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from the "vinyl only edits 2." (BPC279EP)

skinnerbox & aerea negrot - the alphabet

Dwig - Charlie On My Balcony

1. Burtons Garden 2. Bleeding in the Jungle 3. Burtons Garden (Sau Poler remix) 4. Bleeding in the Jungle (Ujin Ray Remix).

Jamie Porteous - Bleeding In The Jungle (Ujin Ray Remix) (fde in/out 192)

Available now worldwide on @touch-of-class-records via retailers below:

Kompakt: https://goo.gl/3fOc1T
Spotify: https://goo.gl/Ugb2OH
iTunes : https://goo.gl/rCzcyV
Beatport : https://goo.gl/QOT45D

Thank you for the support x

Indian Summer Vol. 3

TOCR010

Ray Zuniga, Ominous, Pattern Drama - Circumstances Feat. Greg Paulus & John Camp [FULL SONG]

Touch Of Class is proud to deliver its first digital single of 2017, a springtime gem entitled, “On the Shelf” featuring vocals by the talented, Amelia — recorded and produced by Dan Berkson and James What. The production partners are individually known for making their marks in the underground electronic scene, both with releases on various notable labels including Crosstown Rebels and Poker Flat, while also running their own imprint, Modelmaker Records.

The five track EP consists of the duo’s original single which is laid down with a driving, tantalizing bass line met with the melodic lyrics of North Carolina based vocalist, Amelia. The jazzy rhodes and vocal edits interlace delicately with swung out percussive drum patterns creating a timeless garage-house, summer tune sure to get any dancefloor moving.

“On the Shelf” is accompanied by four eclectic remixes, each satisfying a disparate moment and sound while respectfully preserving the essence of the original record. Brooklyn’s underground house hero, Jovonn, contributes with a stripped down dub version arranged with heavy drums and a simplistic take on the vocal arrangement — an essential tune for any selector. Chicago legend, Roy Davis Jr., follows up with a peak time interpretation, a perfect jam for the club and festival vibes.

The third remix comes from Grammy winning producer and sound engineer, Dave Robertson, also known as Cameo Culture, who after hearing the tune was instantly reminded of an old Matthew Herbert record, inspiring his use of “real” and organic drum sounds. Cameo’s remix evokes this natural aesthetic throughout, artfully recrafting the original arrangement and composition. The final rendition of the release comes from label founders, Michael Tello and Ray Zuniga aka. Signal Flow. The dynamic duo’s lively rendition presents a melodious, yet groovy journey influenced by their diverse musical palettes and Latin heritage.

The imprint kicks off its fourth year as the new and enriched, Touch Of Class Music, with a full and dynamic release schedule to be distributed worldwide on digital format only. Recognized for its selective and sophisticated sound, the label’s catalogue of timeless anthems promises to be appreciated by all music enthusiasts. Stay tuned and be sure to follow Touch Of Class and it’s ever growing roster of international artists and world class releases in the ensuing year.

Berkson & What - On The Shelf (Signal Flow Remix) [Touch of Class Music]

Caly Jandro, a young upcoming Melbourne based Producer/DJ and founder of the Boogie Beats Collective has brought us something special for his debut. A disco-esque cut, with organic drums and layered jungle sounds featuring a beautiful North African style vocal which really brings the track to life. Caly adds that “once the bulk of the track was done, my friend Steve wholesome.”
On the flip side label members, The Drunken Apaches (one half Out of Sorts & Cyril Orson our designer) take you on a hypnotic rendition. A subtle 303 riff under the mix, with haunting strings, clanking chords and pitched down vocal samples pull this edit together.

Two orange suns burn deep, in a dark starless abyss. They slow dance with one another, soft steady movements in calm controlled unison.
These two suns share the same beat and meet the end of all paths. When Rokia blinks her eyes the two orange suns become hidden beneath folds of darkness, leaving a starless abyss with out light, always only for a short second. Depending on the angle of this black shadow, curves in the darkness are illuminated in motion. Rokia’s shoulder blade cuts a slice of light on its edge as she prowls. Her back trickles with shining droplets as she stretches. Eyes close and suns vanish as she yawns, the darkness unfolding to reveal her large teeth and soft pink tongue. A panther is her favourite form to take. 
She appreciates the privacy of blending in with shadows, which are plenty in this thick African jungle. She waits...
She is always waiting, this time for lost travellers unaware of their misleading intuition. An abundance of wisdom may not be immune to impatiencehowever, and in this moment she decides to hurry what she waiting for.Toward a still lake, she crawls out of the darkness, smoothly emerging from the shadows. As her panther body takes new form, the orange suns rise and set in the black human face of Rokia’s beauty. She is a mother of earth and the queen of her jungle. As all that lives is connected, so is her spirit in all that lives.This naked image of strength and fertility stands on the waters edge as she peers into the still lake.Her burning sun colored eyes illuminate as she observes what is reflected in the water. She see’s a dusty troupe of cowboys riding through a western storm as a sun sets and red full moon rises. Rokia exhales a deep breathe into her closed hand which starts to glow. As she reaches down toward the water, flickering flames dance on the palm of her hand, which she places on the wild west horizon, beckoning the troupe toward her. As if a pebble had dropped into the water, a miraculous ripple expands from the image, revealing a new reflection in the glowing orange eyes of this jungle queen. A shaman monk sits in meditation upon a
water vessel that is floating down the Mekong river of Thailand in his search for the Angel’s Trumpet. Rokia pats the water of the lake she watches him through which guides the boat to where it needs to be. She does not do this selflessly; the intention behind Rokia’s action is always to do with her
own agenda. The Shaman Monk must fulfill his duty for him to find her, and so she assists with his achievement.
Once again a ripple expands from this vision in the water and a new reflection is revealed. A lonely drifter walks aimlessly through the dusty troupe’s western world. He has been stuck in this place for a long time, taking every wrong turn that comes his way. Rokia extends a long lock of her hair and bites into it, cutting it from her head. Her fiery eyes glow again as she whispers to her hair which begins to twist and wrap around her arm, transforming into a rattle snake. She winks at the snake as she reaches into the still water to place it ahead of the drifter, before blowing into the reflection to create a gust of wind that steals his hat and drops it on top of the snake ahead of him. Rokia’s spirit lives in this snake which she will use to guide this drifter toward her, along with the others...

