Full album stream: https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Instrumentals are all available via the description of the individual tracks. 

Peace!!

Tapehead - Enter The Crime Side (36 Chambers Remixes) (Full Album)

Tall Black Guy & Ozay Moore blend hip-hop, funk, and soul on their undeniably catchy and inspiring new single, “MUD,” featuring contemporary gospel artist Sean C. Johnson. The track defines what it means to stay true to yourself and follow your heart, wherever it may take you. It’s a powerful message from Ozay and his collaborators, especially Johnson, who blesses the track with a soulful, sing-along chorus. Keep an eye out for more info from Tall Black & Ozay’s much anticipated collaborative album, ‘Of Process and Progression,’ due out later this summer via Coalmine Records.

Tall Black Guy: 
• Instagram: https://www.instagram.com/tallblackguyproductions
• Twitter: https://twitter.com/SirTallBlackGuy
• Facebook: https://www.facebook.com/TallBlackGuyProductions
• Spotify: https://open.spotify.com/artist/2bz6GlqjAN5fTFWvy0rmSP

Ozay Moore: 
• Instagram: https://www.instagram.com/ozay_moore
• Twitter: https://twitter.com/OzayMoore
• Facebook: https://www.facebook.com/GoOzayMoore
• Spotify: https://open.spotify.com/artist/5upHj0MnOX1kIBXf7zzoZb

Sean C. Johnson:
• Instagram: https://www.instagram.com/seancjohnson
• Twitter: https://twitter.com/SeanCJohnson
• Facebook: https://www.facebook.com/SimplyAVessel
• Spotify: https://open.spotify.com/artist/6jwSgdzEmAv7K0c4G8kq1H

Tall Black Guy & Ozay Moore Feat. Sean C. Johnson - The Mud

1st single from the album ‘Enter The Crime Side (36 Chambers Remixes)’ – Out Now: https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Beat, mixing and mastering by Tapehead
Vocals from ‘Can It Be All So Simple’ by Wu-Tang Clan (Raekwon x Ghostface)

Visuals: https://youtu.be/JoUQQVuVBhM

I made this beat using the same sample RZA used for the original beat to this track. The sample is such a classic, and as soon as I found the record I knew there’d be something there, but obviously didn’t want to bite what RZA flipped, and went for something completely different chopping up in between the vocals from Gladys Knight throughout the track. When I first made this beat I didn’t even think about remixing the original with it, now it obviously makes so much sense. As soon as I decided on doing this remix album this was the first beat I went to, really hoping that it would work out with these verses. I had a feeling it would work well seeing as I chopped up vocals from the track where the 'can it be it was all so simple' vocals are from (The Way We Were by Gladys Knight & The Pips) for this beat. I was bugging out at how well they went together both the vocals from the hook and the flow of Raekwon and Ghostface's verses, and to be honest the energy that making this gave me really pushed me to actually make the album happen, I got like 6 other remixes worked out the same day, I was really motivated by how well this worked out. I thought it made sense to drop this as the first single cause of that.

Next week I’ll be dropping the remix to ‘Wu-Tang Clan Ain’t Nuthing ta F’ With’, which was originally the B Side to this single back in the 90s, so thought that made sense. It’s also wildly different to this track, so I thought it would make sense to show two different styles and sounds from the album (there’s a lot more which I’ll be saving for when the album actually drops).

Peace!!

Can It Be (Ways We Were)

Track 1 off the album 'Enter The Crime Side (36 Chambers Remixes)': https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album  

Instrumental: 
https://open.spotify.com/track/64mBIqV6VKFxhj7qS3GPWw?si=a93d5f5e14f242be
https://music.apple.com/us/album/ruckus/1637200056?i=1637200057
https://tapehead.bandcamp.com/track/ruckus

Beat, mixing and mastering by Tapehead
Vocals from 'Bring Da Ruckus' by The Wu-Tang Clan

Visuals: https://youtu.be/ITG25OsbiOs

I went all out on this one, wanted it to hit hard being the intro for the album. originally it was just the second beat all the way through for all the verses. I thought it was a cool remix but it got boring to me and the laid back keys didn't fit the hyped up energy of the acapella. Because of that I completely changed the start, using this beat which has way more energy to it. The drums are very hectic but I think that fit the in-your face feel that this song has, and the guitar is simple but hits hard. This then made the second beat act as a nice break/breather, and I then pitched down the first beat to bring it back in over the second beat towards the end.

Ruckus

Track 2 off the album 'Enter The Crime Side (36 Chambers Remixes)': https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album  

Instrumental: 
https://open.spotify.com/track/43VeHU1H4jUPCQxP77vMTO?si=c855505777d84718
https://music.apple.com/us/album/7th-chamber/1637200056?i=1637200058
https://tapehead.bandcamp.com/track/7th-chamber

Beat, mixing and mastering by Tapehead
Vocals from 'Wu-Tang: 7th Chamber' by The Wu-Tang Clan

Visuals: https://youtu.be/ITHInp7AHwY

I switched the beat multiple times here, wanted to match the different energies that each verse has on this acapella. I thought the boomy low end heavy beat fit the start of the track, setting the tone for that hardcore style. I thought it was then cool to go into a smoother beat, it just felt right as a switch up, and the way Ghostface's verse sounded over that beat was sick, I even added an extra layer of drums to try and emphasise how hard the flow was hitting. For ODBs verse I thought it made sense to then have an even smoother beat that fit the laid back slurry flow. 

