on my iPad and then recorded my manipulations of them into Ableton Live. I used Corpus, Reverb and Delay within in Live to add a little processing.

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Dark Winter Gongs (disquiet0177-netlabelportrait)

I started with a loop of the Scott Lawlor snippet and used a step sequencing EQ filter to softly enforce a tempo. Then I modulated a duplicate of the Lawlor loop to create a melody. And I used granular synthesis of the Nadador Nocturno snippet to create an interesting setting in which to place the melody.

Thanks to Gavin Blackhurst for the sweet boat photo

More information on the project can be found here: http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

A Mourning Song [Disquiet0177 - Netlabel Portrait]

This is my first junto project.  I chose to use the samples as: A introduction using an auto filter, a drone, and one to sound like bells used sparingly.  Overall, I learned a great deal about mixing, limiters, and compression during this project.  

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Toe in the Water (disquiet0177-netlabelportrait)

"Use samples of recent Dark Winter Records releases to produce a sonic image of the label."

Just combined my favorite bits of the three pieces, applied some minor effects when it seemed appropriate.

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Dark Winter is Coming (Disquiet0177-Netlabelportrait)

five sections of varying length taken from three separate works on Dark Winter Records
chopped and screwed
with
granular re-synthesis,
resonators,
time-stretching,
bit reduction,
& modulation

et voila...

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/



Final Take  - Disquiet0177 - Netlabelportrait

I took the the three sound clips as is. After you hear them all simultaneously It breaks off into a drone of the three tracks. I took short clips (1-2 seconds) and repeated them. Lawlor's track gets tremolo, Nocturno's track get repeated with a slight rest, and Ovdk's track gets repeated as is. Final I end where I began only in reverse. 

http://subversiveintentions.wordpress.com

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Part Crystaline Shelter

https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/

spring palindromes
waves metaphorical
move forward/setback
ice crystal rainbow
.

-30 second intros played from web and recorded in audacity
-1st 2 samples repeated then reversed
-3rd sample played in middle and reversed
-project stretched and smoothed with paulstretch to fit 4 mins
-volumes messed around with

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:

http://www.darkwinter.com/dw095.html

Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:

http://www.darkwinter.com/dw096.html

Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:

http://darkwinter.com/dw097.html

Step 2: Upload your track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

hear

Spring Palindromes (Dark Winter snippets) (disquiet0177-netlabelportrait)

Disquiet Junto Project 0177: Netlabel Portrait
Use samples of recent Dark Winter Records releases to produce a sonic image of the label.

I tried to keep the clarity of the original sounds. I began by looping sections of the three tracks. Slowly crossfaded them and added some subtle touches of filtering and time stretching. Created in Audacity.

Creative Commons license granted.

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:
http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Netlabel Portrait disquiet0177-netlabelportrait

I found a loop i liked in “DSM III – The Cristalline Entity”, then put the same sample into Iris2 and made the wooden bell thing and created the bass part and the melody from that. I sampled a section of “Underground Shelter” for the high frequency stuff.
"World of Ice and Snow, Part 1" became the glitchy stuff by using the "slice to MIDI" function in Ableton and adding some FX. After playing to a friend and him saying he thought a beat was going to drop I made a kick drum our of “Underground Shelter” in another Iris sampler.

Thanks to www.darkwinter.com label for the source material!!

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:
http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

Ice To Dust [disquiet0177-netlabelportrait]

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image by Akira Asakura: https://flic.kr/p/6z5kK6

Starred [disquiet0177-netlabelportrait]

First sample was processed through 30 versions of reverb from an Alesis Midiverb II.
Second sample processed through 10 versions of gated reverb from the same unit.
Third sample processed through 10 variations of reverse reverb.
The results as building blocks dumped onto an MPC 2000xl, then processed through a variety of Oxygen plug-ins, then feed into Oxygen's Iris 2, controlled by a Korg controller purchased from possibly a bandleader in an Egyptian cult.

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

disquiet.com/2015/05/21/disquie…-netlabelportrait/

More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/

mvmpc (disquiet0177-netlabelportrait)

I used “World of Ice and Snow” looping forward & backward as a drone almost throughout. It is also passed through RP-Distort, a rythmic patch in Etch Red and a bitcrusher to produce a noisy heartbeat. Taming this one proved a challenge, as it tended to overwhelm the rest of the track in its loudest passages, but I did not want to destroy the dynamics either.

