using sounds by:

// http://soundcloud.com/biuddha/alucardrol
// http://soundcloud.com/nakatano

thanks!

http://sccode.org/1-4Rs 



biuddha nakatano n4tural

≡ miscellaneous percussive sounds by @gluid-1 :: http://soundcloud.com/gluid-1/sets/fieldrecordings-feel-free-to 

thanks, Bram!

http://sccode.org/1-4Rs



gluid groove #69

≡ miscellaneous percussive sounds by @gluid-1 :: http://soundcloud.com/gluid-1/sets/fieldrecordings-feel-free-to 

thanks, Bram!

http://sccode.org/1-4Rs 

_________________________

Seventy-three is the 21st prime number. The previous is seventy-one, with which it comprises the 8th twin prime. It is also a permutable prime with thirty-seven. 73 is a star number.

73 is the largest minimal Primitive root in the first 100000 primes. In other words, if p is one of the first 100000 primes, then at least one of the primes 3, 5, 7, 11, 13, 17, ..., 73 is a primitive root modulo p.

73 is the smallest prime congruent to 1 modulo 24.

73 is an emirp.

The mirror of 73, the 21st prime number, 37, is the 12th prime number. The number 21 includes factors 7 and 3. The number 21 in binary is 10101 and Seventy-three in binary, 1001001, both are a palindrome. In addition, of the 7 binary digits representing 73, there are 3 ones. Also, 37+12=49 (seven squared) and 73+21=94=47×2, 47+2 also being equal to seven squared. Additionally, both 73 and its mirror, 37, are primes twice over, as 31, 43, 67 and 79 are all prime numbers.

Every positive integer can be written as the sum of 73 or fewer sixth powers (see Waring's problem).

In base 5, the smallest prime with a composite sum of digits is 73.

73 is the only prime repunit in base 8 (1118).

73 is the smallest factor of the first composite generalized Fermat number in base 10 (104+1 = 10,001 = 73×137).

 -- https://en.wikipedia.org/wiki/73_(number) 


_________________________

gluid groove #73

≡ flute and double bass from the fantastic University of Iowa Musical Instrument Samples (MIS)
http://theremin.music.uiowa.edu/MIS.html -- thanks!

≡ miscellaneous percussive sounds by @gluid-1 :: http://soundcloud.com/gluid-1/sets/fieldrecordings-feel-free-to -- thanks, Bram!

≡ @all-n4tural kalimba recording by @random-coil -- thanks!


http://sccode.org/1-4Rs 



boxing day lick

No one travels
Along this way but I,
This autumn evening.
 -- Matsuo Basho








http://sccode.org/1-4Rs




No one travels Along this way but I, This autumn evening

http://soundcloud.com/ttuttle/constant-blues

http://soundcloud.com/troente/constant-blues-todd-tuttle-tr

http://soundcloud.com/all-n4tural/troente-and-todd-tuttle-w-all




see http://sccode.org/1-4Rs if interested in code



Constant Blues (acapella rmx)

for @disquiet @djunto 0043: Dazzled Machine

i think i used all of them:) http://soundcloud.com/search?q%5Bfulltext%5D=disquiet0037 

http://soundcloud.com/lem-herlihy/post-disquiet0037 
http://soundcloud.com/steveburnett/beforeclosing-disquiet0037 
http://soundcloud.com/cnco/changing-floors-disquiet0037-1 
http://soundcloud.com/all-n4tural/nonthaburi-market-disquiet0037 
http://soundcloud.com/vanwinkletunes/disquiet0037-asrealasitgets1 
http://soundcloud.com/benjamindauer/h-street-nw-disquiet0037-asrealasitgets1 
http://soundcloud.com/demilit/dm-mall-comb-disquiet-junto 
http://soundcloud.com/michel-banabila/akihabara-denki-gai 
http://soundcloud.com/tuonela-1/rumbling-past-the-deli 
http://soundcloud.com/naotko/shibuya-noren-gai-tokyo-sep-15 
http://soundcloud.com/random-coil/buying-a-plastic-tray-obi 
http://soundcloud.com/zedkah/john-lewis-westfield-stratford 
http://soundcloud.com/thereflectors/bloomingdales-ascension 
http://soundcloud.com/super-miracle-dream-team/ascension-macys-escalator 
http://soundcloud.com/echosonic/scala-at-st-michael 
http://soundcloud.com/markrushtoncom/central-discount-120915 
http://soundcloud.com/sighup/cashiers-loblaws-st-clair-ave 
http://soundcloud.com/jmmy-kpple/retail-space-transect-140912 
http://soundcloud.com/charlie_grant/at-the-end-of-the-day 
http://soundcloud.com/emmahendrix/deep-in-the-w-holefoods 
http://soundcloud.com/vuzhmusic/apple-store-twenty-ninth 
http://soundcloud.com/bigpause/westfield-stratford-having-a 
http://soundcloud.com/dizzybanjo/macys-nyc-feb-2011 
http://soundcloud.com/justin-buckley/its-a-brand-at-bauhaus 
http://soundcloud.com/ken-mistove/target-simi-valley-ca-09-14-12 
http://soundcloud.com/dead_wood/primark-big-sizes-only 

