Tercer número de "...denn wo die Lieb' erwachet..." para barítono y piano

Víctor Torres- Barítono

Luis Mucillo- Piano

Die beide (Heine)

Heinrich & Heine @ BKI Hamburg 15.03.2014 (Peaktime)

Heinrich & Heine @ BKI Hamburg 15.03.2014 (Intro)

Heinrich & Heine @ BKI Hamburg 29.08.2014

Hello everyone, I wanted to do a remix of one of my all time favorite games "Killer Instinct"! I took about 48 hours and composed this remix from scratch! With the release of my video game review of Killer Instinct on my YouTube page 

http://www.youtube.com/watch?v=ClQ6MUhtIRw

I wanted to do something else just as special. This is a good mix between House and break beat. I am offering this track as a free download at the link in the description, please enjoy!

Killer Instinct Theme (Jason Heine Remix)

Seven Nation Army (Ben L'Oncle Soul)

Oh Johnny (Jan Delay)

안녕하세요 싱어 송라이터 KIMYO입니다

이 곡은 독일의 위대한 작곡가인 R.Schumann의 독일가곡인

Im wunderschoenen monat mai를 저의 감성을 섞어

사랑하는 사람이 떠난 뒤에 맞이하는 봄을

이별을 맞이한 주인공의 관점에서 (Show more를 눌러주세요 :D)

쓸쓸하고 고독하게 독백하는 노래입니다.

슬픈 이별을 맞이한, 그리고 맞이했던 분들이 

공감하시고  감정을 뱉어내고 상처를 씻을수 있는

노래가 되었으면 좋겠습니다.

감사합니다. 

-------------------------------------

널 통해 다가온 여름은 노래했어
너를 통해 다가온 가을은 그림을 그렸고
너를 통해 다가온 겨울은 날 안아줬는데
널 통해 온 봄은 나를 할퀴어

붉은 꽃은 내 심장을 찌르고
따스한 바람은 내 숨을 조이고
저 푸른 풀밭은 가시가 되어 나의 휴식을 빼앗고
내 모든걸 밀어낸다

널 통해 내게 다가온 봄인데
내게 웃어줄거라 믿었는데
아프도록 아름다운 모습이
마치 널 보는것 같아

다시금 돌아봐주면
이 봄도 나를 봐줄텐데
한 번 더 웃어 준다면
이 봄도 미소를 줄텐데

붉게 젖은 심장을 붙잡고
녹아 내리는 숨을 추스르고
찔리고 찢겨 다 헤져버린 나의 휴식을 주워담고
날 밀어내는 널 안아

널 통해 내게 다가온 봄인데
내게 웃어줄거라 믿었는데
아프도록 아름다운 모습이
마치 널 보는것 같아

다시금 돌아봐주면
이 봄도 나를 봐줄텐데
한 번 더 웃어 준다면
이 봄도 미소를 줄텐데

-------------------------------------

8월, 래퍼 'BeatOcean'과 함께한 '더 자'와 '봄, 너'의 피쳐링 버전이

공개될 예정이었으나 개인 사정으로 인해 

조금 미뤄지게 되었습니다. 대단히 죄송합니다T^T

최대한 빨리 완성된 콜라보 앨범으로 찾아오겠습니다!

많은 기대와 관심 부탁드립니다!

봄,너(complete Ver)[Remake : Im wunderschoenen monat mai - R.Schumann]

AUS MEINEN TRÄNEN SPRIEßEN (Early Romanticism)

Composed & Produced by ANNE-KATHRIN DERN
Copyright © 2012 Anne-Kathrin Dern
Lyrics HEINRICH HEINE
Vocals TINEKE ROSEBOOM
Piano SABRINA DE BRUYNE
Recorded at EDGETIP STUDIO ARNHEM
Under the direction of recording engineer RAOUL SOENTKEN

This piece was written for the classical composition class at the ArtEZ Conservatory Arnhem, NL. It is supposed to display the tradition of songs (romantisches Kunstlied) during early Romanticism. The text was taken from "Lyrisches Intermezzo" - a collection of 65 poems by the German writer Heinrich Heine, published in 1827 in his "Buch der Lieder".

