This was a spontaneous cover lol so if it is a little off pitch I was adjusting to the key lol

Holy Forever by Chris Tomlin (Raw) Cover

Commit to the Lord

Basic acoustic version of a song written in 2005 to invite musicians to collaborate to make updated recording - would love a big grand piano gospel arrangement with choir;-) ( see Ultimate Guitar ‘ Gerrimango’ for lyrics and chord tabs)

Hook line and Sinker

Cold Cuts on High

willow tree

Clean up version of my original.

My Wonderful Dream
Music and Lyrics: Mike Krath
artificially enhanced using SUNO

Lyrics

I once had a dream,
A dream, you know,
Where we held each other close,
And never let one another go
I had a dream
Where we’d be side by side
And maybe, by chance,
One day you’d be my bride.
Some dreams,
they just come and go,
big ones, small ones,
Even the ones we hold on to so
They grow old, they become trivial,
but some can’t let go.
From something mundane
To something glorious.
That’s what those dreams are for,
That’s what those dreams are for,
The dreams we had when young
When were both reaching for the stars,
Those were wonderful dreams,
Those were wonderful dreams,
And then the day came,
When you let your dreams be mine,
And you stood and held my hand,
And you said I’ll never leave you behind.
And if there are dreams,
you can’t seem to impress,
I’ll take those dreams,
And I’ll give them my best.
Dreams come and go
But one dream was meant to be so,
Dreams come and go
But one dream was meant to be so,
You never left that dream behind,
You never let that dream to die,
When you promised to follow me to the ends of the earth and back,
You became my dream,
My only dream I’d never lack,
You are, you always will be, the embodiment of that dream,
You are my dream.

My Wonderful Dream

Parting words?  

This word is of first importance (v1-16)  

This word comes with tears (v. 17-23)  

This word is the good news of God’s grace (v. 24-26)  

So…

Be on your guard! (v. 28-31)  

Rest in and be built up by this word (v. 32-33)  

Work hard to help the weak (v. 34-35)  

Now I commit you to God and to the word of his grace

The Acts of the Risen Lord Jesus #27 - Unstoppable: The Lord of Grace (Acts 20:1-38)

 A gospel song glorifying the risen Christ.

He Is Risen

WALK ME THROUGH" by THE VIBE SHIFTERS is a soul-stirring gospel anthem rooted in faith, struggle, and divine guidance. With deep vocals, rich harmonies, and a sound that channels the spirit of legends like Mahalia Jackson, this song will move your heart and lift your soul.

This isn’t just music — it’s a testimony.
If you’ve ever walked through darkness and leaned on God’s hand to carry you through... this song is for you.

Walk me through

DJ Disciple – House of Praise (Resurrection Sunday Gospel House Mix)
A special Resurrection Sunday tribute through Gospel House and uplifting grooves.
This is more than a mix—this is ministry through music. 💒🎶

Expect inspirational vocals, deep rhythms, and that signature DJ Disciple vibe that blends faith with fire.
Blessings to all who tune in.

🕊️ Powered by Catch 22 Recordings
📍 Brooklyn roots. Global spirit.

#GospelHouse #DJDisciple #ResurrectionSunday #Catch22 #FaithInTheGroove #UpliftingHouse #SundayServiceVibes



House of Praise – Resurrection Sunday with DJ Disciple

Former Secular artist, now curating uplifting Christian, Gospel playlists for you to enjoy. Glorifying God through music!

minister, author, songwriter and rolling stone.

The visionary force behind The Vibe Shifters — fusing futuristic production techniques with the warmth of vintage soul to create immersive, era-spanning soundscapes.

I love singing, playing flute, ukulele and banjolele and songwriting. 
I sing all kinds of music - acapella folk, acoustic folk, R&B, jazz, rock, pop, indie. I often warm up my voice by singing Sam Brown's huge power R&B song  "Stop" 
I enjoy writing songs with lots of imagery and enjoy starting lyrics from a poetry structure and using extended metaphor. Musically, I am not sophisticated but enjoy making songs that are upbeat, with lots of hooks.

I’m a keyboardist who unfortunately has developed arthritis in my hands so I’m not as accurate as I used to be.

But needless to say, my main tool for composing is still a keyboard or the keys of my MacBook Pro.