process: i threw them all in a big brown bag and let supercollider pick which one to play when for how long. my instructions were mainly to use the durations [1/8, 1/4, 1/2, 1, 2, 4] seconds. the code is similar to this here: http://sccode.org/1-4Rs. i let sc generate a couple-tenthousand versions and picked the one i liked best. decisions, decisions.

my people are working with Maya Arulpragasam's to do the vocals. i am filled with hopeful anticipation.


Disquiet Junto Project 0043: Dazzled Machine
The Assignment: Make mechanical roars from the sound of a retail space.


This Disquiet Junto project was done in association with the exhibit As Real as It Gets, organized by Rob Walker at the gallery Apex Art in Manhattan (November 15 – December 22, 2012): http://apexart.org/exhibitions/walker.php 

More on this 43rd Disquiet Junto project at: http://disquiet.com/2012/10/25/disquiet0043-dazzledmachine 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info 



___________________________________________________________
pic: http://www.flickr.com/photos/jdhancock/4509591701/

worldwide razzledazzle shopping machine [disquiet0043-dazzledmachine]

endless @nofi

RIP Jeffrey Melton from Indiana, United States
http://www.legacy.com/obituaries/fortwayne/obituary.aspx?page=lifestory&pid=163988588#fbLoggedOut


.
.

made from
http://soundcloud.com/nofi/unwndiir-v-02r 
http://soundcloud.com/nofi/testing-devices-v-01r 
http://soundcloud.com/nofi/spliintr-v-02r 
http://soundcloud.com/nofi/over-dub-v-02r 
http://soundcloud.com/nofi/number-none-v-01r 
http://soundcloud.com/nofi/midnight-run-v-01r 
http://soundcloud.com/nofi/bit-flipp-v-01r 
http://soundcloud.com/nofi/antipode-v-02 
http://soundcloud.com/nofi/theoretician-v-02r 
http://soundcloud.com/nofi/polymath-v-01r 
http://soundcloud.com/nofi/papa-ghede-v-02r 
http://soundcloud.com/nofi/dirty-math-v-03r 
http://soundcloud.com/nofi/dark-lord-v-01r 
http://soundcloud.com/nofi/concept-club-v01r 
http://soundcloud.com/nofi/clickr-v-01r 

.
.
.
.





http://sccode.org/1-4Rs


endless nofi

approach akin to that in http://soundcloud.com/all-junto/manster-hardcore-gamelan-cow 

beats all powers of two. all power to the two! jah love, rastafari

wobble based on http://new-supercollider-mailing-lists-forums-use-these.2681727.n2.nabble.com/dubstep-bass-td5665889.html -- thanks, @mcld & the supercollider community


. . . . . 

Disquiet Junto Project 0068: deriv.deriv.cc 

This is a shared-sample project. Create a single new piece of music by employing the selected material (see below) of each the following three tracks. All three were initially released on the new netlabel deriv.cc, and were posted to the Internet with a Creative Commons license encouraging derivative reworking. In fact, the impetus for the label, which was founded by C. Reider, was to draw attention to the intrinsic benefits of allowing for derivative works. Like deriv.cc, this project — one in an ongoing series of netlabel remixes undertaken by the Disquiet Junto — is intended to address the unfortunate popularity of “ND” (i.e., “no derivatives”) licenses among netlabels. Please only use the following material in your piece; you can transform in any way you choose, but do not introduce any new source material. 

