la mejor pista que escuche , tiene mucha inspiración

Bro your productions are all tight. This composition hits me I like what you do. keep up the good work.

This track is literally shredding me right now xoxo

This Album is recorded with acoustic and electronic Elements.
Ongoing guitar patterns acompanied by mesmerizing guitar leads on top is a perfect match for the mood given by the low strings and lush syntesizer pads creates a mysterious landscape.
https://ditto.fm/organic-wave
www.pedram.org
Mastered by @iman-Deeper

Organic Wave

Organic Wave EP

Smart Link

Red Moon

STORMS

ESUM Beats

Empty Roads

While In

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Chillout Lo-Fi Mix - EP

“misled” | chill lofi mix ☔️

overthinker

#world #chillhouse #ibiza #ireland #chillout #lounge #chillbeats

XCD027 Celtic

BANBA BEAT Ian Parker

This positive, uplifting soundscape with a basic harmonic progression has an affirming and pleasant feel, reminiscent of cycling along a peaceful country path on a warm summer's day. The bouncy lead element dances over a soft bed of pads subtly adding harmonic interest. An ideal cinematic, atmospheric track.

Purchasing this track permits you to use it unchanged in your own non-commercial productions with an attribution to Covert Acoustics.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy this track for a number of additional uses.
https://www.pond5.com/artist/covertacoustics

Ambisphere

Dendron

The Lockdown Sessions is a conceptual instrumental Jazz EP composed and recorded during the covid-19 lockdown in April 2020.

The album reflects the perception of the artist before, during and his hope for the future.

SOHO
This is a song that represents past. A more relaxed and classic Jazz club take on experiencing live music. You can even hear people clapping together before social distancing was even a thing. At the end is noticeable that something happen. It all have been so abrupt. 

WHAT’S GOING ON? (INTERLUDE 1)
This short statement transition us from an unexpected situation to an emotional state. Uncertainty comes to mind.

QUARANTINE
This song represents present, the lockdown state. Fear, sadness, acceptance. Everything into a sensible deep instrumentation form of chords waiting to transcend into emotions. This song really reflects the way I’m feeling (at the moment of writing this) regarding this crazy situation. (By the way, today is easter Sunday. )

WHAT NOW? (INTERLUDE 2)
This interlude is very calming and soothing. I was emotionally tired when I was composing this piece, So I created the music I needed to hear at the moment. An easy and warm transition to the future ahead, the kind of music that tucks you into bed. Tomorrow will be another day.

NOVEMBER
A song that represents change, a new beginning, a future cohesive sound to embrace. November will deliver an immersive experience. We don’t know when and if things will get back to “normal” November is just a dot in the horizon to think about the future. There will always be another November…

The Lockdown Sessions

Quarantine (Present)

Buy it on Bandcamp:
https://coletivofarra.bandcamp.com/album/pt-malacca

Produção: Satha Lovek
Artwork: João Coutinho
Edição: Coletivo Farra

Tracklist:
1. Mata-kantiga (3:52)
2. Grago (3:32)
3. Ode to Malacca (6:50)
4. Compassion as Contempt (7:35)

Samples de "A Viagem dos Sons – Kantiga Di Padri Sa Chang" (1998) autorizadas por TRADISOM – Produções Culturais, Lda.
---

Review:
Satha Lovek, estrangeirismo, denominação batismal deste duo de gringos lusitanos, seculares detentores de computadores e melonamania incontível ou, tão simplesmente, a bastardização aglutinadora de “Satha”, rei deposto de “Lovek”, cidade cambojana e catalista de um fabulado 5º Império. PT Malacca, escrito e produzido em 2020, é o seu EP de estreia, editado pelo Coletivo Farra e lançado a 26 de Outubro deste ano, produto de tangentes pandémicas, samples remanescentes de partilhas pletóricas feitas à distância de um teclado. É também uma homenagem distorcida mas sem retorção das Kantigas Di Padri Sa Chang, “procurem-nas e vão perceber”, recomendam. 
Ouvido e depurado, PT Malacca afigura-se um 4-faixas de pós-colonialismo traumático, navegado entre Portugal e o bairro português de Malacca em menos de 22 minutos. Isentos de sentimento patriótico, Satha Lovek compuseram o regresso à uma sinceridade multicultural por meio da sátira ao nacionalismo desmedido, refutado pelas amálgamas artificiosas de drone, free-jazz, IDM e plunderphonics que engrandecem o EP. “Grago”, a segunda faixa, destaca-se pela abrasão ostensiva, emblemática de uma batalha cruzada onde gritos dilacerantes entrecortam eclosões de crueldade e batidas imprevisíveis. Em oposição extrema, “Ode to Malacca”, a terceira faixa, submerge o ouvinte na dissolução prolongada de um amuralhado monocórdico, a última réplica de um império arruinado que, após 4 minutos de drone implacável, se transfigura em canção do cisne pautada por notas de piano cintilantes, uma analogia às narrativas históricas vigentes, reluzentes de tão embelezadas, o legado, currículo e propaganda de alegados heróis do mar. 

Em PT Malacca, as armas e os barões assinalados nunca soaram tão honestamente.
 
~ Ricardo Batarda

FARRA 7 © 2020

Ode To Malacca

G.I. BLUES Ian Parker - backing vocals by Moya Brennan, Bridin Brennan, Olive Brennan, guitars Andy Drudy, flute Mel Collins.

G. I. BLUES Ian Parker

#House

I create music inspired by my life experiences and by genres such as hip hop, House, gospel, jazz and translating those influences into new house music.

While In

tankdilla

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