exclusive | Pohl - Cvsrd | Fresh Tunez

Pohl, the Madrid-based producer, makes a triumphant return to the System Error family with his latest offering, the Shinobi EP, released on their sub-label Fresh Tunez. Following his celebrated 2020 release on LowMoneyMusicLove, Pohl solidifies his reputation for crafting intricate, groove-infused tracks that blend genre elements with finesse. The "Shinobi EP" is no exception, featuring four meticulously produced tracks that showcase his signature sound. Among these, the A2 track "CVRSD" stands out as a masterclass in combining deep house with subtle hip-hop influences, creating a vibe that’s both laid-back and sophisticated.

"CVRSD" is an immediate standout on the "Shinobi EP", thanks to its intriguing fusion of styles. The track opens with a deep, resonant synthline that sets the tone for what unfolds as a carefully constructed soundscape. The bassline is rich and full, giving the track a weighty foundation that is characteristic of Deep House, yet Pohl’s approach is anything but conventional. Instead of leaning into the predictable, he introduces a layer of vocals that adds a refreshing twist.

The vocal elements in "CVRSD" are a blend of slightly HipHop-esque tones and a smooth Spanish lead vocal, which together infuse the track with an urban, cosmopolitan flavor. The interplay between the deep, enveloping house groove and these vocal touches is what elevates "CVRSD" from being just another deep house cut to something more distinctive. The track maintains a steady, almost hypnotic rhythm, allowing the listener to sink into its groove while the subtle complexities reveal themselves with each listen.

What’s particularly impressive about "CVRSD" is how Pohl manages to keep the track laid-back yet engaging. There’s a certain elegance to the way the elements are arranged – nothing feels overdone, and every sound has its place. This restraint gives the track a classy, polished feel, making it suitable for both casual listening and more focused sessions on the dancefloor. The deep house influences are clear, but the addition of the Spanish vocal adds a touch of warmth and identity that feels authentically Pohl.

In "CVRSD," Pohl delivers a track that encapsulates his ability to blend genres seamlessly while maintaining a cohesive, sophisticated sound. The deep synthline, coupled with HipHop influenced and Spanish vocals, creates a track that is both smooth and intriguing, perfect for those who appreciate subtlety in their house music. As part of the Shinobi EP, "CVRSD" highlights Pohl’s continued evolution as a producer and his knack for crafting grooves that are as thoughtful as they are danceable. With this release, Pohl once again proves why he’s a key figure in the System Error family, and why his work continues to resonate with a growing audience.

Buy the EP: https://systemerrorworldwide.bandcamp.com/album/tunez006-pohl-shinobi-fresh-tunez

Artist & label information
Pohl: @pohlovnie // https://www.instagram.com/pohlabraira
System Error/ Fresh Tunez: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide // https://www.instagram.com/fresh.tunez

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

Shinobi EP

CVRSD

Buy the EP

exclusive | Pohl - CVRSD | Fresh Tunez

exclusive | Front - Left - Balkan 176 | LowMoneyMusicLove

London-based producer Front Left makes a striking contribution to System Error’s sublabel LowMoneyMusicLove with "Balkan 176," the opening track on "Various Artist EP 01". Known for his ability to craft immersive soundscapes, Front Left takes listeners on a journey through deep house, marked by hypnotic melodies and an infectious groove. "Balkan 176" encapsulates the dreamy, entrancing qualities that define the best of the genre, setting a high bar for the rest of the EP.

"Balkan 176" opens with a deep, pulsating rhythm that immediately draws you into its world. The track’s standout feature is its synth line, which is both dreamy and almost trance-inducing, giving the piece its hypnotic quality. Front Left expertly layers this synth with a repetitive vocal sample, "One drink, one pill, a kiss, a thrill," which becomes an integral part of the track's fabric. This vocal line isn’t just an addition to the music; it weaves in and out of the chords, creating a seamless blend that enhances the track’s mesmerizing effect.

