Name: Richard Barrett - codex XVII (30 Jun 2016) by Taller Ciclo in codex I-...
Duration: 10 min 10 s
Description: Rodrigo Aguirre (saxophone), Rodrigo Araya (electronics), Klaus Brantmayer (saxophone), Pablo Garretón (electronics), Nicolás Kliwadenko (electronics), Francisco Martínez (electric guitar), Ramiro Molina (electric guitar)

codex I-...

Live performance at SIAL Sound Studios in Melbourne on 26 July 2014 by Speak Percussion (Peter Neville, Matthias Schack-Arnott and Eugene Ughetti) and me, with spatialisation by Lawrence Harvey and Jeffrey Hannam

codex XIV (2014) for 3 percussionists and electronics

performed by Golden Fur (Samuel Dunscombe, clarinets; James Rushford, viola; Judith Hamann, cello) with Milana Zarić (harp) and RB (electronics), at Conduit Arts in Melbourne, recorded by Samuel Dunscombe

codex XII (2013) Melbourne 21 July 2014

codex XII (2013) Belgrade 7 December 2014

Le retour en force du vinyle influence directement la création de nouvelles musiques, où la grande majorité des références est marquée par l’intégration des vinyles et des platines dans la scène musicale.
Depuis la composition, je perçois le vinyle et son mode de lecture comme des concepts interconnectés dans un système de relations que l’on peut modéliser par des algorithmes, ce qui me permet de transposer cette influence dans la musique instrumentale.

Les variations progressives de la vitesse de lecture, le son de l’aiguille, les boucles et la rugosité sonore sont exploités avec une liberté qui dépasse les possibilités réelles des éléments d’origine.
Sillon en dérives est une œuvre rythmique et intense, où la virtuosité et l’interaction du duo Ziriab ouvrent de nouveaux horizons expressifs.

El revival del vinilo está afectando directamente la creación de nuevas músicas, donde la gran mayoría de las influencias se reflejan en la incorporación de vinilos y reproductores de vinilo en la escena.
Desde la composición musical, comprendo que el vinilo y la forma en que se reproduce constituyen conceptos interconectados dentro de un sistema de relaciones que pueden representarse mediante algoritmos, lo que me permite trasladar esta influencia al ámbito de la música instrumental.

Los cambios graduales en la velocidad de reproducción, el sonido de la aguja, los loops y la rugosidad sonora son explotados con una libertad que va más allá de las posibilidades reales de los elementos originales.
Sillon en dérives es una obra rítmica e intensa, donde la virtuosidad y la interacción del dúo Ziriab abren nuevos horizontes expresivos.

The revival of vinyl is directly influencing the creation of new music, with most references clearly reflected in the incorporation of vinyl records and turntables into the contemporary scene.
From a compositional perspective, I see the vinyl medium and its playback process as interconnected concepts within a system of relationships that can be modeled algorithmically, allowing me to translate that influence into instrumental music.

Gradual changes in playback speed, the sound of the needle, looping, and the texture of the audio are explored with a freedom that goes beyond the real-world limitations of the original components.
Sillon en dérives is a rhythmic and intense work, where the virtuosity and interaction of the duo Ziriab open new expressive horizons.

Lisa Meignin : Flute
Gaspard Schlich : Guitar
Fred Apffel : Record, mix and mastering. 
Downtown Studios, Stasbourg, France, 28/06/25

Sillon en Dérive

Improvisación Recursiva IV

, para Flauta Paetzold , Clarinete Bajo , Guitarra ,  Guitarra eléctrica y live electronics

Gonzalo Ariel Juan , Flauta Paetzold ;  Javier Mariani , Clarinete Bajo; Javier Bravo , guitarra ; Emmanuel Graglia, guitarra eléctrica
Martín Devoto Dirección

Primera audición argentina 7 de octubre de 2025

Sí , habíamos dicho alamedas

Sí, habíamos dicho alamedas Live  Festival Metrópolis Buenos Aires

Proyecto  Laberinto 
 Andrea Escobar , flute; Rodrigo Evangelista, piano
Recording Engineer Gonzalo Manco 
Producer : Andrea Escobar /Proyecto Laberinto
Published by  Elektramusic

Esquisse-o-phrenia 2019/2022
I’ ve worked this piece as a transformation of other duo for flute and piano named “El reino del rêve” .
The continuous reworking of a set of gestures, rewritten again and again obsessively and the composition
of the tape part, were part of a process in which the polarities between sound forms seemed to be irreductible.
In one side the exploration of the instrumental energetic modalities , in the other side the search for a goal oriented syntax and the need of use harmonic to organise the musical space.

Esquisse-o-phrenia for flute , piano and electronics

Praxema (2021)



Flute:  Andrea Escobar 
Recording Engineer Gonzalo Manco
Producer Andrea Escobar
Published by Elekramusic



Praxema is a piece dedicated to the flutist Andrea Escobar. in which  I've  attempted to capture a series of idiosyncratic gestures that  she played in her energetic and expressive improvisations.
A praxeme is a unit of movement and in the case of this work,  I developed a series of written figures and in parallel a repertoire of similar sound objects 

The composition process grew from small units to macroform in a slow process of accumulation/disposal of materials.


Levedad

Praxema

Praxema , for flute and electronics

Esquisse-o-phrenia para flauta, piano y  sonidos electrónicos

Andrea Escobar , flauta, Rodrigo Evangelista, piano

Esquisse-o-phrenia, for flute , piano and electronic sounds

Cláudio Pereira — soprano sax
Nicolás Kliwadenko — computer / keyboard

Filmed by Shawn Wong
Institute of Sonology, The Hague · December 2025

Video: www.youtube.com/watch?v=2enHpFuTVbg



PEREIRA & KLIWADENKO // Electroacoustic Impro //

Rodrigo Aguirre (saxophone), Rodrigo Araya (electronics), Klaus Brantmayer (saxophone), Pablo Garretón (electronics), Nicolás Kliwadenko (electronics), Francisco Martínez (electric guitar), Ramiro Molina (electric guitar)

Richard Barrett - codex XVII (30 Jun 2016)

First performance, 28 April 2013 in Belgrade, by Ensemble Studio 6 (and me)

codex XII (2013) for 5 or more improvising musicians

codex XI (2010) for 7 players

Musical collective of composers and performers. It establishes itself around the ideas  of assembly and reconstruction of open musical pieces, collective creation, sonic exploration and experimentation.

Richard Barrett - codex XVII (30 Jun 2016)

Taller Ciclo

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