I find writing lyrics to be the easiest first task.  From there the music follows.

My son recently introduced me to A.I. and taught me how to do covers of my previously released music. While this is fun to see how your original music sounds in different styles and voices, I can see how it can stifle creativity.  Plus you can’t go on concert with an A.I. cover.  A.I. basically relegates you to a song-writer, but not a performer.

I don’t see any problems using A.I. as a tool.  It’s here to stay.  But recommend proving yourself first as a  composer and/or lyricist before using it.  Plus, in my mind,  it’s more fun to come up with your own works first even leaving out canned loops when you do it.

http://en.wikipedia.org/wiki/DJ_Disciple
The Beat, the Scene, the Sound: A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New York City.
by DJ Disciple, and  Henry Kronk. Foreward by Louie Vega.

A thrilling and tumultuous, behind-the-scenes account of house music in NYC. The Beat, the Scene, the Sound follows DJ Disciple and his behind-the-scenes account of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation—dive into the glitzy clubs, underground parties, and the diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC—between the fall of disco and the rise of EDM. The book unearths many untold stories of the era. When house first rose to prominence in the 1980s, it brought people together—Palladium, Paradise Garage, Tunnel, Zanzibar, Studio 54, and other clubs were going strong. But as DJ Disciple established himself in the scene, he witnessed it shatter. During the crack-cocaine epidemic, he literally dodged bullets bringing his records to and from clubs at night. HIV/AIDS and homophobia threw up fear-based partitions. Then, mayors worked to close the clubs. House music was pushed underground and then abroad to the UK and Europe. Disciple and many other DJs sought to regain a footing in the United States, but that only became possible with the rise of commercialized EDM. With dozens of interviews and historic photographs, The Beat, the Scene, the Sound shows what is possible when you bring people together and what can unravel when you split them apart.
Whether he’s dropping beats or dropping jaws, DJ Disciple is changing the game of modern music forever. David Banks, aka DJ Disciple, is an internationally-touring artist, DJ, radio host, and producer based in Brooklyn, New York. He is most famous for his success on the music charts, including his hit single, "On the Dancefloor," which peaked at #67 in the UK Singles Chart in 1994, and his Grammy-nominated track “Caught Up,” which earned the number one spot on the US Billboard Hot Dance Club Play chart in 2002 and was later featured on the Showtime series “Queer as Folk” in 2006. Disciple has also earned his way to the top in the world of remixes, and won an ARIA music award in Australia for his remix of producer Steven Allkins, aka Love Tattoo’s hit, “The Bass Has Got Me Movin.”

Disciple grew up with music in his genes. His father played piano with Miles Davis and his brother slapped bass for George Benson. Disciple got his start as a gospel DJ and, staying true to his religious roots, coined his name as a constant reminder that “only what you do for Christ shall last”. He started his professional career in 1987 when he worked as a radio host and mixer for WNYE FM, and quickly gained a loyal following of listeners. In the 90’s, he hosted “The Best Kept Secret”, a mix show also on WNYE (FM), where he spun the hottest new underground tracks from rising artists. From there, he moved on to touring as a DJ in 1992 with his eyes set on global success.

Disciple started out strong, and his first professional DJ gig was at the famous Studio 54 in New York. After that, Discple moved onto playing in the UK. As he traveled, his fan base quickly grew in size and diversity. By the time he debuted his first single on Muzik Pushers in 1993, his career was well on its way to the top. Since then, he has toured internationally and led the way for a modern era of DJs.

DJ Disciple is just as much an entrepreneur as he is a musician, and has had great success through starting his own record label, Catch 22 Recordings. The label is consistently putting out quality tracks, but one of the most noteworthy releases on this label was Disciple’s hit single, "Work It Out" featuring Dawn Tallman, which debuted in 2006. This track was also re-released on House Trained Records in the UK and made appearances on MTV and BBC Radio 1.

More recently, Disciple collaborated with Collette Mclaffery on “Birdseye View”. Their track is due out June 2017. Disciple is currently finishing his untitled book. Its publication is set for 2018. In 2017 Disciple’s label, Catch 22, celebrated its 20th year of releasing music. Here’s to the future, and to 20 more years of revolutionizing the music industry.

New tracks tagged #gospel,