takis

10 years of Pan-Pot, we made this special mix. Free download! 

Pan-Pot X-MIX

Discover ourself and share with friends #beatstune

https://www.facebook.com/beatstune
https://www.twitter.com/IDMAcontest
https://www.youtube.com/beatstunetv

Hot Since 82 - Like You (Audiojack Ruff Cut)

Live Set from District Atlanta - Direct Support for Mochakk.

Live from District Opening Set for Mochakk (March 2023)

Lana Del Rey - West Coast - Solomun Remix

Leonardo Gonnelli-Catch Away (Original Mix)

ALSO! has been one of the top tracks on SNATCH! in 2012, here we are with a bunch of new remixes courtesy of Volkoder, The Junkies and Kevin Over plus a 2015 reedit from Ruben himself!

Enjoy! 

Buy on Beatport

Also! (2015 Rework) [Snatch! Records]

Hey hey we welcome back Greek star Mihalis Safras with a new strong and driving tech house cut. This time our guy deliver 2 different mixes of the same track both of them tested over the past months always with great reactions.
On remix duties we've the pleasure to welcome ZDS (Zombi Disco Squad) bringing his old school tech infected touch on Mantela while fast rising italian and Lapsus Music family mamber Sante Sansone turn the track into a solid row tech beat with his typical groove.
This is dope!

Mihalis Safras "Mantela" (Sante Sansone Let's Groove Remix)

Sabb - One Of Us feat. Forrest (Dennis Ferrer Remix) - Moon Harbour (2015)

http://classic.beatport.com/release/tnt-ep/1568845

Piers Crozier - TNT (Leftwing & Kody Remix)

Various Artists - Collection E
Release Date: 4th September 2015

Saved Records return to their various artists’ samplers with Collection E. This twelve track stack of original music features the likes of Noir, Okain, Chicco Secci, James Organ and Javi Row in what is the series’ most distinctive and underground collection yet.

Its diverse but energetic soundscape across the twelve tracks provides a succinct snapshot of the label’s ethos in 2015. Combining a consummate blend of young, emerging talent and already established names, Collection E engages with markedly different tempos, tones and textures from track to track. From the dark, driving attitude of Julien Sandre’s “Beside Me” to the crunchy, rhythmic energy of “It’s Just A Groove” by Sean Miller, the deep, rolling party vibes of Sergio Fernandez’s “Kuery,” the dubby, drum machine-heavy stylings of Daniel Dubb & m.O.N.R.O.E.’s “Colors”, the old school house flavours of “Wax Trax” by Romano Alfieri & Alli Borem and the jazz influenced techno of Javi Row’s wonderfully idiosyncratic “Fifty Seven,” Collection E boasts a deliciously varied and quality-filled palette.

A true marker of an imprint bang in form and also completely in tune with its open-minded, dancefloor-focused ideology, Collection E bears all the confidence and attitude that enables Saved Records to continue to stand out.

Collection E

Disco Bass

CLICK HERE TO BUY

Okain - Disco Bass (Edit)

https://soundcloud.com/miguel_bastida

whenwedip.com
www.facebook.com/wwdofficial
@when-we-dip
twitter.com/WhenWeDip
www.mixcloud.com/WhenWeDip/

Premiere: Miguel Bastida - Balanced State [Love The Underground]

Out now, get it here ⇝ http://bit.ly/VIVALTD048BP

New York newcomers Eskuche & Nu Sky (@eskucheandnusky) have wasted no time since launching onto the scene, first releasing on New York’s legendary imprint Nervous Records and garnering support from key tastemakers world wide including; Maya Jane Coles, Marco Carola, and pivotally, Jamie Jones & Lee Foss who in 2014 signed 2 tracks from the boys to Hot Creations for the ‘Acid Jump’ EP.

Having previously remixed for VIVa LIMITED last year on Russ Yallop’s ‘Darkside EP’, the boys now make a stark return to the label with an EP comprised of 4 original tracks plus a remix from Russ (@russ-yallop) on a quid pro quo tip. The release showcases a signature sound that combines growling bass lines, shamanic grooves, and futuristic synthesisers to culminate in a package establishing Eskuche & Nu Sky as some of the most exciting artists of the new school Tech House scene.

