Burger King.m4a

i made this song because im so ANGRY!!!!!!!!!!!!!!!!!!!!!!!!!!!

KICK SHIT

You gettn’ tricked. Fuck your mom, I don’t give a shit for her and that’s the long and skinny nigga oligodendroglioma.
Wouldn’t still be good outweighing.

Bibles in back-alleys. Were timelines, analogies. Then I grew up off parables. If there was only something in me that would tell me to go play with guns. What wins this shit in the free states. Unrecompensed so you to see dates. Desolate or not I want revenge and let off on artists. All the shit you put to flames to develop second presage and yet here we’re kept, were not attained by sudden flight. Emblemized in their own minds so why the slept I made enemies of my enemies. With the object of love lust fucking til’ reductions cure for it except exacerbation I lost patience. Now I feel like the deads made a place for me when I’ve made to the place it’s built. Was never shaped by shit so now adversity approach and pull their weight wait killers. Took some. A notice of it and then your the great revelation and they don’t play with they food dealers tear into stakes and make whatever the faiths you placed in to one. It’s just so for fucksakes I put that faith in what’s everyday and if it takes I can take and spit m’s a’s and launchers. Been in the traps where they were made slaves waiting to awake one/ another. Would know what they did to the whip if it was way of it. Get away I don’t play with homies.

Just want the cage to put cluts away and spritz spays on em’. Give em a show of good faith like somethings good really waiting on the other side of the gate no occasions play in odds. I used to run away but that was just to play and if I made it I wouldn’t know what meant if I were encaged in akin form/ why waste time trusting my kin that’s like getting paid from em. That what they say but now I grovel and no one matched me a world that sucked into a state of porn. You can start with that notion I’ll create a commotion. Run in your crib and fuck your daughter and after we beat you and drag you headless across sofas leave your head in slow toast’n. Lead with the cherry red roast’n doing a mix of videos most pornos ho’s can. I won’t fall for that on the other side where doors unbroken. Overrun like a museum in a new burrough. Feral. Fuck with the dream as well fuck em fuck that’s a hematoma. Would’ve never allowed Jesus to take over me or come into me either. Haematomas. Shit lie to life like Cote de Pablo and those Mossad holes. I’m better falling into a hell on earth and dig my way up out/ meningiomas. And die and wouldn’t still see heaven yo yo. Good by the double barrel shotgun. The bad I’ll fry and wouldn’t still see hell Terry-Thomas. These animals and weird ass homeless. What the fuck is so ill to get that I face you broke shits in tastes pedz disorders. Bitch! When I get rid of this neglect we’ll give a shit as like if you ass homeless.

Belief Of A Maniac

AMBIENT MUSIC FOR NEUROTICS by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

AMBIENT MUSIC FOR NEUROTICS

Not sure the lyrics or who produced yet
me and clancybear did the thing

ClancyBear x GoatHarem - POSTAL II

It Will Kill Bandcamp 

Feed The Pit

goatharem / PUFF! - BURN, DIE (prod. ECKSEM)

Just a guy in a perpetual cycle of creating music. This page highlights some of my bands and music projects.

i fucking love make fucking ing god damn fucking music and shit. peace the fuck out.

Life essence dripping down my face, ok????
prod. goatharem
If i ever had to drop musik, i could drop every week. if you wanna support me i can go make a patreon or you can send me money through pay pal

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

I live a lie and lie where I lie where it is where a lie is what it do when you lie and then when you lie you only have a lie left to tell so that the lie you told maybe lie or that lie finish...

New tracks tagged #violent music