Playing with your senses is the best way to describe this piece. It should be listened to using proper headphones, in order to achieve its true desired affects. This particular acousmatic composition tells a certain story. It focuses on the destruction and evolutionary process of industrial organizations, and their impact on the health and safety of human populations. 

The piece was performed and diffused live during the Hamilton Art Crawl, on April 12th, 2013, at The Factory Media Centre in Hamilton, Ontario.

Dioxides: Industrial Pollution

An experimental soundscape that plays with the perception of different environments, and imagined distance. Completed March 2013.

Vocals by: Krystina Jasmine Ali.

The Singer

Made with care using computers and code. Manipulated using granular synthesis and traditional acousmatic methods of recoding and editing.

Vocals: Krystina Jasmine Ali

The piece was performed during the Imaginary Landscapes Festival, on April 7th, 2014, at McMaster University in Hamilton, Ontario.

Fractals

John Maus' single "My Whole World's Coming Apart" from the Love Is Real (2007) album. Slowed, mixed, and re-done. 


Coming Apart [John Maus Remix]

Both versions of "Hey Moon" by two different artists (John Maus and Molly Nilsson) overlapped and slightly slowed.

Hey Moon [John Maus & Molly Nilsson Remix]

Hackpact 2015 Day 1

When SuperCollider and Viola come together. A composition about the links between love and insanity. 

Ft. https://soundcloud.com/ailish-corbett on Viola.

He loves you because you are insane (ft. Ailish Corbett)

Dark electro that has that oh-so-perfect feel of algorave, made using the darkest of dark live coding languages: SuperCollider and ChucK.

Sorry I Have Trust Issues (I Need Electro)

An experimentation with synths, spatialization, and vocals. This piece explores some of my current M.A. thesis work.

Vocals: Harold Sikkema

Head Straight

A mix down of Clams Casino's previously unreleased track "Cry For Me." 

Original track: https://soundcloud.com/clammyclams/sets/instrumental-mixtape-3

Cry For Me Babe [Clams Casino Remix]

beyonce's "All Night" track got screwy with some customized code i wrote. sorry beyonce, but i'm not that sorry, you know? the girl sounds good with some customized reverberation codes.

if my love had a sound, it would be this [Beyonce Remix]

a slowed and super smooth mix.  shout out to all the crazies out there and the victims looking like the bad guys, this one's for you!

stalker syndrome [RÜFÜS DU SOL Remix]

live coded to perfection. sometimes bad things happen in your life. eventually everything has a close and turns around for the better. if you allow yourself to find peace.

closure

in life you go through lessons, some harder than others, but it's always good to have a friend by your side who is going through them with you.

dedication track for my friend Norah Lorway.

you and i have come so far

Digital Audio // Sound Art // Electroacoustic Music // Acousmatic Composition // Audio Programming // Live Coding // Computer Programming // Network Performance // Experimental Electronic

i like making weird music. it's generally slow. it's generally dark. it's usually synth-ish.

tanyamgoncalves

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