Marina Herlop - miu
Label: PAN
Cat.No. PAN 128S
Format: DL
Release Date: 10 September 2021
Purchase: pan.lnk.to/miu
Video: https://bit.ly/3k1RoJD

Barcelona-based artist Marina Herlop joins PAN with a striking new single, titled "miu". The artist invites the listener to step into her otherworldly dreamscape and in turn go down a sonic rabbit hole into her garden of forking paths. Resisting attempts to interpret her work, Marina Herlop prefers to create open worlds which nourish and stimulate the imagination. Experimenting freely with konnakol syllables and carnatic rhythms harnessing the processed human voice and electronics, "miu" can be treated as a black box or cenobitic toy which the listener can project their desires and dreams onto.

Composed, produced and recorded by Marina Herlop
Electric bass: Òscar Garrobé, “Garru”
Mix: James Ginzburg, Marina Herlop
Master: Rashad Becker
Artwork by Robert Clark

@marinaherlop

Marina Herlop - miu (PAN128S)

Lyrics:
I Must Not Fear.
Fear is the mind killer.
And fear is the little death that brings
Total obliteration.
I will face my fear.
I will permit it to pass over me,
And through me.
I must not
…. Fear

Art by Seav

Siegi

I Must Not Fear

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Thrall

NOISE

(verse 1)
i would trade my life, to see your green eyes, 
in the soft white snow
from the other side, i would send you signs, and watch you grow old 
mmhhhh
why did they have to take my baby away? 
away

(pre)
hills are on fire, panic is rising 
city’s a riot - pack up, we driving 
guess, your little heart couldn’t take it 
the stress of changing locations 
don’t leave me now, don’t leave me now 

(hook)
when your spirits ready
come back home
my hearts gettin’ heavy 
don’t be long
nooo
don’t be long, long

(verse 2)
it was 10 at night, when i found your body, without your soul 
tried to bring you back, pushing on you’re heart, but the touch was cold 
mmhhhh
why did they have to take my baby away? 

(pre 2)
highway we flying 
rushing to the hospital 
i know you’re tired
but please don’t let, angels take hold 
guess, your little heart couldn’t take it 
the stress of changing locations 
don’t leave me now, don’t leave me now

(hook)
when your spirits ready
come back home
my hearts gettin’ heavy 
don’t be long
nooo
don’t be long, long

when your spirits ready
come back home
my hearts gettin’ heavy 
don’t be long
nooo
don’t be long, long

Life After Death

Music Producer.

Contact: 

https://www.instagram.com/artu.wav
victorcaucamanp@gmail.com

NOISE

BMolly

Related tracks