'Not Ours To See' was recorded and mastered in Ableton Live at The Universal Mango Research Kitchen, Onehunga, Auckland, New Zealand, in January and February 2025. Headphone mix monitored using Abbey Road Studio 3 by Waves Audio.

This recording features Keylab Essential 61 and Analog Lab V by Arturia.

Composing and production: Chris Bell
Audio engineer: Audrey O. Bliss
Mixing: Les Pellicules
Mastering: Saul E. Tempted
Cover design: Lisa Life
Published and released by: CBR (Chris Bell Records).

Also featuring: Ableton Live; Sonible Balancer by Focusrite; IDX Intelligent Dynamics, MaxxVolume, Scheps Omni Channel, H-Comp, SSL E-Channel and C4 Stereo by Waves Audio; Ozone Imager 2 by Izotope; and Fresh Air (Mixbus Sparkle) by Slate Digital.

Chris Bell wishes to thank: Frank, Le Fay, Korg, Warwick, Focusrite, Ableton Live, Arturia, Session Drums by Chocolate Audio, Soundtoys, Presonus, M-Audio, Plugin Alliance, Shure, Waves Audio, Native Instruments, Spitfire Audio and Spitfire Audio LABS.

Not Ours To See

Recorded and mastered in Ableton Live at The Universal Mango Research Kitchen, Onehunga, Auckland, New Zealand, in July 2025. Headphone mixes were monitored using Abbey Road Studio 3 by Waves Audio.

This recording features Keylab Essential 61 and Analog Lab V by Arturia; PolyMAX synth by Universal Audio; bx oberhausen synth by Brainworx/Plugin Alliance; Codex and Flow Motion synths by Waves Audio; Ableton Live; Sonible Balancer by Focusrite; IDX Intelligent Dynamics, MaxxVolume, Scheps Omni Channel, H-Comp, SSL E-Channel and C4 Stereo by Waves Audio; Ozone Imager 2 by Izotope; and Fresh Air (Mixbus Sparkle) by Slate Digital.

Composing and production: Chris Bell
Audio engineer: Audrey O. Bliss
Mixing: Les Pellicules
Mastering: Saul E. Tempted
Cover design: Lisa Life
Published and released by: CBR (Chris Bell Records).

Chris Bell wishes to thank: Frank, Le Fay, Korg, Warwick, Focusrite, Ableton Live, Arturia, Session Drums by Chocolate Audio, Soundtoys, Presonus, M-Audio, Plugin Alliance, Shure, Waves Audio, Native Instruments, Spitfire Audio and Spitfire Audio LABS.

Nothing I Do Is Good Enough For Me

'Beyond The Frame' is the first track on the wordsSHIFTminds album 'Amethyst'. It was recorded and mastered in Ableton Live at The Universal Mango Research Kitchen, Onehunga, Auckland, New Zealand, in September and October 2025. Headphone mix monitored using Abbey Road Studio 3 by Waves Audio.

This recording features Keylab Essential 61 and Analog Lab V by Arturia; PolyMAX synth by Universal Audio; bx oberhausen synth by Brainworx/Plugin Alliance; Ableton Live; Sonible Balancer by Focusrite; IDX Intelligent Dynamics, MaxxVolume, Scheps Omni Channel, H-Comp, SSL E-Channel and C4 Stereo by Waves Audio; Ozone Imager 2 by Izotope; and Fresh Air (Mixbus Sparkle) by Slate Digital.

Composing and production: Chris Bell
Audio engineer: Audrey O. Bliss
Mixing: Les Pellicules
Mastering: Saul E. Tempted
Cover design: Lisa Life
Published and released by: CBR (Chris Bell Records).

Chris Bell wishes to thank: Frank, Le Fay, Presonus, Korg, Warwick, Focusrite, Ableton Live, Arturia, Session Drums by Chocolate Audio, Soundtoys, Plugin Alliance, Shure, Waves Audio, Native Instruments, Spitfire Audio and Spitfire Audio LABS.

Beyond The Frame

wordsSHIFTminds is Auckland, New Zealand-based composer and musician Chris Bell.

Tracks recorded and mixed at The Universal Mango Research Kitchen (UMRK). Mixes monitored using Waves Audio Abbey Road Studio 3.

Chris Bell wishes to thank: Frank, Le Fay Basses, Korg, Beyerdynamic, Warwick Amplification, Focusrite, Sonible, Ableton Live, Arturia, M-Audio, Presonus, Plugin Alliance, Shure Microphones, Waves Audio, Izotope, Native Instruments, Nugen Audio, Slate Digital, Soundtoys, Spitfire Audio and Spitfire Audio LABS.

New tracks tagged #synthwave, synths, downtempo, electronica