Born in 1992 and reborn in shadowed synths, Johannesburg traces the hush before upheaval. A city holding its breath. The scent of injustice rising like heat from the sand.

Minimal beats, wide night skies, and Juno Wilde’s low ember of a voice carry the story forward, not as history, but as a wound that still glows under the skin.

A memory. A warning. A place that refuses to stay silent.

Johannesburg

Can You…? wanders through the feverish edge of desire, all velvet bruises and questions no one wants to answer. The synths simmer, the rhythm stalks, and Juno Wilde slips through it with a voice that feels half prayer, half provocation.

It circles the old hunger for love, the kind that tastes like danger and hope at the same time. A quixotic little storm. Sharp, tender, and beautifully unwell.

Can you....?_

“Ash in Your Voice” is an emotional electropop track blending cinematic electronic textures, intimate vocals and a modern atmospheric energy. It explores the feeling of holding onto a fading presence, combining tension, warmth and a clean, expressive production that defines Rytmyk’s sound.

Ash in Your Voice

Let me down - Jorja Smith (Rosenoire Reprise)

Hécatombe Céleste - Rosenoire

“Dirty Frame” is a neon-noir fever dream set in a world where desire and suspicion blur at every angle. The song opens with a dizzying, cinematic tilt—laughs that spill like guilt, glass that trembles, whispers that flicker at the edge of vision. Its imagery paints a relationship as volatile as a nightclub crime scene, where the glow of one lover feels more like a warning sign than warmth. The verse’s shifting perspectives and rhythmic stutters pull the listener into a space that’s unstable, electric, and crackling with unspoken accusations.

As the story deepens, the song becomes an examination of emotional deceit and vanishing truths. Every touch feels staged, every gesture a clue that evaporates as soon as it appears. The choruses strike like camera flashes, framing a love that’s been tampered with—contaminated with rumors, glitches, and mismatched intentions. By the second verse, the illusion fully unravels: messages fade like washed-out chalk, identities slip, and the protagonist finds themselves dancing with an echo. The world of the song feels like a maze of alibis, where shadows lie and reflections cannot be trusted.

The bridge fractures into a looping breakdown, capturing the disorientation of loving someone who constantly rewrites the rules. But the final chorus offers escape—a reclamation of self from a relationship staged like evidence in a case that never closes. Stepping out of the “dirty frame” becomes an act of liberation, a refusal to be defined by someone else’s chaos. The song ends not with resolution, but with clarity: the protagonist walks off the page, leaving behind a world of neon crimes and whispered misdirections, reclaiming their narrative from the blur.

DIRTY FRAME

B!GDR3AMS | SMS
🖤
idk figure out the lyrics on ur own u guys I'm embarrassed and that's the vibe here anyw4y
🖤

B!GDR3AMS

THIS IS NOT A DRILL — THEY ARE COMING

A retro-futuristic New Wave panic attack wrapped in a dance groove...
Jittery drums, rubbery synth-bass, angular guitars, and a searing theremin solo spiral together like a disco being abducted in slow motion.

Voices glitch in and out.
Broadcast static bleeds into the beat.
It’s danceable disaster energy for the end of the world.

If your walls start humming, don’t be alarmed.
If your thoughts stop belonging entirely to you…
Just Turn It Up.

THEY ARE COMING.


Written and Produced by Michael Lemmer for AMOR*LEBEN*TODO

Cover Art by _spikerr_

Follow The Signal

THEY ARE COMING

A slow-burn drift through broken lines, bruised hearts, and that strange hope that sometimes leaks through the cracks. “Wherever, whatever, have a nice day” is a bruised little postcard from the nineties, pulled from the roadside mood of My Own Private Idaho and rebuilt in the now. Kaelib and Juno Wilde lean into quiet collapse and soft resilience. A track that wanders, wonders, and never fully settles.

Wherever, whatever, have a nice day

Afternoon Ascension: The Joyful Noise Sessions (KTTK Love — Set 2)

Recorded live inside The People’s Day Program, this afternoon set carries a different current — momentum, joy, flowstate, and the kind of uplift that moves through a room when people feel safe enough to come alive.

This mix isn’t the official show performance for JOYFUL NOISE, but it reflects the atmosphere we bring into our collaboration with Beyond Me Entertainment — a fusion of artistry, community care, and the simple truth that joy is healing.

Featuring another beautiful inclusion from Utah-based artist Akoyeh, whose work blends consciousness, storytelling, and energetic activation. Explore more of his creations:
👉 https://youtube.com/@iomakoyeh33

Where Set 1 softened and opened the heart, Set 2 invites you to rise, move, and ascend.

With love,
KTTK Love
Allies for Humanity | Beyond Me Ent.

