Mokre’tzy Konstruktor - Form N1

Dead Channel is proud to present Forms, a new album, from Mokre’tzy Konstruktor. A monumental mutant minimal synth masterpiece, filled with gnarled electronics and dystopian soundscapes.

Based in Russia, Mokre’tzy Konstruktor is one of the best kept secrets of minimal wave and experimental electronics. Fusing gritty synths, mangled drum machines, delays, alien vocals and an improvisational style, Forms is destined to be a new classic.
Influenced by music’s psychological impact on perception of the surrounding world, and spelled out in their own words, Forms is “an attempt to cut through its dark component, to quickly reflect the emotional state of the moment. Inspired by reflections on the frailty of life... The attitude towards what turns out as a result is devoid of claims and musical ambitions; just an experiment to get to know yourself better.”

Available on cassette and digital on April 2, 2021.

Dead Channel DC004

www.deadchannelrecords.bandcamp.com/
www.instagram.com/dead__channel/

Mokre’tzy Konstruktor - Form N1 [DC004] (Snippet)

Goran from Sarajevo.
A seller of rotten tomatoes and sauerkraut under the North Bridge in Kiev. Some excerpts from cassettes playing in his beige Opel Cadette, smelling of spoiled vegetables.

Goran From Sarajevo [Olta Karawane "Druga Liga" Ep. VI] [14.04.2021]

Curious Casus

The idea for this track was born from listening to a piano experiment by Meccaniche del Suono (https://soundcloud.com/meccaniche-del-suono/2-di-3-hole-third-disquiet0698). 
The sound of the piano (Meccaniche del Suono) made me imagine that moment of suspension  in the air just before the rain. 
I thank the author (@meccaniche-del-suono) for the permission to rework and publish the track. I invite you to visit his very interesting Soundcloud page.

Just before the rain

Part two of Ethereal! This is the slowed version.

Ethereal 2 (Slowed)

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

Eclettic Tantra Sound System 003 - R A S H

Faith is released on the charity compilation Carebots by Bass Agenda.
You can also find it on https://veronicagreen.bandcamp.com/track/faith

FAITH

Full album → bit.ly/2MKdli6
By @teorema.fde
From @diffusereality
Artist: MONOMONO
Title: Icon
Format: CD
Catalogue: TE0020
Artwork: Fc Prz

Tracklist:
1. Snakes
2. Resonance of the past
3. Medusa
4. Stella
5. Clouds
6. Mermaid
7. Joan x Ida Duelund
8. Jeanne
9. Will and power
10. Marie
11. Icon
12. The Devil’s wife ft. Eda Er
13. If life means life ft. Eda Er

All CD orders include 2 Diffuse Reality stickers and digital downloads of the full release.
www.diffusereality.net

Eclettic Tantra Sound System 003 - R A S H

Tantra Eklettiko

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