Chicaloyoh "Folie Sacrée"

8 tracks / 37 minutes
Music by Alice Dourlen
Mastered by James Plotkin

Folie Sacrée is the debut full length record of Chicaloyoh, musical incarnation of Normandy resident Alice Dourlen. Creating music between soundscape exploration and intimate contemplation, Chicaloyoh is a mix of guitar, keyboards and percussions from distant and various horizons.
The album has been recorded deep in the wood in the artist’s very own Chaudelande studio during the spring of 2013. Attracting those who like the priestess singings of Grouper or french legend Catherine Ribiero, Folie Sacrée is a beautiful exploration in ambience and darkness recalling the mysticism of Popol Vuh and the late-night incantations of Nico.

Currently touring the UK with Sylvester Anfang’s BBLL, she will cross the sea for the second time for an extensive US tour with High Wolf in september 2013.

Singing with an almost pastoral verve, the minimalist and intimate soundscapes of Chicaloyoh combined with her simultaneously tender and strong voice are the foundation for her avant-garde mantras.
Mastered by James Plotkin and press on 180gr black vinyl, Folie Sacrée stood has a stunning document of the celestial awaked nightmare from one of today’s most exciting french musician.

Edition of 500 copies – Out on Sept. 15.

shelter-press.com/main/category/030/

2. Chicaloyoh 'Gloves And Tie'

01 Pure Heart [New HD Mastered@LaSource] 19 - 02 - 21

Love Inks - Shoot 100 Panes Of Glass

A track I wrote and composed of a Love Song

02 Cause I Love Ya

Tuxedomoon - Triptych (from "Bardo Hotel Soundtrack")

Summer In Siam Ruff Mix

There are strange forces at work, lurking underneath the shiny, impeccable surface of this place: Looming behind all those perfect little fence posts and neighborly smiles, there's a sense of isolation, of emptiness, a hint of claustrophobia, that fear of being in the wrong place, too far removed from where things are really happening. It's true: darkness has fallen upon suburbia. Welcome to the unadorned world of Innhverfi.

Using a play on the Icelandic words for "suburbs" and "introvert" for its title, Innhverfi is the debut solo album from Sigur Rós' and Jónsi's touring keyboard player/percussionist Óbó – in his passport it says Ólafur Björn Ólafsson –, and although comprised of no more than 7 compositions, it does run the gamut of suburban bliss turned upside down: After the LP's minimalistic opener "Úthverfi", a track that melancholically opens up after a long, immensely dark and brooding intro, that ultimately offers some respite in the form of playful Glockenspiel over layers of slow-moving sonic lava, the equally cinematic "Svartur galdur" leaves much room for Óbó's trademark baritone: Like a bespectacled puppeteer with fluffy hair, he seems to shuffle and rearrange home-recorded bits and lullaby-like DIY pieces in front of our very eyes, which can't help but follow, as we move deeper into the somewhat forlorn suburban landscape that has inspired this record. Imagine dark, wet streets, overcast little alleys, and suddenly a cat or a candle on a windowsill, breathing slowly.

Elsewhere, "Gjallarhornin" – all spoken words, piano, strings, vibraphone, rearranged like a whirlwind in slow-motion – makes way for a hopeful oomph deferred and silent-movie era melodies, while "Stilla", an instrumental, commences like early Efterklang, but there's no gaudiness on the horizon: When the subtle electronics and percussions erupt in the end, it all feels just right – if only for a brief moment. Finally, the subdued birdsong and jazz-inspired piano of "Fyrirbo∂i" underline that Ólafsson has worked on motion picture soundtracks in the past – e.g. The Good Heart, Steypa –, and before it all ends, he even throws in a foot-stompin' alt-pop song of sorts ("Rétt e∂a rangt?"). The last stop of this journey into the haunting underbelly of the suburban mind is "Gullregn": A creaking door that opens to unveil his own garden of forking paths, a place where one can still decide, shake things up, jump the fence and run, leave before it's too late. It's pure possibility, presented in a golden light.

Although Innhverfi is his debut effort as a solo artist, Óbó's musical handwriting has been all over the Icelandic map in recent years: A multi-instrumentalist and a wizard on percussions, he studied piano and later composition in various European cities and has performed and recorded with artists such as Sigur Rós, Jónsi, Emiliana Torrini, Stórsveit Nix Noltes, slowblow, Benni Hemm Hemm, múm, Jóhann Jóhannsson, Úlfur Hansson and Valgeir Sigur∂sson, to name a few.

Though few will be able to understand the lyrics in his native Icelandic, one thing is certain: Innhverfi is the very antidote to the affliction and troubles it sketches out. Turns out we've been in the right place all along.

Buy On Itunes

Óbó: Rett Eda Rangt?

Limited Edition 12" - http://goldrobotrecords.bigcartel.com/product/ohioan-empty-every-mt

Ohioan's new album, EMPTY / EVERY MT, is a record of protest songs but this is nothing like protest music you've heard before. This is a new form of country music. It's Appalachian mountain music mashed-up with African desert music played by a dude raised in the shadow of Appalachia who now lives in the desert. (Read that twice if you need to; it's important to the story.) EMPTY / EVERY MT is an album about the "Appalachian Desert," a concept created by Ohioan band-leader Ryne Warner. He posits that one day mountaintop removal and mining will level the forests of Appalachia, turning once lush land into an arid desert-scape not unlike parts of the American West and North Africa. The music here was made using the sounds associated with those places--banjo, dobro, jaw harp, dulcimer, African scales, the electric guitar, modal tunings. The result is an image of Warner's Appalachian Desert rendered in sound.

EMPTY / EVERY MT

Bad Altitude

OHIOAN - Bad Altitude

Cusp

Émigré

Swimming

Fabio Orsi/Glowing Echoes

Glowing Echoes Part 1 (24:26)
Glowing Echoes Part 2 (17:36)

Summer In Siam Ruff Mix

Taken By Trees

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