🎶 SET 2 — Tracklist (in order)

One Herb One Love — Akoyeh
Surrender — John Pattern
hey! — Jonny Joon, Ruby Chase, Tahüm
Heaven On Earth — Tahüm Remix — Vision of Leo, Edgar Sandoval Jr
Guide You Home — RSCL
The Rhythm — RSCL
El Amor (Radio Edit) — Castion, Martina Camargo
Shout It Out — BLOND:ISH, Night Tales
Flowstate — St. Finnikin
Let It Go — NOTSOBAD, MA:RK
Rain Dance — Equanimous, Solarfunction
Rise and Shine, EJ — Nexus Flow + KTTK Love
Innervision — System Of A Down
Letting Go While Holding On — Kaskade
Saraswati — Colossus
Grounding — Heart Mix — KT Tunstall
hallelujah, rangreza — Sofi Tukker
Thank God — Lukis Mac, John Pattern, RaisedbyWolvvs
I Am A Vibe — Didacte
Love Is Our Legacy — Lukis Mac, Angel Hill
Prayer — Lukis Mac
Theme Song — Ryan Caraveo
Kundalini Rising — Activation, Matt Monaco
Waves — Pryda
Nightwhisper — Jody Wisternoff, James Grant
more than love — Sofi Tukker remix — Trevor Hall, Sofi Tukker
120 — Circles — Post Malone
How To Listen To This Album — Stereoclip
shimmers — il:lo, Jade Massentoff
Everything In Its Right Place — Radiohead
Abra Kabra — DJ Brace, Kabanjak
104 — Nothin’ On You (feat. Bruno Mars) — B.o.B, Bruno Mars
High (feat. Elton John) — Young Thug, Elton John
Where Angels Fear To Tread — Disclosure
He Shall Reign Forevermore — Live — Chris Tomlin
Santa Claus Is Coming to Town — Simeon [CH], Steve O, P.H.
Still Still Still — Kaskade
Charlie Brown Cut Up — Colossus
What A Wonderful World — The Orb Remix — Louis Armstrong’s Orchestra & Chorus
Sleigh Ride — KT Tunstall
Purple Hat — Mixed — Sofi Tukker
Carol of the Bells — Mannheim Steamroller

Afternoon Ascension: The Joyful Noise Sessions (KTTK Love — Set 2)

A fusion of sound, spirit, and connection; flow artists of soundwaves.

We are musical alchemists, weaving frequencies that bridge the seen and unseen, the light and shadow, the movement and stillness. Our music is an invitation—to dance, to feel, to remember.

We believe in the power of sound to heal, to elevate, and to unify. Each set, each track, each moment is crafted with intention—to awaken the divine spark within and celebrate the miracle of now.

Join us on this journey of love, rhythm, and transformation. May our music remind you that you are light, you are energy, and you are here to shine.

#WeAreOne #Lovelution #KTTKLove


I'm 20 and I make music from my bedroom! self taught, self produced etc.
He/They r my pronouns 👽 for more about me and also videos, snippets and such go 2 my youtube 🫶

Anbid Zaman is a queer activist and artist whose work rises from a life marked by displacement, resistance, and the insistence on living fully even when the world tries to deny that possibility. Born in Bangladesh and shaped by grassroots queer organizing from a young age, they grew into their voice through community struggle — learning early that courage isn’t an act, but a daily discipline.

Their journey from danger to refuge transformed them without erasing their origins. Living in Germany, Anbid continues to work at the intersections of identity, migration, and liberation, supporting queer people who face violence and navigating the complexities of chosen family, safety, and belonging. Their activism is guided by deep commitments: justice without compromise, solidarity across borders, and an unshakeable belief that marginalised voices should be heard not with pity, but with respect.

These values spill directly into their music. Anbid’s sound blends testimonial storytelling, emotional minimalism, and atmospheric layers shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the thrill of surviving. Each track carries the weight of lived experience and the brightness of hope that refuses to die. Their art is not just expression; it is continuation, resistance, and a reminder that stories carry power long before the world acknowledges them.

AMOR*LEBEN*TODO
Music, Mystery, and the Multiverse of Michael Lemmer

Somewhere between a mountain echo and a memory of the future, AMOR*LEBEN*TODO hums.
It’s not just a label — it’s a living signal. A constellation of songs, poems, and visions beamed from the heart of the Rockies into every corner of the cloud.

This SoundCloud page is a crossroads — a place for wanderers and one-offs, sonic sketches and stray transmissions. Here drift fragments of the greater work: folk and funk, dream and data, dub and dawnlight. Every sound is part of a larger conversation — between art and accident, code and spirit, love and the long road home.

Founded by artist-producer Michael Lemmer, AMOR*LEBEN*TODO carries a simple mission: to keep the signal alive. The music, the words, the images — all vibrate from the same pulse. A celebration of life, love, and the strange electric hum that connects it all.

Tune in, drift wide, and listen closely.
Every track is a little transmission from the in-between.

New tracks tagged #indie electronic