Transmigration of the soul.

Natal Zaks is the 22 year old hypertalented Danish wunderkind behind a multitude of monikers and projects that can each be easily classified as state-of-the-art music. Whether he’s composing and singing for the sweet-sounding techno twosome Averos or he’s busy developing the soft, immersive acoustics of his other dyad, Madelin, Natal is deeply preoccupied with sound design and the emotional impact his cutting-edge musical apparatus will have on any listener.

Yet his Aebeloe handle is the only one that truly does justice to his ample taste-range and personality. A modern prodigy in the very classical sense, Aebeloe transpires raw talent layered upon years of exploration, schooling and constant curiosity.

His “Manon” EP should become an instant classic, given the new, elaborate yet super-relatable techno/house meets celestial electronica sound it showcases. This second EP, released under Natal’s most intriguing and charming alias, Aebeloe, is here to put his name out and up there with all the biggest modern musicians, because that’s exactly where he belongs.

Tracklist:
A1. Manon
A2. Patience
B1. Forma
B2. Guide

Aebeloe - Patience

I composed "Tour De Pyrénées” after a trip through them in 2012. The tour lasted five days and nights and I saw some unbelievable, beautiful ‘lost places’. The music represents the ups and downs of driving the car through the mountain pass, the voices of the people, and the landscape. 

Bjorn Rohde - Tour De Pyrénées

https://fingersinthenoise.bandcamp.com/album/4-days

1. Fog Day 07:13
2. Rain Day
3. Snow Day
4. Sun Day
5. Wind Day (Bonus Track)

Thank you for the support! 

Laurent 

FPR# 008 
released 15 March 2015 
Produced and mastered by Laurent Bisch 
Artwork & Photo: Laurent Bisch 

Fitn on Soundcloud: 
soundcloud.com/fitn 
Facebook fans: 
www.facebook.com/pages/Fingers-in-the-Noise/119838881416469
credits
releases 15 March 2015

Buy Now

[FPR#008] 05 - WInd Day (Bonus Track)

Dunes serpent

Doing beats/making music has been my life since I was a kid and I have taken the time to learn how to read and write music and played by ear at first before I took classes to learn more how to play pieces and how to compose my own work. In this new day and age of the indie music making scene, I have been struggling to find my place since the majority wants to be seen today so what was once unique has kind of lost its value to me since I came across beatmaking on my own no one showed me or told me about the craft. I had my influences, but I just fell in love with creating my own music. I have done electronic, hiphop, jazz, classical, country, any genre you could think of, along with using sound effects when I thought it was unique and now I have had to step back in tune with myself now and why I made music in the first place to never lose myself in this new indie music community where the physical appearance/connections and hoping for overnight/mainstream success and chasing people for validation/collabs mean more than the art and talent of making the music. I have suffered a little bit of an identity crisis because if anyone can make beats today using ai or loops, what does that mean for the real musicians who have taken years to hone their craft while the new just know how to promote right and that every device now comes with a DAW app and distribution deals are everywhere, but where is the originality anymore and when will the independent music scene be about the music again not who you know or how attractive you are? So I'm going back to my electronic/techno roots with this one to remember to make music fun again. Every melody and every drum beat you hear is all me in Cubasis using my midi keyboard and my beat pad that my husband bought me to help me continue to grow musically since he's an audio engineer/music composer too that I met in music theory class in college 2015 and has been my best friend on this journey! And this beat is for anyone else going through an identity crisis in anything that you do you are not alone.

Crisis De Identidad(Identity Crisis)

Crisis De Identidad (Identity Crisis)

10 The Truth Of Deception

We are happy to announce that we are in the planning stages of an album with this wonderful Dub Techno and ambient artist, Takuya Morita. We are really looking forward to releasing the album: “Place of Solitude”.
While we are waiting for the album , Takuya has been so nice and provided us with this track, "Moment", to showcase on the compilation.  (not from the forthcoming album)
Will be releasing a full length album (CD/Digital) on UAE Records in 2016. Stay tuned!

