First movement (Andante e spiccato) from Alessandro Marcello's Oboe Concerto in D minor. Scored for oboe and strings, it is performed here on virtual trumpet ("The Trumpet" from Samplemodeling), Baroque bassoon (Wallander Instruments), and organ ("Toccata" from Sonokinetic).

Marcello: Oboe Concerto in D minor - 1. Andante e spiccato (trumpet)

Third movement — Air à l'Italien — from Georg Philipp Telemann's Suite in A minor for Recorder & Strings. Performed by virtual ensemble of recorder, strings, and theorbo. The beautiful recorder is from Wallander Instruments. It is modelled, not sampled. Playing it on a wind controller (Akai EWI USB) is just like playing the real thing. Sloppy fingering can even cause squeaks just like on a real recorder. Amazing. (Those professional classical musicians I've talked to who don't know anything about virtual instruments really need to get their heads out of the sand, because the realism of these instruments is advancing rapidly. That's what I'm exploring here on SoundCloud.)

Telemann: Suite in A minor for Recorder & Strings, TWV 55:a2 - 3. Air à l'Italien (2013.12.01)

First movement of J.S. Bach's Sonata In E Minor, featuring flute (from Samplemodeling) and continuo: Baroque bassoon from Wallander Instruments, and Flemish harpsichord from the Conservatoire Collection (SonicCouture).

J.S. Bach: Flute Sonata in E Minor, BWV 1034 - 1. Adagio ma non tanto (2014.07.05)

First movement of Telemann's delightful Concerto in E Minor for Recorder and Flute (TWV 52:e1). Performed on an Akai EWI USB wind controller using virtual instruments (sampled and modeled): alto recorder (Wallander Instruments), flute (Samplemodeling), strings (Garritan/EWI), and harpsichord (Mondartt).

Telemann: Concerto in E Minor for Recorder and Flute, TWV 52:e1 - 1. Largo (2014.07.12)

Adagio from Albinoni's Concerto in F for 2 Oboes, Op. 9/3, performed on virtual instruments: 2 oboes(Wallander Instruments), strings (Garritan, EWI edition), and positive organ (Sonokinetic). All parts played on a wind controller (Akai EWI USB).

Albinoni: Concerto in F for 2 Oboes, Op.9, No.3 - 2. Adagio (2014.11.15)

Scherzo from Symphony III

This is a track I made for the comedy show WTF Radio: https://www.youtube.com/watch?v=WIchajTr7UE
In the skit "The Cave Painters" wich you will find in 16.15 in the clip


Classic Theme ( WTF - Radio ep 1 OST )

First movement of Albinoni's lovely concerto for oboe in D minor (opus 9, number 2). Note that the movement is titled "Allegro e non presto," that is, "Joyfully and not fast". Many contemporary orchestras play allegros much too fast for my taste. After all, "allegro" means happy or joyful, not fast. In this case, the composer evidently wanted to be sure that it was not played fast. And I didn't (because I can't play it much faster than I have done here, and wouldn't have even if I could). Performed on virtual instruments: Baroque oboe (Wallander Instruments), strings, and harpsichord.

Albinoni: Oboe Concerto in D minor, Op.9, No.2 - 1. Allegro e non presto (2015.12.19)

First movement of J.S. Bach's Cantata No. 35, featuring pipe organ with orchestra: 4 first violins, 3 second violins, 2 violas, 2 cellos, bass, 2 Baroque oboes, oboe da caccia (cor anglais), Baroque bassoon.

Bach: Cantata "Geist und Seele wird verwirret”, BWV 35 - 1. Sinfonia (2017.04.30)

First movement of Vivaldi's delightful Concerto in C major for many instruments (also called "concerto in tromba marina"), scored for two recorders, two mandolins, two chalumeaux (forerunner of the Baroque clarinet), two theorbos, two solo cellos, two violins "in tromba marina," and continuo. Performed here on virtual instruments: 2 recorders, 2 clarinets, 2 fidules (medieval bowed instrument), 2 trumpets (very quietly), 2 mandolins, 2 theorbos, 2 contrabasses, 2 cellos, 3 violas, many violins, and harpsichord. Mandolin and theorbo (archlute) from Bolder Sounds (http://boldersounds.com/). Clarinets (and trumpets) from Samplemodeling. All parts played on wind controller (Akai EWI USB).

Vivaldi: Concerto con molti istromenti, RV 558 - 1. Allegro molto (2013.06.29)

Exploring the potential for using virtual instruments to create a realistic early music sound, with an emphasis on Baroque music. ¶ Esplorante la eblecon por uzi virtualajn instrumentojn por krei realisman fru-muzikan sonon, kun emfazo je baroka muziko.

My name is Pontus Tidemand. I´m a part time composer. I compose for film, tv and games. If you are interested to cooperate with me or interrested in getting a license for a track then contact me on: pontus@ullerstam.se

https://www.stage32.com/profile/366979/reel

http://www.imdb.com/name/nm6649350/

http://www.intergalacticspacerangers.com/staff/


Classical style music with extremely sharp edges and blurred distances.

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