Sweat

Club 12(Pop) (Zara Larsson,Lewis Capaldi,Dermot Kennedy And More)

Our second vocoder-heavy song
More of an electronic indie angle this time

LYRICS:

You're obscene
You're obscene, will you stop chasing me?
It's time you realised these words you're saying come with a fat price that you're not paying
It's not my scene
It's not my scene, this isn't consequence-free
I can't breathe
I can't breathe my memory's stopping me

You don't care
You don't care and that's plain to see
It's time you realised these words you're saying come with a fat price that you're not paying
Fear surrounds
Fear surrounds and we stop feeling free
Love abounds
Love abounds when you stop feeling free

You're obscene
You're obscene, will you stop chasing me?
It's time you realised these words you're saying come with a fat price that you're not paying
It's not my scene
No, it's not my scene, this isn't consequence-free
I can't breathe
I can't breathe my memory's stopping me
I can't breathe
I can't breathe my memory's stopping me

Memory Stopping Me

Giant Dwarf

A track by Brian Butts that I added to and Mark Combs mixed and mastered!
Too much fun
Brian Butts: https://soundcloud.com/brian-butts-565934842

RoadKill - Brian Butts / R Grigg Mix by Combstead

Crystal Palace

ReceiveSilence

Composer/ Musician(s): Curtis Simmons 
Producer: Crisis Mounts // Curtis Simmons

SandCastle Productions

Without You (Demo)

Is'nana: The Were-Spider is a multi award winner, including 2018 Fan Award, Rising Star, and Best Male Character, and 2019 Best Writer and Story of the Year (Glyph Awards). Is'nana is based on Anansi the trickster god of the Akan people of Ghana, whose stories have spread for centuries throughout Africa as well as the Caribbean. 

Crawl on over to:
http://webwaycomics.ecwid.com/

Is'nana The Were Spider MFA Theme

The idea behind this track is to blend Blues chords progression with hard rock electric guitar. Hope you like the rendering. 🙂

The track was made on GarageBand for iOS and mastered on a Mac. I used the phone interface to play the electric guitar.

Hard Blues Cafe

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - III. Done With (Text by Ann Stanford)

#House

I create music inspired by my life experiences and by genres such as hip hop, House, gospel, jazz and translating those influences into new house music.

Giant Dwarf

tankdilla

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