PREMIERE | Caly Jandro - Rokia (The Drunken Apaches Remix) [Beat & Path Records] 2017

Apnea (preview)

Wrong Way

Buy it here : https://cigogne3000.bandcamp.com/

The Girl From Cairo

Out now on digital & vinyl release - lnk.to/CRM198

The next offering on Crosstown Rebels comes from Italian trio Pastaboys, who gift us with a rhythmic and hypnotic three-parter. They invite the inimitable Rebolledo to take on remix duties to complete this package.

“Releasing on Crosstown marks a new milestone in our career, which is constantly moving and renewing. This new EP showcases the background of Uovo, Rame and Dino: black music inspiration, funky rhythm and tech house power.” Pastaboys

The EP is a trance-inducing affair. The trio lure us in with opener Kolo Kolo . Its funky rhythm sets a precedent as its trance-inducing power builds layer upon layer into an intoxicating and hypnotic groove. Abbassa is up next. Heavy on the bass, with a sensuality that is palpable. The African vocal adds a tribal touch before the track tumbles into a crescendo of urgent synths. Rebolledo’s version of Abbassa is a more cosmic affair, staying true to his psychedelic inclinations and with an added a bass guitar groove.

Pastaboys have been releasing music since the dawn of the new millenium. They’ve showcased their tasteful and highly refined productions on imprints such as 83 West and Defected. Releases such as Born Again, Body Resonance, Limit, Hozho, Deep Musique prove that their music is timeless and that dance music is still a matter of groove and soul.

Pastaboys - Abbassa (Rebolledo´s Mixed Pasta )

Full Support To The Artist <3

https://pamparecords.com/

https://www.residentadvisor.net/dj/djkoze

DJ Koze Featuring Sophia Kennedy-Drone Me Up, Flashy -Steffen Sonnenschein Edit

Coming soon Dub Taylor´s "Dubber" and "Red Roof Dub" Remixes by

Vicmari , Sub Human Bros , Frank Hellmond , Gunnar Hemmerling , Robert Templa , Telly Quin , Einklang freier Frequenzen

Updated soon ! Enjoy

Dub Taylor Remixes

Dubber Remix (Gu's TX802 rule of thumb estimate Version)

Available full Quality

Dub Taylor_Dubber_(Gu's TX802 rule of thumb estimate Version)

Featured on: http://www.dubtechnoblog.com/2018/08/30/yepecc-diary-of-space-free-track/

Accept - then act. Whatever the present contains, accept it as if you had chosen it. Challenge reality and a new chapter will begin. It's all about presence, character. Step out of resistance patterns and you will be in the now. the only time there is.
This is inner freedom from external conditions, allowing you to simply be. Trust life fearlessly, be the witness and the witnessed, the silent watcher and the observed. From an alarm that no longer frightens but calls to be heard, the present holds the key to liberation.

The man is walking down, The astral is waking up.

yepecc - diary of space (original mix)

Steve Bug - "Different In Detroit" / ORNAMENTS 045

Different In Detroit

Buy Vinyl

B2 - Steve Bug: "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)

Ozel AB follows up releases on Lobster Theremin and Workshop with this highly accomplished genre-busting ep for Third Ear. Ozel AB approached Third Ear with a selection of tracks for us to consider, which he thought would suit the label. He was not wrong.

Infinity ep

Science Of Sleep

Ozel AB - Science Of Sleep

♬ Click for more ☞ http://trndmusik.de/2018/10/gemacht-fuer-reisende-daniel-bortz-kuendigt-seine-arrival-ep-auf-pastamusik-an/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get Daniel Bortz' EP on @pastamusik here: 
Deejay ➟ https://bit.ly/2y6CRUH

@danielbortz bringt mit der EP „Arrival“ seine introspektivere Seite hervor und zeigt so seine vielseitige Klangpalette. Die EP ist besonders für Reisende gedacht und beginnt mit dem Titeltrack, der in Zusammenarbeit mit @juergenbranz kreiert wurde. (...) Dagegen ist „Travel“, produziert mit @acidpauli, ziemlich dark und intensiv geworden. Abgerundet wird das Vinyl-Release mit dem Stück „What a time to be alive", das mit @sascha-sibler entstand. (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Daniel Bortz - Travel w/ Acid Pauli

Marcus Miller Bruce Lee (Omario Edit) no master

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
bit.ly/wuzzelbudff

Stream:
spoti.fi/2NtrXkq
apple.co/2Nk7i2r
bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: www.pamparecords.com
(C) Pampa Records 2018

SoundCloud Weekly

Tanu Obukhova