Techno Mix 3

This is an archive of The Horizon Broadening Hour, which should air May 5, 2024. I'm back after a month off, but I've still been adding music to Libretime. That means it is time for your horizons to be broadened.

Conner Quinn – 13 Philosophers Walking Out of the Lexicon
Blue Freezie – Goth Girls 
Amanda Braam – November’s Night 
The Whythouse – Coffee? 
Madison Galloway – Freedom
White Rabbit – Cold Soup 
Alamodality – Good Place, Kitty
Chester Moon – Let’s Just Run 
The Tortoise and My Hair – leaving on the midnite train to Memphis 5
Wounded Dog – The Endless One
Wet Heaven – Deja You 
Geres – Divinity 
Connor Roff – Somewhere Green 
Kaunsel – Grain Hopper 
Bryan Cee – Blue Bird 
Luwizzy – Burn Inside of Me
Vintage Lapointe – Weaken 
Indigo – Red
JR Rhodes – Celebration 
Ghost Cartridge – Xzibit (feat. D-Sisive & Baggylean) 
Mike Casey – The Beauty of Everyday Life
Rachel Ransom – Misty Morning (Bassa’s Song) 
Michael Botte Band – Radiate
Sadie Fine – Penitentiary 
Sierra Blacc – Thxnk You
Sophie Van Hasselt – A Bit of Love
Caroline Parke – Look Me in the Eye, Love
Marissa Burwell – Catch and Release

The Horizon Broadening Hour

The Horizon Broadening Hour #25

Gevonovich - White Rabbit Cover by Jefferson Airplane

White Rabbit Cover

Energizer Mix 3 (Tech House)

Coldgrape - черные полосы (freestyle)

Tech House Mix 23

Psytrance Mix

Download

White Rabbit (Prime Exclusive 001) [FREE DOWNLOAD]

FIRST TIME  THEN THE WORMS DEFINITELY TURNED FOR YOU
FEEL GOOD,?
FEELING GOODS GOOD ENOUGH 
PUT YOUR MOUTH ON THIS

PUT YOUR MOUTH ON THIS

Intro: Twisted wires, secrets unmasked,
Digital threads, mysteries tasked.
Lost in blur, strings outta sight,
Patterns spin truth, veiled in night.

Verse 1: Echoes spin, darkened sway,
Reality’s a maze, lost my way.
Glitches lurk, light’s disguise,
Truth’s a mystery, masked in lies.

Chorus:
Caught in the mix,
Matrix playin' trix,
Red pill blue pill, choices in disguise,
Life's a maze, navigating through lies.

Verse 2: Code runs deep, waves in flux,
Digital realms, illusions disrupt.
Truth’s in the mist, where shadows blend,
Chasing phantoms, seeking friends.

Chorus:
Caught in the mix,
Matrix playin' trix,
Red pill blue pill, choices in disguise,
Life's a maze, navigating through lies.

Verse 3: Scripted haze, schemes entwine,
Data flows, synthetic line.
Truth’s eclipsed, choices skewed,
Lost in the weave, clarity eludes.

Bridge (Singing):
Signals twist, in the haze we drift,
Reality’s seam, a hidden rift.
Chasing phantoms in a grand design,
Crafted dreams, a planned align.

Chorus:
Caught in the mix,
Matrix playin' trix,
Red pill blue pill, choices in disguise,
Life's a maze, navigating through lies.

Outro:
In the veiled expanse, truth’s a show,
Living in wires where echoes flow.
Caught in the web where shadows roam,
Digital dreams in the afterglow.

Matrix Playin' Trix

Techno Mix 4

This Halloween 2024 I  marked the night of the slashed-up pumpkin with my slasher guest mix for @compatible / CMR!🔪😛 I always like to help my guest mixes gain some traction on the host's platform before uploading to my personal SC page, and its now time for me to share my latest mix with all of you - my loyal supporters!

