HOUSE
Profesor Hanz | Chilean Dj based in France.
SC: @underwear-records
IG: www.instagram.com/udwrave/
BC: udwr.bandcamp.com/
YT: urlz.fr/eLRO
WWW: www.udwr.org

Member of U.D.W.[r]: a collective of artists who want to share what we believe to be good music with no barriers of genres/styles.

Please support the artists listed in this Podcast especially during this hard time.
Thanks for listening and sharing!

<<<<<< TRACKLIST >>>>>>
Moodymann - Untitled
Polyfusion - All Clear
Bam Bam - Where is your child
Master C & J - Face It
Latour - Blue
Damián Schwartz - 1568 Drexel Ave
Black Merlin - Burn It
I:Cube - 123
John Daly - Back It Up
J. Dahlback - What Is The Time, Mr. Templar?
Counter Plan - 90 Degrees (DJ Q Mix)
Skatebård - Agfachrome RSX II
Pittsburgh Track Authority - Allegheny Acid 02
Mor Elian - Drum Vortex (Original Mix)

U.D.W.[r]est in pieces #010 | Profesor Hanz | CHILE

The only original song in the album "Davao Connection," produced by Bruce Conte.

Lyrics and Music by Gauss Obenza
Rhythm Guitar - Gauss Obenza
Lead Vocals - Gauss Obenza
Guitars - Bruce Conte
Additional guitars - Dennis Abellana
Drums - Michael Alba
Bass - Meong Pacana
Keyboards - Lorrie Ilustre
Percussions - Sonny "The Prinz" Encarnacion

Recorded in Polyfusion Recording, Davao City
Mix and Mastering - Melvin Aquino

Be With You - Original by GaussObenza

Check the official video on Vimeo here: http://vimeo.com/21412267

elektrobahn is an experimental analogue project formed by Scot McKenzie and Dayvid LeMmon.. it relies wholly on the technology of 1984. its machines labour using voltages and the most rudimentary midi to sync, trigger and confuse.. elektrobahn controls problematic circuits to create analogue storms. these scenarios are expansive and best experienced on illegal compounds... when voltages align and fracture, children cry. when it's over you question whether it happened. the only thing you hear now is ringing. another successful gig...

gear used: tr606, tr808, tr727, memorymoog+, korg ms10, korg sq10, moogerfoogers, distortion, ensoniq dp/4, sequential pro ones, akai s612 x2, akai ax60, tascam quad tape, sine generators, crumar spirit, octave cat, arp axxe, oberheim ob-x, tape echos, servodrive BASStech 7 x6, copious amounts deoxit..various modules and other sauce pans...

while we do employ the simplest early midi, elektrobahn is an exercise in mechanics. it by in large explores the mystery of control voltage and midi time code error. it searches for the simplest expression of complex routing and most often finds the machines inability to talk to one another the litmus. the greater degree of error the greater degree of discovery. the result is an amorphous cloud of electrons moving air. piercing silence, and pounding concrete, reconstructing space in the presence of it's noise. elektrobahn is the exploration of the void between one and zero. between on and off. between silence and a scream.


lost in a blak box

Test Polyfusion

Experiment with ProTools and an old school Polyfusion Analog. 

Aunt Roy's Picnic

Experiment with ProTools and analog polyfusion.

Staple Chatter

Dapookster aka The Sticky Rice giving us a taste of his eclectic synth dishes at Horizon Bar, Koh Lanta Thailand for a Live Set! 

Arroi!

Ma Muang Synthesis!

A test of my Polyfusion Modular. A simple Sequence. Just checking things out. I'll probably use parts of this for a future tune.

Polyfusion Sequence

( Go to my website at www.mikeolsonmusic.com to get more info about this and other pieces of music I've created. )

This is an electronic music composition which was created in 2018 using a vintage Polyfusion analog modular synthesizer. It is the first piece I’ve created using this particular instrument and I chose to restrict myself to using it exclusively as my only sound source for the piece. 