1: The final 20 seconds of “The Find Beauty, Even in the Mundane”: http://deriv.cc/stream/d1/02.ogg 
2: The first 20 seconds of “Immaterial Girl”: http://deriv.cc/stream/d1/04.ogg 
3: The portion of “Libertarian Entertainment Automaton” that runs from 1:10 to 1:30: http://deriv.cc/stream/d1/06.ogg 

Deadline: Monday, April 22, 2013, at 11:59pm wherever you are. 

Length: Your track should have a duration of between two minutes and five minutes. 

Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. 

Title/Tag: Include the term “disquiet0068-deriv” in the title of your track, and as a tag for your track. 

Download: Per the spirit of a Creative Commons license allowing derivative work, set your track in a manner that allows for attributed, commerce-free remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). 

Linking: When posting the track, be sure to include this information: 

More on this 68th Disquiet Junto project, the intent of which is to draw attention to the benefits of a Creative Commons license allowing for derivative works, at: http://disquiet.com/2013/04/18/disquiet0068-deriv/ 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info 

This track is composed from material extracted from three pre-existing tracks (“The Find Beauty, Even in the Mundane,” “Immaterial Girl,” “Libertarian Entertainment Automaton”) by C. Reider, all of which were released on the album The Conjuncts on the deriv.cc netlabel, and were themselves derived from the following: “Garden City” and “Ventilation” from Tulse Hill by Hannah Marshall; “LichenWall” from Gardening by Steve Moyes; “Eighteen Events” from Not One Nor by Daniel Barbiero; “Awkward Customer” from [m2012/30-09] by Restive; “cues two three” and “cue six” from Cue Sheet by Sighup; “Sending Dreams to She Downstream” from Pocket Suite by He Can Jog; “The Palsgraf Scale” from Weights and Measures by Gurdonark; “Bonus Track” from Pale by Leo Bettinelli and Pol Nieva; “Haunted Grace” from Haunted Grace on SoundCloud by Jess Lemont a.k.a. Be A Waterwolf; “Ochiita” from Gently Annoying by Xesús Valle; and “Once More With Intellect” from [m2012/30-09] by Restive. 

. . . . . 

_________________________________________________________________________________
pic: http://www.flickr.com/photos/stuant63/491805977/in/faves-48773669@N02

derive the wobble [disquiet0068-deriv]


code and approach close to that described in http://soundcloud.com/all-n4tural-firehose/powers-of-hang

http://sccode.org/1-4Rs

"live coded from sounds recorded live while live coding with sounds recorded".split($ ).scramble