The rhythm section of "Balkan 176" is understated yet effective, allowing the focus to remain on the interplay between the synth and vocals. The percussion is light but purposeful, guiding the listener through the track without overpowering its more delicate elements. This balance is where Front Left’s production truly shines—nothing feels forced or overdone. Instead, each component works in harmony, contributing to the track’s overall sense of cohesion and flow.

As the track progresses, the hypnotic tendencies of "Balkan 176" become more pronounced. The repetition of the vocal line, combined with the looping chords, creates a sense of immersion that’s difficult to break away from. It’s a track that invites the listener to lose themselves in its rhythm, making it ideal for both late-night listening and the more introspective moments on the dancefloor. The subtle variations in the arrangement keep the track engaging, ensuring it never becomes monotonous despite its repetitive nature.

"Balkan 176" by Front Left is a standout track on Various Artist EP 01, offering a dreamy, deep house experience that is as hypnotic as it is captivating. The track’s seamless blend of synth lines and repetitive vocal samples creates an immersive soundscape that pulls the listener in and refuses to let go. With "Balkan 176," Front Left has crafted a piece that is both soothing and stimulating, making it a perfect opener for the EP and a testament to his skill as a producer. This track not only sets the tone for the rest of the EP but also solidifies Front Left's place as a name to watch in the deep house scene.

Buy the EP: https://systemerrorworldwide.bandcamp.com/album/lmmlva01-various-artists-01-lowmoneymusiclove

Artist & label information
Front Left: https://www.instagram.com/frontleftdj
LowMoneyMusicLove: @lowmoneymusiclove // https://www.instagram.com/lowmoneymusiclove
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide // https://www.instagram.com/fresh.tunez

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

Various Artists 01

Balkan 176

exclusive | Front Left - Balkan 176 | LowMoneyMusicLove

exclusive | Melgar - Toxic Waste | Fresh Tunez

"Toxic Waste," the A2 track on Fresh Tunez latest outing "Sound of a Past Time" by Pau Melgar, presents an audacious leap into the cutting-edge underground soundscape, combining breakbeat rhythms with an atmospheric touch that feels both groovy and cinematic. Under the careful curation of Moses Mawila’s sub-label to System Error, Pau Melgar crafts a distinctive piece that resonates deeply with the label’s ethos of pushing sound-boundaries.

Opening with a haunting bleep-laden intro, "Toxic Waste" soon dives into a labyrinth of intricate breakbeat rhythms that harken back to the genre's early experimental phases, while simultaneously sounding utterly contemporary. The track thrives on its dual nature—managing to maintain a spacious, almost ethereal atmosphere while propelling listeners forward with its infectious groove. The synth line is the star of the show: hypnotic, catchy, and laced with just enough grit to keep you anchored in the underground.

The track’s groove beckons you to move, yet its layers of detailed production, particularly the bleepy nuances and the evolving sound design, create a sense of space that feels almost otherworldly. It's as much a peak-time anthem as it is a sound journey—perfectly suited for late-night sets where the dance floor craves both depth and energy.

In "Toxic Waste", Pau Melgar expertly fuses breakbeat nostalgia with forward-thinking production, resulting in a complex yet accessible tune that lingers in the mind long after its final echoes fade. "Toxic Waste" is not just a dancefloor filler—it’s a piece that beckons deeper exploration, embodying the subversive spirit of Fresh Tunez and System Error’s relentless pursuit of underground excellence.

Buy the EP: https://www.deejay.de/Melgar_Sound_Of_A_Past_Time_FRESH004_Vinyl__1063391

Artist & label information
Melgar: https://www.instagram.com/melgar_____
System Error/ Fresh Tunez: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide // https://www.instagram.com/fresh.tunez

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

Sound of a Past Time

Toxic Waste

exclusive | Melgar - Toxic Waste | Fresh Tunez

exclusive | ISH - Message Box - Ish | ERROR100

Berlin-based producer ISH makes a powerful return with "The Language of Love is Acid EP", the latest release in the ERROR100 series—a sublabel of Moses Mawila's System Error. Known for its dedication to forward-thinking club music, ERROR100 provides the perfect platform for ISH to explore the duality of emotive melodies and rugged dancefloor energy. Across the EP, ISH demonstrates an uncanny ability to craft rich, narrative-driven tracks that bridge the gap between introspection and raw intensity.