Takuya Morita - Moment

free

;-) (without glitch)

Tangerine Dream
Quantum Gate

Preview
September 2016

Music:
E.Froese/T.Quaeschning/U.Schnauss

Quantum Gate - Preview September 2016

Tangerine Dream
"The Session I"

01. 10.00pm Session at A38 - Budapest
(BLUE ARCTIC DANUBE)

02. 9.35pm Session at AC Hall - Hong Kong
(GLADIATORIAL DRAGON)

Excerpt - 10.00pm Session at A38 - Budapest (BLUE ARCTIC DANUBE)

01) 10.05pm Session - HANSEATIC HARBOUR LIGHTS

02) 9.10pm Session - OST

THE SESSIONS III EP contains instant live compositions (about 77 min of music) from the current TD line-up Thorsten Quaeschning, Ulrich Schnauss and Hoshiko Yamane. The first track HANSEATIC HARBOUR LIGHTS was recorded from the extraordinary show at the very new classic concert hall ELBPHILHARMONIE in Hamburg/Germany on 7th February 2018. The second track OST was recorded during their performance at the SYNÄSTHESIE FESTIVAL III at VOLKSBÜHNE in BERLIN.

Tangerine Dream are very much enjoying their new respectively revived concept of performing a so-called real time composition session at the end of their concerts. We hope that you will enjoy these spontaneous and exceptional live tracks - inspired by the location and a great audience as well.

Excerpt - 10.05pm Session - HANSEATIC HARBOUR LIGHTS

Excerpt - 9.10pm Session - OST

01)
10.32pm Session
"Persepsjonstransformasjon"
(Quaeschning, Schnauss, Yamane)
Oya-Festivalen
Sirkus stage
Oslo
August 10th, 2018

02)
11.27pm Session
Four Degrees Parallax
(Quaeschning, Schnauss, Yamane)
Teatro Verdi
Pisa
Italy
October 13th, 2018

-----------------

Thorsten Quaeschning
Synthesizer, Piano, Sequencer, ElectricGuitar

Ulrich Schnauss
Synthesizer, Sequencer, AbletonLive

Hoshiko Yamane
ElectricViolin/Viola, Looper, Soundbox

Mixed by
Thorsten Quaeschning

Mastered by
Birgir Jón Birgisson
at Sundlaugin-Studio
Reykjavik
Iceland

LightDesign
Andreas Fink

Live-Visuals
Patrick Dunn

FOH
Clauss Fuss

Backline:
Sebastian Sadowski, Sebastian Baumann

Tourmanagement
Thorsten Sohn

Excerpt - 11.27pm Session - Four Degrees Parallax

The Sessions IV

10.32PM Session - Persepsjontransformasjon, Pt. 04 (Live at Øyafestivalen, Oslo)

Tangerine Dream (Official-Soundcloud-Account) 

Tangerine Dream:
Thorsten Quaeschning (Synthesizer, Musical Director)
Hoshiko Yamane (Violin)
Paul Frick (Synthesizer)
Ulrich Schnauss (Synthesizer)
Tangerine Dream are a German electronic music group founded in 1967 by Edgar Froese. 

Tangerine Dream released more than one hundred albums. Their early "Pink Years" albums had a pivotal role in the development of Krautrock. Their "Virgin Years" albums helped define what became known as the Berlin School of electronic music. These and later albums were influential in the development of electronic dance music, and also the genre known as new-age music, though the band themselves disliked the term. From the late 1990s into the 2000s, Tangerine Dream also explored some styles of electronica.

Although the group released numerous studio and live recordings, a substantial number of their fans were introduced to Tangerine Dream by their film soundtracks, which total over sixty and include Sorcerer, Thief, Risky Business, The Keep, Firestarter, Legend, Near Dark, Shy People, and Miracle Mile. They most recently composed the original score for the video game Grand Theft Auto V.

The band's influence can be felt in ambient artists such as The Future Sound of London and Global Communication, as well as rock, pop, and dance artists such as Radiohead, Porcupine Tree, M83, DJ Shadow, Cut Copy, and Kasabian. The band also clearly influenced 1990s and 2000s Trance music, where lush soundscapes and synth pads are used along with repetitive synth sequences, much like in their 1975 releases Rubycon and Ricochet, as well as some of their music from the early 1980s. The group have also been sampled countless times, more recently by Recoil on the album SubHuman, by Sasha on Involver, and on several Houzan Suzuki albums.'

The New York Times proclaimed seven-time Grammy nominee Tangerine Dream 'the best synth band of the world.

Excerpt - 9.10pm Session - OST

Tangerine Dream

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