The horror score intro will get your pulse rate rising, scare the s*** out of you nicely lol, and get you ready for the 130bpm launch into a steadily intensifying tech, prog and techno trip that's loaded with sinister filth, dark premise, and a surprise ending. Turn it up, turn off the lights, and come and vibe on my hellish ride!😈🖤🔥

Track list: 
1. DAR3N SAN / @boa-csaba - Saw (Original Mix) [Pure Tunes Records]
2. @nytefix-sim - Skynet (Original Mix) [@wearebonzai]
3. @banur - Tempesta (Facundo Tapön Remix) [@creatusflowrecords]
4. @filterheadz - Ricochet (Original Mix) [@toolroomrecords]
5. @dino-maggiorana - Crisis (Original Mix) [@resilient007]
6. @paulatreidesmusic - White Rabbit (Bootleg) [White Label]
7. @alex-blood-epicx - Halloween (Original Mix) [Free Download]
8. @blrofficial - The Wolf (Extended Mix) [Independent]
9. @superstrobe - Feel Good (@chicago-loop Remix) [Resilient Recordings]
10. @kusp_official - Dominator (Extended Mix) [@wearethebraveofficial]
11. Zero Dayz / @eddie-santini-460118278 - Just Say No (Original Mix) [Resilient Recordings]
12. @dolbydofficiel & Daniela Rhodes / @dvoxdj - Insidious Cops (@ketnomusic Remix) [@dolma-records]
13. @umek - Vibrancy (Original Mix / D-Vox Live Vocal Edit) [@sixteenofive]
14. @djondamike  - Nightmare On Elm Street (Extended Mix) [@ravesta-records]

BIG thanks to the CMR family for inviting me to put this mix together for All Hallows Eve, thanks to the incredible artists whose insaaaanely hot tracks I featured, and lots of love to everyone out there enjoying this heavy sesh!👊🏽

Links below to the mix across CMR's social platforms, please support!

https://soundcloud.com/sebastianmarkiewicz/cmr142-guest-mix-d-vox-halloween-2024

https://www.mixcloud.com/compatiblecreative/cmr142-guest-mix-d-vox-halloween-2024-nft/

https://www.youtube.com/watch?v=bBNVmz__ano

Much love, 

D-Vox

D-Vox - CMR Techno Guest Mix - Halloween Special 2024

Bring the House Down EP23

Energizer Mix 6 (Toddler Techno)

From my MetaMix album, 'THE TRIP!! Part I: Wonderland':

https://nationalcynical.bandcamp.com/album/the-trip-part-i-wonderland

This track is versions of Jefferson Airplane's 'White Rabbit' (1967) Including the a cappella version with Grace Slick, The Epic 'Matrix Resurrection' Trailer Remix, The Fractal Deepdream Hallucinations Version, The Mojo Filter Wonderland Remix; Pink; and Emiliana Torrini.

For more information on this iconic song see:

en.wikipedia.org/wiki/White_Rabbit_(song)

Also, clips from the movies Alice in Wonderland (1951) and 'The Matrix (1999)

THE TRIP!! Part I: Wonderland

Chasing Rabbits

A journey through Techno. 

Here is my set from Jan 25th 2025 at 816 Granville, Vancouver.

Energizer Mix 5 (5 Hour Live set)

Went all in with House vibes recently at the Innercircle SF party inside White Rabbit.  Had fun letting loose and vibing heavy with this set.  Enjoy!

Double A 'from The Bay' Live @ Innercircle SF | White Rabbit 1.16.25

PRE-ORDER Ramson Badbonez’s Upcoming Album 'White Rabbit': https://bfan.link/ramson-badbonez-white-rabbit

Follow the White Rabbit.

Underground legend and High Focus stalwart Ramson Badbonez re-enters the chat with new album ‘White Rabbit’, his first full length release on HF since 2022’s ‘Fusion’.

Teaming up with the infamous Leaf Dog on production, the collaboration plays out perfectly across all 14-tracks; Leaf providing a pitch-perfect soundtrack for Badbonez to showcase his full arsenal of multi-syllable flows, punchlines and infectious hooks as he adventures further down the rabbit hole…

Marrying his street poetry with the macabre at every turn, ‘White Rabbit’ is a potent reminder of Badbonez at his lucid best; searching out the truth in the music he makes.

Stacked with features from The Four Owls, Smellington Piff on lead single ‘More 4 Less’, Verbz, Mysdiggi, Phoenix Da Icefire, Tex & Cymarshall Law, ‘White Rabbit’ has all the makings of a classic from Badbonez, but moreover, a timeless High Focus release in 2025.

White Rabbit

The Great

Ramson Badbonez - The Great (Prod. Leaf Dog)

High Focus Records was established in 2010 to offer a platform for a new generation of rappers and producers in the UK. 