"Message Box", the A2 of the release, encapsulates this ethos with precision. Clocking in at 155 BPM, it’s a high-octane journey into a musical world where lush melodies collide with the relentless energy of Acid. The track's irresistible synth line serves as the emotional anchor, weaving an intricate tapestry that feels both nostalgic and futuristic. Beneath this, a menacing Acid bassline simmers, propelling the track with unrelenting force. The interplay between these elements creates a hypnotic tension, drawing listeners deeper into its vivid soundscape.

With "Message Box", ISH strikes a delicate balance between euphoric melodic pleasure and the uncompromising grit of underground techno. It’s a track that doesn’t just demand attention but rewards repeated listening, revealing new layers with every play. A masterful addition to an already stellar EP, "Message Box" firmly establishes ISH as a leading voice in contemporary Acid and melodic Techno.

Buy the EP: https://www.deejay.de/ISH_The_Language_Of_Love_Is_Acid_EP_ERROR106_Vinyl__1071140

Artist & label information
ISH: @ismael-zouaoui // https://www.instagram.com/ish_kdg
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide
ERROR100: https://www.instagram.com/error100series

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

exclusive | ISH - Message Box | ERROR100

exclusive | Infinity Plus One - Redemption | Fresh Tunez

Infinity Plus One, a stalwart of London’s underground electronica scene since the 1990s, unveils a multifaceted EP, “Redemption“ on the Fresh Tunez imprint. Known for crafting sonic experiences that seamlessly balance depth and danceability, the producer invites us into a world where intricate textures and rhythmic prowess converge. While the EP as a whole offers a journey through a spectrum of moods, it is the title track on the A-side that stands out as a masterful interplay of dreamlike ambiance and kinetic energy.

“Redemption“ opens with a lush soundscape of rich, dreamy chords that immediately command attention. These celestial tones set a contemplative mood, layering an otherworldly serenity over the composition. As the piece unfolds, the drums take center stage—energetic yet measured, they drive the track forward with a buoyant vitality. The contrast between the airy, ethereal harmonies and the crisp, propulsive rhythm is striking, creating a tension that keeps the listener enthralled. This dynamic interplay lends the track a duality: while its shimmering melodies transport the listener into a trance-like haze, the drum patterns keep the feet firmly planted on the dancefloor.

A hallmark of Infinity Plus One’s production is the ability to imbue tracks with both emotional resonance and physical immediacy, and “Redemption“ is no exception. The meticulous attention to detail—from the subtle, reverberant flourishes to the ebb and flow of its percussive elements—showcases a seasoned hand at work. This is a track that thrives not just in the confines of a DJ set but also as a standalone piece of art, inviting repeated listens to uncover its layers.

As part of an EP that oscillates between brooding basslines, break-infused grooves, and sultry downtempo interludes, “Redemption“ offers a sublime midpoint. It bridges the gap between the EP’s introspective opener and its more rhythmically assertive B-side offerings, providing an emotional and sonic anchor. Infinity Plus One’s ability to merge dreamlike textures with the immediacy of dance music makes “Redemption“ an essential listen, whether you’re chasing moments of introspection or commanding a packed dancefloor.

In conclusion, Infinity Plus One continues to solidify his reputation as a producer of distinction with this Fresh Tunez release. The “Redemption“ track, in particular, exemplifies his knack for crafting music that is as evocative as it is energizing. With its ethereal chords and dynamic drum work, it is a testament to the enduring allure of thoughtful, well-executed electronica. A jewel in the crown of London’s underground scene, this track is destined to resonate far beyond its origins.