This production is part of the "Field Of Roses" collaboration.
http://www.facebook.com/pages/Field-of-Roses/196066980496082
http://soundcloud.com/officialfieldofroses

All rights reserved.

AUS MEINEN TRÄNEN SPRIEßEN

saoirse.

saoirse. w/ heine aabφ

Anne-Kathrin Dern is a German film composer and CEO of e-Quality Music Productions, currently residing in Los Angeles, California. She is mostly known for her scores to "The Jade Pendant" (2017), "Lilly's Bewitched Christmas" (2017), and "Help I Shrunk My Parents" (2018), as well as her collaborations with Klaus Badelt, most notably on "Leap!" (2016) and "Wish" (2018).

For more information about Anne's academic background, skills and working experience, check out her website www.annedern-filmcomposer.com

contact: snctmmusic@gmail.com

still working away but at a slow pace (i am lying) x

Owner of Heine House Entertainment | Audio Engineer | Producer | Video Game Sound Designer. 

Hire me: http://goo.gl/DgfFwj
Website: http://goo.gl/xf6mTJ

El compositor argentino Luis Mucillo nació en Rosario el 12 de diciembre de 1956.  Estudió piano con Aldo Antognazzi y composición con Francisco Kröpfl.
Becado por el DAAD de 1979 a 1984 desarrolló parte de su carrera en Alemania y en el Brasil.
Obtuvo, entre otras distinciones, el Premio Internacional de Composición Sinfónica de Trieste (Italia) en 1987, el Primer Premio Municipal de Composición Sinfónica de la Ciudad de Buenos Aires (2006), el Premio Clarín–Espectáculos otorgado por el matutino porteño en 2005 y el Premio Konex: Diploma al Mérito por su trayectoria como compositor. (2009). Ha sido compositor en residencia de la Fundación Les Treilles y la Academia Musical de Villecroze (Francia) en 1989.
 Su música ha sido interpretada por orquestas y conjuntos tales como la Nouvelle Orchestre Philarmonique de Radio France, Orquesta Filarmónica de Buenos Aires, Orquesta Estable del Teatro Colón, Orquesta Sinfónica Nacional, Orquesta Sinfónica de Rosario, Orquesta Sinfónica Nacional de la Universidad de Cuyo, Orquesta Estable del Teatro Argentino de La Plata, Ensemble Dedalus, Trio Luminar, Ensemble Musique Vivante de Paris, Contrast-Ensemble de Köln, Klangkonzept Ensemble de Nürnberg, conjunto Musica Poetica, Compañía Oblicua y Ensamble Los Percusionistas de Buenos Aires, entre otros; por directores como David Porcelijn, Nicolas Rauss, Jorge Rotter, Andrés Spiller, Stefan Lano y Günter Neuhold; y por solistas como los cantantes Lucía Maranca, Martha Herr, Rosa Domínguez, Susana Caligaris, Guillermo Anzorena, Victor Torres, Margrit van Reisen y Virginia Correa Dupuy, los flautistas Philippe Bernold, Gabriel Pérsico y Patricia Da Dalt, los pianistas Aldo Antognazzi, Gerardo Gandini, César Vuksic, Beatriz Balzi, Susana Kasakoff, Alexander Panizza y Silvia Dabul y los clavecinistas Ilton Wjuniski y Maria de Lourdes Cutolo.
Entre sus obras recientes se destacan las orquestales  “Notturno”, “Concierto para piano y orquesta”, “Entre la luna y la sombra” (ciclo sinfónico-vocal,“Brocéliande”, “Corpus Christi”y “Liebeslieder” (barítono y orquesta). En 2008 estrenó con gran éxito de público y crítica, la versión integral de su ciclo pianístico “Aus Märchenzeit”, vasta serie de siete piezas de aproximadamente una hora y media de duración.  Actividades en el 2010 incluyeron el estreno en mayo de la suite para orquesta “Mabinogion” (encargada por la Sinfónica de Rosario con motivo de su cincuentenario), la presentación en el Teatro Argentino de La Plata de los “Liebeslieder” cantados por Victor Torres bajo la dirección de Stefan Lano y el estreno de la versión definitiva de “Corpus Christi: visiones del Grial” en el Teatro Colón de Buenos Aires por la Orquesta Filarmónica de dicha ciudad, dirigida por Günter Neuhold, así como un recital de Luis Mucillo en Paris retrospectivo de sus obras pianísticas más recientes. En mayo de 2011 la Orquesta Sinfónica Nacional interpretó su suite “Mabinogion”, y en diciembre de 2011 Patricia Da Dalt estrenó junto a la Orquesta Sinfónica de Entre Ríos dirigida por Luis Gorelik el “Concierto para flauta y orquesta”, obra que da Dalt y Gorelik volvieron a interpretar en junio de 2013 con la Sinfónica Nacional. En 2012 Mucillo realizó junto a Victor Torres la integral de las canciones folklóricas de Benjamin Britten en el Teatro Colón, integral “intervenida” por numerosas obras de Mucillo compuestas especialmente para la ocasión. En 2013, Mucillo acaba de lanzar su CD de música de cámara y canciones, “En el reino de la alegoría”, editado por el sello SyS y presentado recientemente en el CETC del Teatro Colón.