Aesthetically, this piece is a little on the dark side, (though not particularly lugubrious). It exhibits characteristics that could fall under such headings as “experimental drone” and “pattern-based minimalism”, over which sometimes ecstatic gestural outbursts emerge. Like much of my recent work, I am striving for a sense of restraint, which I am only partially successful in achieving. This ties in with the idea of limitations, which I am also very interested in. I begin every new composition by establishing meaningful limitations to work within. For this piece my limitations were that the piece must be all electronic and use only the Polyfusion as it’s sound source. This has resulted in a finished piece which unabashedly celebrates the sound of electronics and the sound of the Polyfusion modular synthesizer in particular. There is nothing in this piece which is trying to sound like an acoustic instrument of any kind. It is electronic and it sounds electronic. The only acoustic sound is the sound of the switch at the very beginning of the piece. This is literally the power switch for the Polyfusion being thrown. The hum which follows is the actual hum of the Polyfusion’s power supply. I mic-ed it and recorded the sound of that hum. Though this is not an audio signal being produced by the instrument, it is an audible hum which is in fact being generated by it. So it could be said that the piece starts with the physical sounds of the electronics, and then transforms into a sonic world that those electronic components produce as audio signals.  (more on the website)

Anachronistic

The emotion felt while writing this track: A chill vibe that's supposed to be a little bit melancholic. In general, a reflection on the negatives of taking a wrong path.

Collab with CH1CK3N.
Beat Track: https://www.youtube.com/watch?v=1My5B4aVw4k

Stained Glass Shows My Window Pane ft. CH1CK3N

-singer/songwriter/composer from Davao City
-won Cinema One's Best Music for the movie "Riddles of My Homecoming"
-won Star Awards Best Indie Musical Scorer of the Year (2016) for the movie "I Love You. Thank You"
-one of the founding members and musical director of Mebuyan
-released first, self-produced, all-original album "Halina'ng Mag-jam" in 2016
-released 16-track all-original album "Kalinaw" with National Commission for Culture and the Arts in December 20, 2018

elektrobahn is an experimental analogue project formed by Bartos Blank and Karlheinz Syncvoltage. it relies wholly on the technology of 1984. its machines labour using voltages and the most rudimentary midi to sync, trigger and confuse.. elektrobahn controls problematic circuits to create analogue storms. when voltages align and fracture, children cry. when it's over you question whether it happened. the only thing you hear now is ringing. another successful gig...

gear used: tr606, tr808, tr727, memorymoog+, korg ms10, korg sq10, moogerfoogers, distortion, ensoniq dp/4, sequential pro ones, akai s612 x2, akai ax60, tascam quad tape, sine generators, crumar spirit, octave cat, arp axxe, oberheim ob-x, tape echos, servodrive BASStech 7 x6, copious amounts deoxit..various modules and other sauce pans...

while we do employ the simplest early midi, elektrobahn is an exercise in mechanics. it by in large explores the mystery of control voltage and midi time code error. it searches for the simplest expression of complex routing and most often finds the machines inability to talk to one another the litmus. the greater degree of error the greater degree of discovery. the result is an amorphous cloud of electrons moving air. piercing silence, and pounding concrete, reconstructing space in the presence of it's noise. elektrobahn is the exploration of the void between one and zero. between on and off. between silence and a scream.


Turkish alchemist Beatnaut has been swirling decks since the early days of German underground scene. Since then, his musical journey has seen him pollinate music across space and time with modern electronic genres such as deep house, psydub and techno.

Every experience is drenched in magical mysticsm thanks to consciously curated selections and mixes, blending an eclectic, genre-busting music catalouge. Beatnaut is always on the quest for the cross-genre fusion, and will keep you tranced, bouncing and thirsty for more.

David Morley

https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CB0QFjAAahUKEwiz08bV8YPIAhXtCNsKHUpECNw&url=http%3A%2F%2Fwww.discogs.com%2Fartist%2F5783-David-Morley&usg=AFQjCNHo6lYUnT8eOpMC4Bm6rs89RfJqfQ&sig2=lox73qYMmrpI0yVvqk8B5w&bvm=bv.103073922,d.ZGU

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