Tales of Tala Quartet plays '"Emm El Zeinat" by Nizar Rohana live at the Mondiaal Centrum Haarlem (MCH) in the Music: World Series tour on 10 april 2011.
Audio recording and editing - Birdtrackstudio

Tjitze Vogel (double bass)
Paul Weiling (alto & soprano saxophone)
Zoltan Lantos (Violin)
Niti Ranjan Biswas (tabla)
Nizar Rohana (ud)

Five musicians from Bangladesh, Palestine and Europe join forces to explore the Indian language (tala) of rhythm and improvisation.

Improvisation is the main tool for bringing together their different musical traditions. Each musician in Tales of Tala may represent his own musical heritage, but their flexibility and sense of freedom guarantee an open exchange of musical ideas. Together they develop a new language in music, supported by their fantasy and unlimited range of interpretations. The rhythmic patterns of Indian classical music(tala) serve as a stepping stone for experiments and new musical discoveries.

Tales of Tala Quartet- Emm El Zeinat (live)

Fake Folk by Tjitze Vogel

Tjitze Vogel (double bass)
Paul Weiling (alto & soprano saxophone)
Zoltan Lantos (Violin)
Niti Ranjan Biswas (tabla)
Nizar Rohana (ud)

Five musicians from Bangladesh, Palestine and Europe join forces to explore the Indian language (tala) of rhythm and improvisation.

Improvisation is the main tool for bringing together their different musical traditions. Each musician in Tales of Tala may represent his own musical heritage, but their flexibility and sense of freedom guarantee an open exchange of musical ideas. Together they develop a new language in music, supported by their fantasy and unlimited range of interpretations. The rhythmic patterns of Indian classical music(tala) serve as a stepping stone for experiments and new musical discoveries.

Fake Folk

Flow Motion by Paul Weiling

Tjitze Vogel (double bass)
Paul Weiling (alto & soprano saxophone)
Zoltan Lantos (Violin)
Niti Ranjan Biswas (tabla)
Nizar Rohana (ud)

Five musicians from Bangladesh, Palestine and Europe join forces to explore the Indian language (tala) of rhythm and improvisation.

Improvisation is the main tool for bringing together their different musical traditions. Each musician in Tales of Tala may represent his own musical heritage, but their flexibility and sense of freedom guarantee an open exchange of musical ideas. Together they develop a new language in music, supported by their fantasy and unlimited range of interpretations. The rhythmic patterns of Indian classical music(tala) serve as a stepping stone for experiments and new musical discoveries.

Flow Motion

Passacaglia by Zoltan Lantos

Tjitze Vogel (double bass)
Paul Weiling (alto & soprano saxophone)
Zoltan Lantos (Violin)
Niti Ranjan Biswas (tabla)
Nizar Rohana (ud)

Five musicians from Bangladesh, Palestine and Europe join forces to explore the Indian language (tala) of rhythm and improvisation.

Improvisation is the main tool for bringing together their different musical traditions. Each musician in Tales of Tala may represent his own musical heritage, but their flexibility and sense of freedom guarantee an open exchange of musical ideas. Together they develop a new language in music, supported by their fantasy and unlimited range of interpretations. The rhythmic patterns of Indian classical music(tala) serve as a stepping stone for experiments and new musical discoveries.

Tales of Tala

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