The composer Luis Mucillo was born on 12.12.1956 in Rosario (Argentina). He studied piano by Aldo Antognazzi and composition by Francisco Kröpfl. He was awarded a german DAAD scholarship (1979-1984)for studying and working at the Cologne’s University Electronic Music Studio. He lived then for some years in Brazil, teaching at the Brasilia University. In 1989 he was invited as composer in residence at the Foundation Les Treilles and the Villecroze’s Musical Academy (France). After 1998 he lives in Buenos Aires. Luis Mucillo has been awarded the 1st Internazional  Prize for Symphonic Composition of Trieste, Italy (1987), the Buenos Aires City Award for Symphonic Composition (2006), the Clarin- Newspaper Music  Prize (2005) and the Konex Award  (2009) for his trajectory as composer.
His music has been performed by orchestras and ensembles such as the Nouvelle Orchestre Philarmonique of Radio France, Buenos Aires Philarmonic Orchestra, Teatro Colon’s Permanent Orchestra, National Symphonic Orchestra of Buenos Aires, Rosario Symphonic Orchestra, Mendoza University’s National symphonic Orchestra, La Plata’s Theater Orchestra, Entre Rios Symphonic Orchestra, Dedalus Ensemble, Trio Luminar, Paris Ensemble Musique Vivante, Cologne’s Kontrast Ensemble, Nurenberg’s Klangkonzept Ensemble, Musica Poetica Ensemble,  Compañía Oblicua  and Percussionists of Buenos Aires; by conductors as Jorge Rotter, David Porcelijn, Nicolas Rauss, Andres Spiller, Stefan Lano, Günter Neuhold and Luis Gorelik; and by well known soloists such as the singers Lucía Maranca, Martha Herr, Rosa Dominguez, Susana Caligaris, Guillermo Anzorena, Victor Torres, Virginia Correa Dupuy and Margrit van Reisen ; the flutists Philippe Bernold, Gabriel Persico and Patricia Da Dalt; the pianists Aldo Antognazzi, Gerardo Gandini, César Vuksic, Beatriz Balzi, Susana Kasakoff, Silvia Dabul and Alexander Panizza; and the harpsichordists Ilton Wjuniski and Maria de Lourdes Cutolo.
Mucillo’s recent works include many song- cycles  and piano pieces, as well as several symphonic compositions like: “Notturno”, Piano Concerto, “Between Moon and Shadow” (seven orchestral songs on poems by Robert Graves), “Brocèliande”, “Liebeslieder”(five orchestral songs), “Mabinogion- Suite”, “Corpus Christi” and Flute Concerto. 


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