For the people - with love for naturalism and!

CD+ Plus More

“Collidescope” is a straight-up banger from CD+, an instrumental hip hop track built to rattle walls and wobble speakers. The beat is heavy, layered, and unapologetically bold, driving forward with precision and power. Its textures collide and twist into each other, creating a kaleidoscopic rush of sound that feels both chaotic and tightly controlled. Every drop lands with weight, keeping the energy surging from start to finish. “Collidescope” doesn’t just play—it crushes.

Collidescope

“National Genagraphic” is a heartfelt homage to Gena, a friend and photographer whose work and spirit inspire the track. The beat is calm and soothing, unfolding with the easy flow of a sonic safari—unhurried, exploratory, and full of texture. At the same time, it carries a poppy brightness, weaving in a reggae-inspired sound that feels uplifting and approachable. There’s a balance here between playful rhythm and genuine warmth, making it as memorable as its muse. A popular favorite, “National Genagraphic” celebrates creativity and connection with an infectious groove.

National Genagraphic

A Baoa Qu is a space fortress featured in in Mobile Suit Gundam. It was Principality of Zeon's last defense line in the One Year War. 

A Baoa Qu was the Principality of Zeon's largest and most powerful asteroid base. A Baoa Qu was a fusion of two asteroids into one, forming an "umbrella"-like shape; its size is about 33.75km tall and 22.5km in diameter. A Baoa Qu was built in the opposite L2 point orbit, placing it directly opposite from the Zeon Homeland in Side 3. A Baoa Qu provided rear defense, while the Zeon's Solomon space fortress served as a frontline base.

The space fortress served as the Zeon Military Force's general headquarters for their space fleet. It also was used as a mobile weapons production factory. It was the scene of the titanic Battle of A Baoa Qu, one of the greatest battles of the One Year War. Unlike the earlier battle of Solomon, it was a hard-fought victory for the Federation.

After the One Year War, A Baoa Qu was kept by the Republic of Zeon following the signing of the Treaty of Granada. Later, in June U.C. 0087, the Republic of Zeon would hand it over to the Earth Federation's Titans special force, who would rename it the Gate of Zedan. The space fortress was completely destroyed in U.C. 0088 when the mobile asteroid base Axis rammed and broke the Gate of Zedan into two.

A Baoa Qu

“Last Night Out” plays like a neon-soaked memory, a callback beat that nods to classic Tape Lab inspiration while carving its own lane. It channels the energy of Neo Tokyo on the brink—specifically that fleeting night before Tetsuo’s chaos—alive with tension, swagger, and possibility. The rhythm has a cinematic edge, pulsing with Yamaguchi-style finesse and a futuristic gleam. Synths shimmer like city lights while the beat hums like engines revving under neon skies. “Last Night Out” feels like cruising on light bikes at midnight, knowing everything is about to change.

Last Night Out

macroMINI [RELUX REWIND]
Original Release: November 12, 2019

Tracklist:
1. macroMINIntro
2. Reccordion
3. Keep Tellin U
4. BIG MACRO
5. Wiiano
6. Last Rounded

Recordion

Old Tape with some cool Flute samples and then ableton FX
Andes Dub conjures vast, reverberant soundscapes—as if echoing off mountain peaks—blending airy ambient pads with subtle dub‑house rhythms. A contemplative closer that leaves you floating.

Andes Dub

by Thompson Brown Holmes
Royalty Free Music Download.
By becoming a subscriber on this site, you can download the license-free data of this song.
blackcreamrecords.com/

Bond Story

Tacking the Sand**

*Tacking the Sand* is a high-energy, psychedelic dance album built for endless nights on the floor. Inspired by the image of a sailboat racing so close to the limit that its keel touches the sand, the record captures the adrenaline rush of risk, the euphoria of speed, and the hypnotic power of music that never lets go.

With **driving beats, spiraling synths, and mind-bending layers of sound**, each track pushes higher and harder, like waves that refuse to break. The album is pure momentum: vibrant, trippy, and unstoppable — a soundtrack for those who love to dance at the edge of chaos.

*Tacking the Sand* is not just a record. It’s a ride beyond the limit.

---



*Tacking the Sand* es un álbum de dance psicodélico y explosivo, creado para noches infinitas en la pista. Inspirado en la imagen de un velero en regata que vira tan al límite que su quilla toca la arena, el disco transmite la **adrenalina del riesgo, la euforia de la velocidad y la fuerza hipnótica de una música que no suelta nunca**.

Con **beats intensos, sintetizadores en espiral y capas sonoras alucinantes**, cada track sube más alto y más fuerte, como olas que nunca se detienen. El álbum es puro movimiento: vibrante, lisérgico e imparable — una banda sonora para quienes bailan al filo del caos.

*Tacking the Sand* no es solo un disco. Es un viaje más allá del límite.




Liquid Measures

Y Spliter

Allways & Fornever

I'm Happy
I'm Glad
I'm Happy I'm Glad for you

im happy im glad im happy for you

Goombaville

Counterattack

CD+ - Pikmania (+ instrumental [++ Pikmin3 sample])

Aretha Franklin should be on the 100 dollar bill.

Pikmania

Doap-hop

Welcome to #TapeLab—stay a while and listen. Founded in 2017 by lifelong friends, Tape Lab is a collective of artists and a hub for innovation, always open to collaboration. With the zeal of a self-published memoir, our sound is our own, but you can be the decider. We make music and art that sounds like it was fun to make and stands out in a sea of bland beats. 

As independent artists, we are always exploring new ways to expand our audience and find new creative outlets—especially with other undiscovered artists!

#TapeLab is currently based out of two headquarters in Durham, NC, and The Hamptons, NY.

National Genagraphic

Tape Lab

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Hamptons Hype Machine

Helter Seltzer

Dekubutler

CD+

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