[ live, with, recorded, sounds, from, sounds, live, live, coded, coding, while, recorded ]
[ from, live, recorded, recorded, while, sounds, coded, sounds, with, coding, live, live ]
[ sounds, live, with, from, while, recorded, live, live, sounds, recorded, coded, coding ]
[ with, coded, sounds, while, sounds, live, live, live, recorded, from, coding, recorded ]
[ live, coded, with, live, recorded, coding, from, sounds, sounds, recorded, while, live ]
[ sounds, live, live, with, coded, coding, recorded, live, sounds, recorded, from, while ]
[ live, live, with, from, recorded, sounds, while, coded, live, sounds, coding, recorded ]
[ live, coded, recorded, from, with, sounds, live, sounds, while, recorded, live, coding ]
[ with, sounds, sounds, coding, recorded, recorded, live, coded, while, live, from, live ]
[ sounds, recorded, with, live, coded, from, coding, live, sounds, live, while, recorded ]
[ coded, from, live, with, live, while, sounds, recorded, recorded, coding, sounds, live ]
[ recorded, live, live, sounds, live, from, recorded, coded, sounds, while, coding, with ]
[ coded, live, with, live, coding, from, live, sounds, recorded, while, sounds, recorded ]
[ recorded, with, live, recorded, sounds, live, sounds, coding, coded, live, while, from ]
[ with, recorded, sounds, recorded, live, live, coding, while, sounds, live, coded, from ]
[ live, from, sounds, coded, recorded, with, sounds, live, while, coding, recorded, live ]
[ from, recorded, coded, sounds, while, live, recorded, with, sounds, live, coding, live ]
[ recorded, recorded, with, live, from, sounds, coded, while, coding, live, sounds, live ]
[ from, recorded, live, sounds, live, sounds, while, coded, with, recorded, coding, live ]
[ coding, sounds, while, sounds, live, with, live, from, coded, live, recorded, recorded ]
[ sounds, coding, sounds, from, live, recorded, live, with, recorded, live, while, coded ]
[ coding, sounds, with, sounds, while, coded, live, live, recorded, from, recorded, live ]
[ live, from, recorded, recorded, sounds, live, sounds, with, live, while, coding, coded ]
[ live, from, recorded, live, coding, with, live, sounds, while, sounds, recorded, coded ]
[ coding, from, live, sounds, while, live, recorded, recorded, coded, live, with, sounds ]
[ live, sounds, with, live, live, sounds, coding, coded, recorded, while, recorded, from ]
[ sounds, sounds, while, coding, coded, live, live, from, recorded, with, live, recorded ]
[ live, sounds, recorded, while, with, sounds, live, live, recorded, coding, from, coded ]
[ coding, from, sounds, sounds, recorded, while, live, recorded, live, coded, with, live ]
[ coded, live, recorded, sounds, recorded, from, live, while, sounds, coding, live, with ]
[ sounds, live, live, sounds, recorded, coded, while, from, with, live, recorded, coding ]
[ recorded, with, live, sounds, live, coding, coded, recorded, while, from, live, sounds ]
[ while, live, recorded, sounds, sounds, recorded, live, live, from, coding, with, coded ]
[ from, live, recorded, live, live, sounds, coded, sounds, recorded, with, coding, while ]
[ live, recorded, coded, with, sounds, live, while, recorded, from, live, sounds, coding ]
[ live, recorded, coded, sounds, from, while, with, coding, live, live, sounds, recorded ]
[ coding, while, live, recorded, live, sounds, sounds, live, coded, with, recorded, from ]
[ recorded, live, live, with, coding, coded, from, recorded, sounds, sounds, live, while ]
[ live, live, sounds, from, recorded, recorded, sounds, coding, coded, with, live, while ]
[ sounds, live, live, recorded, from, live, with, coding, sounds, coded, recorded, while ]
[ live, with, recorded, while, recorded, from, sounds, live, coded, coding, live, sounds ]
[ coded, live, live, recorded, recorded, from, coding, live, sounds, sounds, with, while ]
[ recorded, coding, sounds, from, with, coded, while, live, sounds, recorded, live, live ]
[ live, sounds, recorded, live, coding, while, coded, live, from, recorded, sounds, with ]
[ live, coded, coding, sounds, from, live, recorded, with, sounds, live, while, recorded ]
[ coding, live, from, coded, sounds, recorded, recorded, live, while, with, sounds, live ]
[ sounds, live, live, while, recorded, coding, from, sounds, coded, live, recorded, with ]
[ coding, with, sounds, recorded, live, while, from, recorded, live, sounds, live, coded ]
[ sounds, coded, live, sounds, live, recorded, recorded, from, coding, with, live, while ]
[ coded, coding, recorded, from, sounds, live, recorded, live, sounds, while, with, live ]
[ from, live, sounds, live, live, with, recorded, while, recorded, sounds, coded, coding ]
[ live, from, recorded, with, while, recorded, live, sounds, coded, live, sounds, coding ]
[ sounds, recorded, recorded, while, sounds, live, live, live, coding, coded, with, from ]
[ live, sounds, recorded, recorded, live, sounds, live, with, coding, coded, while, from ]
[ recorded, live, from, recorded, sounds, coding, while, live, live, coded, with, sounds ]
[ from, sounds, recorded, live, live, coded, while, coding, recorded, with, live, sounds ]
[ recorded, live, recorded, while, sounds, sounds, with, from, live, coding, coded, live ]
[ recorded, recorded, coded, sounds, from, live, while, coding, sounds, live, live, with ]




_______________________________________________________________________________
pic https://www.dropbox.com/s/wqj0crbscuvxzf2/2013-06-14%2020.34.25.jpg

voga afternoon

http://soundcloud.com/yuko-parris

vs.

http://soundcloud.com/all-n4tural

@all-n4tural contributions to the @disquiet <a href=http://soundcloud.com/groups/disquiet-junto/info>Junto</a>

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
_________________________________

headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
_________________________________

51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
_________________________________

newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
_________________________________

new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
_________________________________

&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
_________________________________

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