Buy the EP: https://systemerrorworldwide.bandcamp.com/album/tunez007-infinity-plus-one-redemption-ep-fresh-tunez

Artist & label information
Infinity Plus One: @iplus1 // https://www.instagram.com/infinity.plus_one
System Error/ Fresh Tunez: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide // https://www.instagram.com/fresh.tunez

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

exclusive | Infinity Plus One - Redemption | Fresh Tunez

exclusive | Two Phase U - Comprando | ERROR100 Series

Since 1995, Uruguay’s Two Phase U has been crafting beats that blend classic hardware-driven textures with contemporary dancefloor sensibilities. His latest offering, the Face Five EP on System Error’s ERROR100 series, showcases his versatility, delivering tracks primed for any dancefloor moment.

The A2 track, "Comprando" (Spanish for "buying"), is a deep, techy groover with a subtle, hypnotic acid streak. From the start, a tight rhythm section exudes classic hardware warmth, while the bassline’s understated funk anchors the groove, allowing the acid line to subtly weave into the mix.

What makes "Comprando" effective is its restraint. The Acid elements enhance rather than dominate, creating an engaging push-and-pull dynamic. Gradual layers of percussion and shimmering textures keep the listener locked in, making it equally suited for peak-time club energy or intimate late-night sessions.

Two Phase U’s experience shines in the track’s deliberate construction—from crisp drum programming to tasteful effects that add depth without overwhelming. "Comprando" bridges eras, nodding to electronic music’s roots while staying undeniably modern.

With "Comprando" and the rest of the Face Five EP, Two Phase U reaffirms his mastery of groove and mood, further cementing System Error’s reputation as a forward-thinking label.

Buy the EP: 
Bandcamp: https://twophaseu.bandcamp.com/album/error107-two-phase-u-face-five-ep-error100
Deejay.de: https://www.deejay.de/Two_Phase_U_Face_Five_EP_ERROR107_Vinyl__1071146

Two Phase U: @twophaseu // https://www.instagram.com/twophaseu
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide
ERROR100: https://www.instagram.com/error100series

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

exclusive | Two Phase U - Comprando | ERROR100 Series

exclusive | LRS - Get Back To Livin' | System Error

The debut release on “LRS Grooves Series“ comes with emotional depth and dancefloor energy in equal measure. Italian DJ and producer LRS opens this new chapter with “LRS Grooves Vol. 1“, a project showcasing his signature fusion of breakbeats, house, and classic influences. A record built on feeling, this EP balances melancholic textures with club-ready power, setting the tone for what promises to be a special trilogy.

The A1 cut, “Get Back To Livin’”, leads the charge, blending hip-hop-infused rhythms with an undeniable groove. Let’s dive into the details. From the first kick, “Get Back To Livin’” commands attention with its crisp, broken-beat foundation. A rolling breakbeat groove carries the track forward, offering a loose, organic feel reminiscent of golden-era hip-hop’s rhythmic sensibility. There’s an immediacy to the percussion, an infectious swing that sets the tone for something both reflective and body-moving.

The track’s soul lies in its sampled elements—a warm, melancholic synth line that weaves its way through the arrangement, exuding nostalgia yet refusing to wallow. Instead, it uplifts. Snippets of vocal samples add to the track’s depth, reinforcing its message while maintaining a raw, loop-driven house energy. The balance between introspection and kinetic energy is what makes this track so effective.

As the arrangement unfolds, subtle pads and filtered textures emerge, creating an immersive atmosphere without detracting from the track’s core rhythmic intensity. The use of space and dynamics keeps the listener engaged, while the groove remains relentless, ensuring its effectiveness both in the headphones and on the dancefloor.

“Get Back To Livin’” is a standout opener for "LRS Grooves Vol. 1“ and an emotional statement of intent for LRS’ new label venture. It strikes a fine balance between homage and club functionality, carrying its sentiment through groove, melody, and texture rather than overt sentimentality.
This track, and the EP as a whole, signals an artist deeply in touch with his influences yet confident in his own musical identity. If "LRS Grooves Vol. 1“ is any indication, this trilogy will be one to watch—an evolving story told through rhythm, soul, and undeniable dancefloor energy.

