Concierge morphyria#Kordz Live   ARTE Concert

https://awwwararecordings.bandcamp.com/album/awwwara
https://open.spotify.com/album/2IGmVs9lMtMAHsElrBn7mp
https://music.apple.com/fr/album/awwwara-ep/1576015817?l=en

"AWWWARA" is a new Georgian label, which sources ideas for modern music from Georgian (as well as Caucasian) folk and traditions.
Demo: info@awwwara.space
“ავარა” არის ქართული ლეიბლი, რომელიც ქართულ (ასევე კავკასიურ) მუსიკალურ ფოლკლორსა და ტრადიციებში ეძებს იდეებს თანამედროვე მუსიკისათვის.

ავვვარა/AWWWARA _ 001. Giorgi Koberidze, Luka Nakashidze

Deep Thoughts (Live At Mtkvarze)

stream

kordz, DRO, DillaNext - ico (2023 mix V2)

kordz - Day 2 Remember

Artwork - Nana Kalandadze
Violin - Isa Goldschmeding
Guitar - Martin van Hees
Mix & Master - kordz

Day 2 Remember

(2010)
for piano trio 
played by Nathalie Shaw (vln), Séverine Ballon (vlc) and Lise Baudouin (pno)


Clara Iannotta "Il colore dell'ombra"(2010), for piano trio

Lieder aus Einer Insel

Erinnerung

Piano Music by Christoph Delz Sils  Op.1  For Piano(1975) 
Tamriko Kordzaia, Piano

Christoph Delz Sils  Op.1 (1975) Tamriko Kordzaia, Piano

Bugallo-Williams Piano Duo with Amy Briggs
Helena Bugallo, Amy Williams, and Amy Briggs
Deutscher Musikrat - Edition Zeitgenössische Musik
Erik Oña,  WERGO 2007

Andere Stimmen (2003) for prepared piano, 3 players

new ensemble under Ed Spanjaard
Live performance
Instrumentation: 
flute, oboe, bass clarinet, guitar, mandolin, piano, harpsichord, percussion, harp, vn, va, vc, db

In Lame Butterfly, the sound world of the plucked-sting instruments greatly influences the sonority of the whole ensemble.
The musical fabric is layed out in duos, hypo-duos (one single instrument takes on a dual role on some musical level), and hyper-duos (goups of instuments are fused to create two independent groups, two simultaneous musical entities).
The instruments' location on the stage, the movement of the conductor’s hands, the name of the piece itself, it all refer to a somewhat sadly imperfect symmetry that was present since the beginning, in the musical ideas for the piece.
-Erik Oña (1996)

Lame Butterfly (1996) for ensemble - LIVE

My Body was a commission of the 2019 Time:Spans festival and was premiered by Yarn/Wire ensemble with Marina Rosenfeld performing alongside them on turntables. Each movement is oriented around a different approach to a suite of custom dub plates that have been distributed to the ensemble. The plates house seven bands of pre-composed sound materials—mostly short vocal ‘utterances’ Rosenfeld made during 2019 at Nokia Bell Labs with a 1930s prototype Voder (an early electronic speech synthesizer)—and are the basis for a set of eight variations. Each variation is both a social and musical occasion, requiring a distinct, intensive mode of listening. Performers collaborate to track and respond to the dynamic outcomes of various techniques of playback on turntables together in real time, foregrounding and building outwards from the sociality of collective listening. The eighth variation sees the ensemble recreating the acoustic signature of the dub plate itself by rubbing small stones together in imitation of LP surface noise.

Christoph Delz Sils Op.1 (1975) Tamriko Kordzaia, Piano

tamro

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