Experimental 1

Im Scum by IDLES

I DO NOT OWN THE RIGHTS TO THIS SONG!! New York avant-garde folk

Arthur Russell - Answers Me

The Velvet Underground And Nico - Heroin (The Norman Dolph Acetate)

The Archives

Big Business/I Zimbra

Houses In Motion

Where Were You, While We Were Getting High?

See you on the other side.

Follow unitrΔ_Δudio:
https://instagram.com/unitra_audio
https://soundcloud.com/unitra_audio
https://twitter.com/unitra_audio
https://facebook.com/unitraaudio

Free Download

David Bowie - Lazarus (unitrΔ_Δudio's Tribute)

Timothy Nelson - Girl Loves Me

Spiritualized (LIVE) @Wiltern Theatre, Los Angeles. 2001.

Spiritualized - Come together

This is our first ever cover song. We know that Led Zeppelin is considered by many to be "untouchable" and that even attempting something like this could be offensive, wrong, whatever. But fuck it. Music is supposed to be fun, and making this was one of the most fun productions we've done. No Quarter is our favorite Zep tune, and that's probably because its one of the only songs in which they use a synth and some keyboards. Its a dark, intense, classic song with a crazy storyline and meaning. Apparently when it was first released it got terrible reviews from Rolling Stone and the other folks in the industry that "know what they're talking about," and maybe that's why we love it so much. Take a listen, let us know what you think, maybe you find it interesting, maybe you think we've butchered a classic... either way, we loved making it.

Free Download: https://www.toneden.io/savoyband/post/no-quarter-led-zeppelin-cover

No Quarter (Led Zeppelin Cover)

Uk - Charts (Under 20)  1994

Superstar - Sonic Youth slow

beauty and the beast(David Bowie Joy Forever Mix)

When the band Einstürzende Neubauten was being founded in 1980 there were hardly any others that could have been compared to them.

Instead of playing conventional instruments, the band – out of shortage of money – used tools and other objects of daily use to create atonal industrial collages predicting a near downfall (“Kollaps”). 

They started with a destructive and nihilistic basic attitude that corresponded to the zeitgeist of post-punk in the early 80’s; however, the realization could not be any more radical than this: percussionist F.M. Einheit maltreating the stage with a power drill, mastermind and singer Blixa Bargeld playing the guitar with an electric shaver. If there existed any parallels, then to “musique concrete” at best.

But very soon, nearly unnoticed by their steadily growing community of fans, the picture refined: at an early stage, Blixa Bargeld rejected already comparisons to the British oil barrel beating epigones of Test Department or SPK and during an interview I had with him in 1985, he wondered why the parallels to a group like Ton Steine Scherben could be neglected carelessly.

Indeed, the Neubauten managed to escape pure industrial clichés very fast by their individuality, sophistication and above all, their lyrical substance. Even without blaring metal, on albums like Die Zeichnungen des Patienten O.T. and 5 auf der nach oben offenen Richterskala the Neubauten were able to produce gloomy, filgrane and spheric soundscapes (“Armenia”, “Kein Bestandteil sein”).

Blixa Bargeld’s fascination for the ancient German language became unmistakeably clear in their 1989 album Haus der Lüge which is the nucleus of this Rockpalast concert – to be experienced amongst others in the tune “Ein Stuhl in der Hölle”, lyrics that Bargeld had found in a book with old kitchen songs.

The band Einstürzende Neubauten consciously applies language in a different way than other bands at that time. The German language was being expanded by going back to its origins. In 1989 Blixa Bargeld put it like this: “I love the German language but sometimes it is too narrow for me. Sometimes it is necessary to bend words in a new way, and sometimes it is necessary to go back to words that are not so much burdened with other meaning. You cannot work with a word like ‘love’; that is the best example. It is a doormat, full of thousands of associations and those even vary from one person to the next.”

Thus, little by little they created their own cosmos that finds its perfect expression in metaphorical songs like “Haus der Lüge” or “Feurio”. Nevertheless, these pieces are only one part of a process neither do they carry a message nor are they arbitrary. Blixa Bargeld: “To me, creativity means to lose control. When I am losing control something comes out. For example, I have not written ‘Das letzte Biest am Himmel’. It evolved I do not decode my lyrics, not for me, not for the audience. When I decode them and disenchant, I will rob the lyrics of any charm.”

The Rockpalast concert at the Philipshalle in Düsseldorf combines in a unique and compact way all the songs that were relevant and had shaped the band’s style (according to the criteria formulated by Bargeld) to this date. The interaction of the line-up which at that time featured Blixa Bargeld, Alexander Hacke, N.U. Unruh, F.M. Einheit and Mark Chung has hardly been captured as perfect and so to the point as in this film document.

Ecki Stieg, September 2012

Zeichnungen Des Patienten O.T.

snakefinger cover
snakey beef?
long live 90s industrial

Bring Back Reality (feat. Lil Beefy Boy, Dr. Hitting)

Bienvenue dans Mélophile, votre podcast d'anecdotes musicales ! Chaque épisode traite d'une nouvelle chanson en abordant sa signification et son contexte de création. N'hésitez pas à laisser un commentaire pour me donner votre avis et à partager si ça vous plait ! Je suis également ouverte à des suggestions de musiques. Enjoy ! 

Merci à Juliette Gentilhomme pour l'illustration 
insta: https://www.instagram.com/ju0lzz/

Mélophile est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.

Mélophile / Gloria: In Excelsis Deo - Patti Smith [Podcast]

Spotify
https://open.spotify.com/artist/2nTAcIFWtNTygzrn08Lyx5?si=jD42casEQOKJ3N3hr1a48w


You Tube
https://music.youtube.com/channel/UCiAW47N3mM6zlHh1COB20Lw?si=Qe1AQqMsuX3Puvmh


AppleMusic
https://music.apple.com/hr/artist/elektronska/1796914197?l=hr


Deezer
https://dzr.page.link/wLiPijLf1gJYEg5P7


Tidal
https://tidal.com/artist/54551820?u

Houses In Motion

Talking Heads

Related tracks