Buy the EP: https://www.deejay.de/LRS_Vol_1_-_Get_Back_To_Livin_EP_LRS001_Vinyl__1112453

Artist & label information
LRS: @lrs-grooves // https://www.instagram.com/lrs_grooves
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

LRS Grooves Vol.1 - Get Back to Livin' EP

Get Back To Livin'

exclusive | LRS - Get Back To Livin' | System Error

exclusive | Manata - Look To The Future | LO VE

With its inaugural release, LO VE—LowMoneyMusicLove’s freshly minted sublabel—casts its gaze beyond the horizon, setting the coordinates for an odyssey through the boundless expanse of groove. Manata, helming this voyage with his "Final Frontier" EP, charts a course that is both deeply familiar and thrillingly uncharted, balancing the weightlessness of cosmic textures with the gravitational pull of the dancefloor. The Lisbon-based producer unfurls his blueprint for movement in "Look to the Future", a track that doesn’t so much play as it pulses, each beat a celestial body in its own orbit, each layer an echo of some distant, unseen force.

A subterranean bassline anchors the track from the outset, thick and assertive like the rumble of engines warming before liftoff. Then, like phosphorescent streaks cutting through the darkness, an acidic motif etches itself into the expanse, restless and hypnotic. The rhythm oscillates between propulsion and suspension, a game of gravity and release that Manata orchestrates with an assured hand. And then, as if peeling back the atmosphere to reveal a sun-drenched new world, the deep pads emerge—pillowy, expansive, and utterly enveloping. They carry within them the echoes of nights lost to dance, the collective memory of floors where time bends and bodies dissolve into motion.

But Manata is not one to indulge in weightlessness for too long. An organ rises from the depths, its reverberations slicing through the dreamlike ether with a preacher’s conviction. The vocal snippets—disembodied, fragmented, yet urgent—add a human touch to the machine’s steady hum, as if whispering forgotten prophecies of futures yet to be written. This interplay between the raw and the refined, the mechanical and the emotive, is where "Look to the Future" finds its charm. It does not impose a singular vision but instead opens a gateway, a shimmering mirage on the horizon, daring the listener to take that next step forward.

As the track unfolds, it becomes evident that Manata is not just constructing music—he is architecting spaces. Spaces where tension is sculpted into rhythm, where nostalgia is coded into harmony, and where the future is not merely imagined but felt. With "Look to the Future", LO VE’s mission is clear: to tell stories through sound, to forge connections through movement, and to remind us that even in the most hypnotic loops, there is always room for discovery.

Buy the EP: https://systemerrorworldwide.bandcamp.com/album/love01-manata-final-frontier-ep-lo-ve

Artist & label information
Manata: @manatamusic // https://www.instagram.com/joao_manata
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide
LowMoneyMusicLove: @lowmoneymusiclove // https://instagram.com/lowmoneymusiclove

Visit & follow Torture the Artist at:
https://torturetheartist.net 
https://facebook.com/torturetheartist 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist 
https://tiktok.com/@torturetheartist

exclusive | Manata - Look to the Future | LO VE

exclusive | Anna Wall - The Observer | System Error x The Bricks

Emerging from the fractured neon of the city’s afterhours, Anna Wall’s "The Observer" stands tall - a shadow in the mist, a sentinel scanning the restless horizon. Her contribution to the System Error x The Bricks collaboration is not merely a track, but a ritual: an invocation of acid-drenched spirits long buried beneath warehouse floors and forgotten strobe lights.

The journey begins with a bassline carved in fine Minimal-House marble, low-slung and effortlessly groovy, setting a pulse as steady and certain as the ticking of a secret clock. Above it, an intriguing synth line weaves and flickers - a candle caught in a draft - inviting the listener deeper into the labyrinth. Spoken vocals creep in like half-remembered messages from the subconscious, whispering truths too fragile for daylight.