A passage of “Underground Shelter” is used at various pitches. The same bit is fed through an extreme effect to produce a more discordant sound, and in yet another track, this time effected by 3Plex with a rythmic preset. 

“DSM III” is played straight, but backwards and at different pitches. It is also used, with reverb followed by stereo delay, for the church-bell like peal that rings every four bars in the first section and every two bars in the third.

I had hoped to make a greater contrast between the sections. More time (and/or better inspiration) would no doubt have helped. I think setting myself a clearer goal from the start and perhaps choosing some specific and more radical effects would have been indicated.

+ + +

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Winterdark [disquiet0177-netlabelportrait]

M. Ackerman's second page, mostly for Disquiet Junto pieces projects.

here's another: 
https://soundcloud.com/user-608919580

Layers of piano, tape loops, samples, and noise.

Adam Thomas Howard is a musician based in the Northwest of the United States. He is an independent songwriter, sound artist, and the only permanent member of folktronic project The Duke of Norfolk (https://soundcloud.com/thedukeofnorfolk).

I am a human animal & through my creative practices seek to connect to the flow of life to let my innate intuition guide me before my logical mind controls me. To undo or at least side-step some of my cultural conditioning so the spirits of the place I am in can express through me. This  forest I am in, the rock I sit on beside this stream, the footpath below my feet, this vast planet we all live upon. The natural world so often unconsidered, ignored, I aim to give it some voice.

I began making noise music back in 2004, when living in an apartment in Brunswick, Maine. My neighbors complained about my punk band practicing there, so I switched my focus to editing audio with Windows sound recorder. My first few albums, consisted of nothing more than layering, reversing, changing speed, and adding echo to recordings I made with a computer mic.

Since then I have switched to slightly more sophisticated DAW, and have adapted my work to live applications. My focus has centered more on ambient and drone music, incorporating the bass guitar and kitchen utensils (most notably the whisk). But I continue to layer and patch these pieces into sound collages. 

Over the years I have branched out to playing more shows, including an east coast tour, and some Northeast festivals (Xfest and Frantasia). I have worked with a number of labels including Forever Escaping Boredom, Genetic Tapes, and Classwar Karaoke. I am proud to have shared bills with id m theft able, Crank Sturgeon, Tashi Dorji, Jaap Blonk and many more. 
I now live in central Vermont with my partner Stephanie and daughter Amelie. 


Electronic Musician, Percussionist, Guitarist and Composer. Modular Synth Enthusiast
http://rupertlally.bandcamp.com 
http://www.rupertandespen.com

"I'm worse at what I do best
And for this gift, I feel blessed"

If you like my stuff please keep an eye on my Bandcamp/youtube or catch me on instagram 

Releases 


always have always will

https://forelight.bandcamp.com/album/always-have-always-will


Cozy Up Time

https://forelight.bandcamp.com/album/cozy-up-time

4//lIGhT//McLean - I

https://forelight.bandcamp.com/album/4-light-mclean-i


Collected Electronic Works 

https://forelight.bandcamp.com/album/collected-electronic-works-2021-2024


Various Erosions (available on cassette and digital download at):
https://couriersound.bandcamp.com/album/various-erosions

3 visual experiments - 

https://youtube.com/playlist?list=PLMTvEW3kLo89zB7_cCfscjc4M9eAeN2QW&si=cZabs9pUZ-x0E2IN

Earthquake relief charity compilation:

https://aquietroom.bandcamp.com/album/50000-charity-for-earthquake-victims

#saveukraine charity compilation contribution: https://aquietroom.bandcamp.com/album/saveukraine-charity-for-unicef

Soundcloud EPs 1-3 
https://forelight.bandcamp.com/album/soundcloud-eps-1-3

Meditation I&II: https://forelight.bandcamp.com/album/meditation-i-ii

gossamer single (name your price): https://forelight.bandcamp.com/album/gossamer 

Liminal Noise - 10 Years Of Culture As A Dare compilation
https://liminalnoiserecords.bandcamp.com/album/ln015-culture-as-a-dare-compilation

Courier Sound - Silhouette Cameo 3 Compilation(4//lIGhT appears on Digital Release Only): https://couriersound.bandcamp.com/album/silhouette-cameo-3

A/V set broadcast as part of Culture As A Dare! Festival 2020

https://www.youtube.com/watch?v=mcGuUrFb8pU&t

Popular tracks tagged #disquiet0177-netlabelportrait