Support on this from the likes of Dale Howard, German Brigante, Jamie Jones, Jay Lumen, Joyce Muniz, Kaiserdisco, Mark Jenkyns, M.in, Pirupa, Reboot, Riva Starr, Sasha, Sishi Rosch, Stacey Pullen & DJ. T.

Buy Release

Eskuche & Nu Sky - Better Ways [FULL TRACK]

It was in early summer 2014 when we released the first Nerdjack single and finally we have the possibility to continue our common journey. This time with the help of singer Robert Owens and remixer Detlef, who's release on Moon Harbour and ViVA have been big in Martin Eyerer and Rainer Weichhold's dj sets. This is smahing peaktime techno at its best, perfect to rock any open air stage.

Nerdjack Ft Robert Owens - I Came To Jack (Detlef Remix) - Kling Klong

Follow: https://soundcloud.com/djleroi // https://soundcloud.com/vivamusic

whenwedip.com
www.facebook.com/wwdofficial
@when-we-dip
twitter.com/WhenWeDip
www.mixcloud.com/WhenWeDip/

Premiere: DJ Le Roi - Body Thang [VIVa Limited]

Club Cuts - Vol. 1 is the first edition of a new Various Artists compilation series from VIVa LIMITED, comprised from tracks by the most exciting emergent artists in the scene today.

This is a curation collated of unpretentious party jams made for the floor.

Mihalis Safras - Feeling - Club Cuts - Vol. 1

OUT NOW : https://pro.beatport.com/track/get-phunky-feat-aquarius-heaven-nick-curly-vocal-remix/7178139

Mathias Kaden - Get Funky (Nick Curly Remix) - Freude am Tanzen -  prelisten snippet

From the album The Black Light, out November 23 via EXILE. 

Buy: http://www.junodownload.com/products/johannes-heil-the-black-light/2916618-02/

Johannes Heil - Scene Eight

Pan-Pot - The Other Remixes LP [SNDST015]

Wigbert delivers a stunning remix of the track 'Broken Engine'. A blend of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

@wigbert
@pan-pot
@secondstateaudio





VINYL PRE-ORDER

Pan-Pot - Broken Engine (Wigbert Deeper Remix)

♫ Label Showcase ♫:
http://www.deephouseamsterdam.com/london/label-showcase-006-lost-records

Lost Records positions itself firmly at the forefront of the future of dance music.

With one foot knowingly planted in the rich heritage of techno, house and garage yet managing to keep two eyes on the horizon of incoming soundscapes, founders Leftwing & Kody aim not to recycle old sounds, but branch out into the new and unknown. Showcasing the finest underground House and Techno from established and breakthrough artists. Now, With the likes of Darius Syrossian, Hector Couto, Waifs & Strays and MANIK, the Lost Records roster is ever impressive.

With that, we continue our new series here and in conjunction with Deep House Amsterdam, highlighting some of our favourite labels around the world, we thought we would catch up with Leftwing & Kody and get the scoop on all things Lost Records. Here, you will find information on the label’s history, ethos, releases and future. As you can probably tell by know, we are asking each respective label owner the same questions. With this approach, we hope these showcases will be as educational and informative (for all you aspiring label heads out there) as they are entertaining.


♫ SHOWCASE ♫

LS006 | Lost Records | Leftwing & Kody

Mendo presents his first album: Avalon.

The album includes 14 tracks of different styles such as Downtempo, House & Tech-House.
 
Mendo originally started the album in 2010 with tracks like «Aventuras», «Madrugada» and «Inocencia», but due to the fact that someone uploaded a dj set including «Aventuras», it got ripped and published on Internet before the official release. This is why «Encantos EP» was released including «Aventuras» and «Madrugada» and the plan of the album changed completely.
 
After the big success of “Encantos EP”, Mendo received many remix requests what made him postpone the release of the album a little.
 
In 2012 he left his native country, Switzerland, and moved to Malaga (Spain). He built a new recording studio and re-started the album with 14 completely new tracks.
 
