BGA Choir - Hallelujah - 2-Hard Bit - Tenor

BGA Choir - Hallelujah - 1-Easy Bit - Tenor

A majestic, neoclassical setting of Psalm 47, based on The Jewish Publication Society's “The Holy Scriptures According to the Masoretic Text: A New Translation” (1917) and “The Rashi Ketuvim by Rabbi Shraga Silverstein”.

There are also versions available to sing for mezzo/alto and soprano, each with either piano or organ accompaniment.

"Psalm 47" MIDI Demo (Version for Tenor & Organ)

TENOR SAW - I GOT TIO BE THERE (ROLL CALL) DJRAMBO954 REMIXS

"To Be With You" is all about blending jazz, funk, and soul to create a feel-good vibe. The brass section, with bass trombone, saxophones, and trumpets, adds a warm, soulful touch that pulls you right into the groove. It’s the kind of track that makes you want to smile, relax, and move with the music.

To Be With You

Soprano Hayley Boggs, tenor Jonathan Matthews, and pianist Maryna Buksha perform "Show Me Thy Feet," the second of THREE HERRICK SONGS by Gary Lloyd Noland, Op. 97, No. 2 (2010). Poem by Robert Herrick. For more information on the composer, please visit his website at: garynolandcomposer.com

SHOW ME THY FEET for soprano, tenor & piano, Op. 97, No. 2; poem by Robert Herrick

God Said..., Opus 10:1

The Vann Vocal Institute is celebrating 17 years of bringing world-class opera talent to Montgomery and the River Region.  Tenor David Cangelosi, Artistic and Program Director, who has led the Institute's training of young talent, talks with Carolyn Hutcheson of In Focus. The Vann Vocal Farewell Recital is scheduled for Saturday, October 5th, 7 p.m., at the Wilson Auditorium, Montgomery Museum of Fine Arts.  The Vann Vocal Institute has been a project of the Montgomery Symphony Association.

"Vann Vocal Institute Sings Farewell in 2024" - TPR's In Focus - October 1, 2024

This track is an original piece of music I call Alternative Chamber Music. I composed, recorded, mixed and mastered this track. Note to the listener: I really focused on sound design. I hope you enjoy it!

The Happening

Ships Will Sail

Singer, Musician, Songwriter, Song Coverer, Producer, Sometimes Actor...etc, etc.

Original Music & Remixes. Blending genres, pushing boundaries. Join the journey!

I'm not this good. I'm using AI to impersonate my friend. Come on, who wouldn't?

Sarah Wallin Huff has enjoyed her work as a composer for concert halls and soundtrack work since 1993. Her original compositions have been performed throughout the States and abroad, including the Exeter Phoenix Auditorium in Devon, England; the Mosman Art Gallery in Sydney, Australia; the Zipper Hall in Los Angeles; and the National Opera Center in New York City. As a violinist, violist, and 6-string electric violinist, she has extensive experience playing with diverse ensembles, as well as performing on various recording projects, large and small.
- Multiple GMA medal award winner
- "Her music positively buzzes with energy…There is no doubting that Sarah Wallin Huff has a distinctive voice that is well worth hearing..." (Fanfare Magazine)
- "Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here…" (Baby Sue)
- "Sarah’s music has a classy, understated sound, yet it is baroque and ornate" (Artist Rack)

Troy Public Radio is proud to serve its listeners in the tri-state coverage area of central and southeast Alabama, southwest Georgia and the Florida Panhandle. Our network offers world, national and regional news, arts and cultural programming and is affiliated with National Public Radio, Public Radio International, the Associated Press and the Alabama Broadcasters Association.

Troy Public Radio also broadcasts in HD (Hybrid Digital). Our HD service is provided free to listeners (HD receiver required to receive HD stations). HD 2 broadcasts a mix of classical and jazz while HD 3 broadcasts BBC World News. All of the Troy University Public Radio stations and HD channels offer listeners a commercial-free radio experience.

mixing and mastering can be the difference between a listener pressing skip
Mixing and Mastering Packages
two-track mix (vocal and beat) ANY GENRE COVER

Want to have your song mixed and mastered? We offer several audio mixing and mastering packages for equally affordable rates:
Mix & Master: $1000 
I WILL mix and make sure the vocals and beat is Competitive with others genre.Next I send you the completed track via email.
CONTACT DJRAMBO954@GMAIL.COM

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Studied Photomedia at University of Sussex, England. Now, an arts’ polymath: musical composer, author/poet, digital artist.

New tracks tagged #tenor