Then, the trapdoor opens: an Acid-line bursts forth, coiling itself around the groove, igniting the track’s quiet tension into something both feral and mesmerizing. The 303 doesn’t shout; it hisses, it seduces, it carves hieroglyphs of rebellion into the track’s concrete walls.

Wall’s production is precision guided yet emotionally unruly - a soundscape where every element feels both inevitable and electric. "The Observer" is not merely a title; it’s a presence, watching silently as the city spins out its lonely glories at 4am (at fabric), a guardian angel stitched together from squelch, groove, and whispered regrets.

Anna Wall doesn’t just set the tone for this compilation - she lights the first fuse and steps back, leaving us to marvel at the slow, exquisite burn.

Buy the EP: https://www.deejay.de/Various_COLLAB03_COLLAB03_Vinyl__1116162

Artist & label information
Anna Wall: @djannawall // https://www.instagram.com/djannawall
System Error: @systemerrorworldwide // https://www.instagram.com/systemerrorworldwide
The Bricks: @TheBricksTheBricks // https://www.instagram.com/_the_bricks

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

exclusive | Anna Wall - The Observer | System Error x The Bricks

art:cast °183 | Manata

From countryside calm to cosmic dancefloor calls, Manata digs for nuggets of gold - both musical and metaphysical. Having grown from small-town gigs in central Portugal to sunrise closings on Berlin’s Hoppetosse and label showcases in Brooklyn, João Manata's journey is one shaped by persistence, dusty grooves, and a Fantom 06 that rarely leaves his side. The DJ/producer’s story isn’t one of overnight buzz, but of careful curation, endless digging, and a love for records that started with Stevie Wonder and unexpectedly found its way to ‘90s Trance gems.

Now with the launch of his new label Red Beryl Records – a spiritual successor to his Nugs On Board imprint – Manata revisits the past to shape the future, uncovering unheard treasures from decades gone by. “Since Nugs is all about precious gems, I got the idea for Red Beryl after doing a small research about rare stones… it’s one of the rarest minerals on Earth,” he explains. 

In this candid and wide-ranging interview, Manata opens up about vinyl-fueled upbringings, the early Lisbon hustle, hazelnut cookies in the studio, and the joy of seeing a dancefloor respond to a long-forgotten Belgian trance record from 1995.

“For me, producing or playing music is like telling a story. I love to get vocal samples from old movies or NASA space journeys and build my tracks around that.”

Prepare to dig deep with Manata - because the gold’s always there for those willing to unearth it.

Read the full interview: https://torturetheartist.net/2025/06/20/interview-artcast-183-manata

Artist & label information
Manta: @manatamusic // https://www.instagram.com/joao_manata
Nugs On Board: @nugsonboardlabel // https://www.instagram.com/nugsonboard

Visit & follow Torture the Artist at:
https://torturetheartist.net 
https://facebook.com/torturetheartist 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist 
https://tiktok.com/@torturetheartist

interview

art:cast °183 | Manata

Torture the Artist - your source for contemporary electronic music

Torture the Artist is a webzine, or a magazine made for the internet, geared towards those with a passion for contemporary electronic music, with subgenres including Techno, Tech House, Deep House and Eletronica, as well as a small amount of Indie and Alternative. Founded in 2014 by Holger Breuer, a German native and lover of the arts, Torture the Artist now consists of five team members from all around the world.

In addition to publishing interviews, music reviews, DJ charts and track premieres, the webzine hosts out a  podcast series called 'art:casts'. This medium gives DJs and producers the artistic freedom to highlight their different musical styles while not being restricted by factors such as setting, and connecting them to a wider audience. 

Being in its ninth year, Torture the Artist has gained a strong and active online support group, including music enthusiasts to label managers and artists themselves, creating a cohesive community with music as their bond.

New tracks tagged #moses mawila