Twelve years on and nearly 200 releases later, our mission statement remains the same; to champion the most forward-thinking artists, with a key focus on strengthening the pillars that continue to unify the scene to this day (and beyond).


~HFR

DJ | Vocalist | Radio Host | Writer 
Bookings & enquiries: d-vox@hotmail.com

OUT NOW: @monsieurpluspetit_aka_pow & Daniela Rhodes - 'Dreams' with @quiqui Remix [@Cinematique Records 11/10/2024] https://manual-music.lnk.to/CIN217
 
OUT NOW: @sweetla & Daniela Rhodes                                                  'Cuban World' [@lovetoberecordings] https://www.beatport.com/release/cuban-world/4638649

Gigs & Guest Sets 2020/23/24

26.08 - B2B with ShadyLady @ Shine879, Essex
27.06.2024 - Prog Epidemic @ Saturo Sounds, USA
31.08 - We Love OldSkool Fest, Bristol
09.06 - Mixpub Radio, UK
27.02 - Paul Sawyer's 30 Yrs A DJ Party, DI.FM
14.01.23 - Global Language Prsnts: Lange, BMTH
31.12 - NYE @ Thirsty's Sports Bar, BMTH
27.08 - Cocktail Party @ Quay Inn, Wareham
14.05 - Beach Club @ Aruba, Bmouth
01.04.22 - Global Language: Space Bros, BMTH
26.02.22 - Krafted: Matt Fax @ The Vault, BMTH
18.12 - Krafted Radio @ DJ Shop, SOTON
03.09 - B'mth Revival @ Horsemen, BMTH
14-16.05 - MH Matters, MIND Fundraiser, Herts.
11.03 - Cadenza, AATM Radio
23.02 - Lost Lounge @ Love Summer Radio
30.01 - LyfeTV, CAN
15.01.21 - RadioStudioHouse, ITA
21.11.20 - Findike Recs Show, CosmosRadio, BER
23.06.20 - Changing Faces Radio, UK/IBIZA/MEX/USA

D-Vox AKA Daniela Rhodes first touched the wheels of steel over 20 years ago, with the purchase of her Technics 1200s back in 2002. She's supported Judge Jules, Seb Fontaine, Sunscream & Brandon Block, has played at some top venues and events including MOS, Es Paradis, Logic Fest and Soundwave Fest, and has shared the bill with craft masters Matt Fax, Frankie Wah, Junior Jack, John00Fleming, MarkEG, Space Brothers, and Cristian Varella, amongst others.

From mixing hard dance in her bedroom inspired by Tiesto, and through the heavy influence of her music loving parents, Daniela competently and passionately delivers multi-genre DJ sets ranging from feel-good disco right through to the deepest, darkest techno, and has gained a wealth of experience as an artist since her music journey began.

D-Vox is also a versatile vocalist and, since her days of singing old school garage classics into her hair brush with a dream of one day becoming a singer, she has developed a unique ability to accompany instrumentals within her glowing, multi-genre sets with her impressive live vocals.

Daniela is steadily becoming recognised for her skills in the studio as well as on stage and has worked with many respected artists including Philth, JP Lantieri, Xspance, Fractal Architect, ACAY, Monsieur Pluspetit, Sweet LA, Collate, Audioglider, J Luada, Matt Black & Chris Sterio, Somar Nomar, Findike, Dolby D, Martyn Nytram, Mogi Wa Wa, Doppelstern, Stu Chapman, Joey Fehrenbach, Col Lawton, to name a few.

Her collaborative releases span across a multitude of highly acclaimed labels including Bonzai Progressive, Superfreq, Dispatch Recs, Upon You, Morphosis, Krafted, Cinematique, Big Speaker, Zulu Recs, Modus Vivendi Records, HoTL Records, Stripped Music, ARRVL, DeepDownDirty, Flemcy Music, and many more.

Daniela's collaborations have also seen some mighty remixes by powerhouse producers inclusing Mr.C, Nichols, David Leckenby, Focus FL, Zstimer & WRU, Simon Harris, WLSN, Nostromos, KETNO and Konvic.

Daniela hosted her live show 'D-Vox & Guests' on Bournmouth’s Afro*disiac Radio for 5 years before making the hard decision to step away from radio to focus on collaboration projects. She's also aired popular shows on Southampton's Voice FM and Germany's Progressive Beats Radio between 2015-16. Her 3-month residency at a luxury Ozen By Atmosphere resort in Maldives was a highlight in 2017, and she spent the next few years that followed laying her foundations in Ibiza and Aiya Napa, performing at top night spots with Parasol Collective, ANHP, and Voice FM.