Finally, in 2013, Avalon is ready to be released on his own label: Clarisse Records.

http://www.facebook.com/MendoOfficial
http://twitter.com/MendoOfficial
http://www.youtube.com/MENDOofficial
http://soundcloud.com/mendo-official
http://www.residentadvisor.net/dj/mendo
http://www.cadenzamusic.net/profile/mendo
http://www.facebook.com/clarisse.records
http://www.clarisserecords.com/

David Mendo and his debut album „Avalon‟ are as ready for the Balearics as a one-way ticket to the White Isle. With endurance-testing tribal house and funk-flicking clubbing making you feel comfortable, it‟s as if Mendo is towelling down the throbbing perspiration he‟s causing you, putting boogie in your body with sprinklings of disco glitter („Fever‟) and driving, deep and funky house deliverance that has made his sound cross-continental - and this is before you find the title on maps from Australia to Canada, France to the United States.
 
There‟s always a party going on somewhere in the world if you think he may have missed out on peak Ibiza season - Mendo could just as well have the Miami Winter Music Conference in his sights (the home of the Heat being something of a spiritual home) while staying golden until the next Spanish reign rolls around - so the perennial producer‟s platters shouldn‟t be waiting long for their next passport stamp, the head of the Clarisse label leading from the front as he continues to reap A-list blessings, having given his gift of groove to dance music academies as prestigious as Cadenza, Rekids, Saved, Get Physical and Defected.

Close to 100 minutes long and having marinated since 2010 – overzealous internet users spoiled the album‟s progress first time around - you shouldn‟t expect anything resembling a flash in the pan from The Club Science and Cadenza connect who‟s had releases evacuate racks since the turn of the Millennium. Therefore it‟s a given that he should ease into his 2013 long player with the expectant opener „Mintro‟, chanting as a ritual for ravers to register for. Carried over into the global flavouring that dusts the Carla Krevey-shaped „Abstract‟, a reflection of Mendo‟s own cosmopolitan background takes deep house from Spanish backstreets to a nerve-fraying theatre of shady glances and unspoken mystique.
 
Removing himself from the early tenterhooks he places the album upon, the road to „Avalon‟ starts to both wind and unwind, kissed with an exotic air („Clavelito‟) earning recompense from the motif of dance music as international language, even if the harder nosed „Everybody Love‟ wants the funk all for itself. From beach hut to ballroom, „Rising Sun‟ won‟t be an Ibiza staple just by coincidence of name alone, proving piano remains king as it gets you moving a little closer to a blue skied cloud nine along with the similarly self-explanatory „Samba‟. 

Then, „Waterborne‟, making you walk a crystal-edged tightrope between breath-catching and breath-taking, sees Mendo expanding the album‟s outlook into something more panoramic, extended markedly further on the surefooted spacewalk „Interlude‟ and the follow-up beam-up of the title track, a moment where the sweaty, buoyant masses join moist palms as they see the light in unison, swaying side to side to zero (gravity) in on the album‟s continuing theme of inclusion.
 
„Amazon‟ and „Libellule‟, closing the album by tilting chairs back and just stopping short of placing cucumber slices over your eyes, are part of an interjecting support group for when you‟re done dribbling out of every pore. “You will be surprised to discover this album has half of its tracks in a down tempo style, that people aren't used to hearing from me”, Mendo admits; but while they almost give LP‟s flow a reality check, the expansive sweep over arenas and into the nooks of backrooms makes cohesively appreciable sense. Where you imagine him lining up his famed four deck set-up like the most meticulous of domino rallies, the gaps are measured out so methodical motions link easily into unrelenting circuits that are cause for sprinkler systems to go off, or for punters to turn a pool party into a riptide.
 
A chain reaction of bass-pushed loops and Iberian ivories, Mediterranean mastery and NYC nous, is only part of the equation. “The key to a successful party is to get girls dancing. Once they dance, everybody does.” Certainly there‟s no room here for honeys whose hips can‟t hula, but „Avalon‟ should have no problem reaching out to hip-bone hustlers as the likes of the infectiously incessant „La Krika‟ and „Les Clochers de Belarus‟ get sand between your toes while telling daybreak to wait. He finishes with a declaration reassuring in its stating of the obvious: “I just want people to have a good time with my music.”

takis

Takis Bobetsis