Lo-Fi Gems

6 Track Beattape with the Homie @404Sahmo

earfluvv x 404Sahmo - Tape 2

wit tha flava

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TRACKLIST
[00:00​] Avenda - Only Time Will Tell
[02:07​] Avenda - Wait For Me
[04:22​] Avenda - Zen
[06:14​] leon beats x NometronN - IOKUAM
[08:10​] su-zuum - Yoru
[11:26​] Sons Cassettes & Vannorte - Hold on we're dreaming
[13:19​] Paul Gilmore​ - Demo Buttons Dream
[16:10​] TSN Vibes - Late night walk
[18:29​] su-zuum - Houkago
[21:07​] zmeyev - just smile to me
[22:53​] tokoyo​ & dokkodo sounds - issho
[25:08​] Paul Grape - Never Left
[27:23​] The Gardener - Dreaming
[29:31​] A girl called Gimli - Colour
[32:32​] Visio - Why
[35:29​] Project Shallow & Nats Kent Feelings - Jazzy Boy
[37:40​] threepool - Beachcombin'
[39:37​] Z7 Producer - Don't let me down
[42:08​] Paul Grape - Our Story
[43:48​] Young Mikeo $f & Sam Cross - Missing Piece
[46:29​] Mindeliq- Sleep Navigator
[48:26​] Sonus Vibes - Evolve
[51:12​] Young Mikeo $f & Lele83 - Broken Heart
[53:07​] Rodesens - Marvel
[55:25​] Redsofa - Haze
[56:56​] SpoonBeats - Fall
[58:52​] Pueblo Vista - Still Too Early To Study
[1:00:39​] Yanagi - winter in tokyo
[1:02:28​] Avenda - New York
[1:05:05​] Lord Kael - game over

The sound of Pueblo Vista is an amalgamation of carefully curated, eloquent and soothing beats. Perfect for background music, study, relaxation, chill, sleep or that cozy morning coffee. The style is chill out music to lo-fi hip hop, chillhop, jazzhop, and sometimes ambient and electronica ツ . The goal of our creative label & collective in order to cultivate and nourish it’s community while putting out purposeful music. Our goal is to be a solid foundation to up-coming artists as well introduce established ones to new audiences.

Submissions & more ▶ https://pueblo-vista.com/our-hot-links

#lofihiphop #pueblovista #mixtape

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Monday Vibes 🌺 [ Lofi Hip Hop Mix ] #48

Original track: https://soundcloud.com/blujay55555/ive-harvested-gems

BluJayMix | I've Harvested Gems (TheMapMan Instrumental Edit)

Tracklist:

01. Anarchy
02. Griminal
03. Rabid
04. Pulp Fiction
05. Mr. Twister

ObscureDwella - THRILLA (Full Tape)

Photo by: Photo by <a href="https://unsplash.com/@weirick?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText">Jake Weirick</a> on <a href="https://unsplash.com/s/photos/new-world?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText">Unsplash</a>

t h e  w o r l d  w e  k n e w

Art remember

Spotify: https://open.spotify.com/track/41IFWwfQmazoGRI0Uok0Fl?si=388814988411445d
Apple Music: https://music.apple.com/us/album/lifetime-impression-instrumental/1585999527?i=1585999528

Instrumental for: https://soundcloud.com/tapeheadloops/lifetime-impression

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums weight. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

Peace!

Lifetime Impression (Instrumental)

hotbox

Lofi Hiphop Tape 3 SP-555

B l u n t s  I n  T h e  H o u s e

MAGIK MIC  - RIDER

Le Petit Humhum

Photo by eberhard grossgasteiger from Pexels

Satisfied // みたされた こりつ

wun 4 u

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

Lifetime Impression (Instrumental)

Tapehead

Recent comments

ittle b. melty

Vibin' 🎼

ilkdaft

ilkdaft

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