D-Vox has made many guest appearances on nationwide radio stations, including London’s legendary LifeFM, also at Shine879 in Essex, and with BBC Radio 1 residents Krafted for their radio show streamed live from The DJ Shop in Southampton shortly after which she was invited to play at their quarterly event supporting the mighty Matt Fax alongside Krafted residents.

An amazing opportunity was then presented to D-Vox, by dj/producer Laurent Schark, to share her sound on his Live Selection Show; the worlds’ most syndicated radio show reaching out to 3 million listeners which she accepted with a very big smile. The segment featuring Daniela was unknowingly picked up by Italian cable channel Canal 7 that streamed her live set, and artist interview, out to the Mediterranean masses.

With the help of her South African soul friend DJ Sharm Pillay, D-Vox sailed into 2019 with a four-page spread in global Audiation Mag's Jan issue which included her snap on the cover. Following this she was invited by Sharm to share some melodic techno moods with her SEKSiCuLLTURE listeners on Melbourne's Kiss FM, Australia.

As well as being heavily involved in the practical side of music Daniela is also a keen writer of more than just her deep and meaningful lyrics. She copywrites for Flemcy Music, Findike Records and Dark Hooks Recordss, and provides music and event reviews, press releases, pitches, and proofreading services on request.

Daniela also a proud member of The Black Chapel Collective; a passionate group of creative artists founded by Essex based music producer Steve Mortimer, with a worldwide, multi-award winning film & live show 'Connect', addressing important global issues using contemporary music, visuals, graphics, speech samples, poetry & dance.

With a bustling music diary, an ever-evolving and dynamic catalogue of works, and with producers queuing to work with her captivating vocals, Daniela has her foot firmly on a pedal powered by her relentless passion for the music she loves. Who knows where her talents will take her as she continues to share her positively infectious, and highly creative music energy as far & wide as she can spread it.

Versatile singer/songwriter with haunting melody lines and vocals. I write only what I know or feel.  So many influences, but experiences is my main influence. Savor each moment as they come…good or bad.   Within each is a lesson.

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

DJ | Producer
Bookings: DoubleA408@gmail.com

Archives of The Clean-Up Hour, every Friday at 12:00 AM, hosted by your boy Mophead on CKMS 102.7 Listen here: https://radiowaterloo.ca/listen/

Also doing slowed + reverb music now lol

To those of you looking for the slowed + reverb version of "Benji the Dog" by Mac Miller (RIP), it was copyright claimed after 15,000 plays. If you're desperate for the mp3, dm me here and we can work something out.

All links can be found here: https://linktr.ee/gawpmusic

Having previously toured and released under different guises and styles, GAWP is certainly no stranger to the music industry... 

As a result of a lifetime in the studio perfecting his craft and being mindful to only put out music of the highest standard, GAWP has already released a string of tracks on Mixmag’s ‘Label Of The Decade’ Dirtybird, alongside a number of highly respected imprints including Toolroom, Elrow, Incorrect, In:rotation, Night Bass and Sink or Swim. 

GAWP’s productions consistently gain support from a vast spectrum of established artists and peers encompassing the likes of Claude VonStroke, Justin Martin, Fatboy Slim, Chris Lake, Fisher, Idris Elba, Mark Knight, Walker and Royce, John Summit and Kyle Watson. 

This support across the board has quite rightly translated into DJ shows the world over. From previous tours in the US and Australia to regular events throughout Europe, 

GAWP has consistently proven himself on the circuit. Tipped as DJ Mag’s “One To Watch” and the direct support act for Oliver Heldens and Gene Farris on their respective tours, GAWP is able to provide accompaniment to a wide range of DJ’s whilst never failing to showcase his signature, unorthodox sound.

White Rabbit is a Vancouver based DJ that plays multiple genres from House to Hardstyle and everything in between. She mainly focuses on Tech House and Techno for her sets.

Her sets will always have you moving on the dance floor while she takes you on a musical journey that continuously flows through the speakers. 

With her passion for music, she is always looking to grow and challenge herself like mixing new genres and more.

You can catch this White Rabbit playing at Club 816 Bassment
🐰

New tracks tagged #white rabbit