I do think these 3 beats work well together here, have also released them separately, here's the links to them in order:
https://soundcloud.com/tapeheadloops/sick-influences-instrumental
https://soundcloud.com/tapeheadloops/guitar-swing-instrumental
https://soundcloud.com/tapeheadloops/street-dreams-instrumental

7th Chamber

Track 3 off the album 'Enter The Crime Side (36 Chambers Remixes)': https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Instrumental: 
https://open.spotify.com/track/0jRiWop6Ig2C5Tij9nw4zY?si=c346c0d914294e39
https://music.apple.com/us/album/mad-deep-methods/1637200056?i=1637200059
https://tapehead.bandcamp.com/track/mad-deep-methods

Beat, mixing and mastering by Tapehead
Vocals from 'Method Man' by The Wu-Tang Clan

Visuals: https://youtu.be/8Tspuu-bxBQ

Went for a more laid back vibe with this one, I think it fits the vibe of the acapella, this is a fun track at heart, all about showing style and personality on the beat I think. I wanted this beat to focus on that side and feel of the song, hope people enjoy the vibe! 

Peace

Mad Deep Methods

Track 5 off the album 'Enter The Crime Side (36 Chambers Remixes)': https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Instrumental: 
https://open.spotify.com/track/3B52NftcZn3GsuTmuNsz9X?si=62e58caf20ea42b5
https://music.apple.com/us/album/clans-in-the-front-ways-we-are/1637200056?i=1637200061
https://tapehead.bandcamp.com/track/clans-in-the-front-ways-we-are

Beat, mixing and mastering by Tapehead
Vocals from 'Clan In Da Front' by The Wu-Tang Clan

Visuals: https://youtu.be/figceT-xpUA

Personally this is my favourite track off the album, I had to change this beat a lot to get it to work with this track, but I knew it would be worth the work, and I was very happy with how it turned out. This one definitely got me bugging out the most times whilst making the album, and in the premiere it was one of my favourite moments when it came on. Hope people enjoy playing this one on it's own! Peace

#wutangclan #90shiphop #boombap

Clan's In The Front (Ways We Are)

Track 13 off the album 'Enter The Crime Side (36 Chambers Remixes)': https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Instrumental: 
https://soundcloud.com/tapeheadloops/magnetic-harp-instrumental
https://open.spotify.com/track/5zpTSe4X8sabrEO9iOhTGH?si=23f56a89561d4d36
https://music.apple.com/us/album/protect-its-magnetic/1637200056?i=1637200279
https://tapehead.bandcamp.com/track/protect-its-magnetic

Beat, mixing and mastering by Tapehead
Vocals from 'Protect Ya Neck' by The Wu-Tang Clan

Visuals: https://youtu.be/15wOSDzlPOA

Wanted to go for that hardcore vibe here but in a more subtle way - I can't quite place it but the atmosphere and feel to this sample got me thinking of this acapella, I thought it would be a nice remix which went in a different direction to the very stripped back rugged original.

Protect That Neck

Its been quite some time since our previous mix , but we back with a gem for ya. We have touched down in Taiwan , Japan and the USA , but this latest mix is a local one from right here in London , UK . Its courtesy of the talented Eahwee ( pronounced errr-wee ) , who recently dropped a project called 'Life force' via Astral Black Records . Eahwee has also linked up in the past with Koncept Jackson and Lee Scott , and more recently King Kashmere . 
Expect to hear beats drenched in 90's r'n'b , with sprinkles of grime moments. 

Big thanks to everyone to continues to support beatmakers and producers we showcase here . It's really appreciated.

Much love

soundcloud.com/eahwee

eahwee.bandcamp.com

E a h w e e ' L o v e S o u l j a h s '

5crape

evErydAy

Supersci's third album, released April 10th 2015.

Produced by Erik L, Broke 'n Tipsy and Arka & Simon O.
Lyrics by Arka, Mr Noun and Remedeeh.
Featured artists: Kristin Amparo, Isabel Neib, Rapper kC, 7evenThirty, Cleo

Recorded 2014-2015.
Mixed by Erik L, Broke 'n Tipsy and Arka.
Mastered by Erik L.

Supersci - Entropy - Album (12 tracks)
Flyphonic Phonogram 2015 / FP022

Entropy

African Battle

The Sexican

Stream >> https://DTW.lnk.to/GTAFunk
Vinyl >> https://darkerthanwax.bandcamp.com/album/gta-funk

GTA FUNK' is both a reaction to and a reflection of the 'Toronto' sound, conceived during KEI-LI’s move from the suburbs of Mississauga to the city of Toronto.

The vast multiculturalism of the Greater Toronto Area (GTA) has given birth to a sonic diversity that goes far beyond the signature OVO sound associated with the city. With the world finally tuning in, this EP also enlists the help of fellow artists like https://soundcloud.com/robotaki, https://soundcloud.com/falcxne, https://soundcloud.com/clairmontthesecond, https://soundcloud.com/soundslikeandes and NAHTE, which allows him to showcase a funkier side to the city that the world hasn’t been acquainted with yet.

KEI-LI started producing at the age of 13, informed by his interest in beatboxing and funkstyles popping. After stumbling upon neo-soul, he immediately discovered his musical direction, with Musiq and D'Angelo as his inspirations. While these musical foundations shine brightly throughout GTA Funk, KEI-LI has managed to forge a sonic aesthetic that is entirely his own.

There is an evident struggle with finding an authentic place as an Asian artist within the continuum of funk, soul, and hip hop musical traditions. Hence, the visual branding behind GTA Funk is inspired by the intersection of these two cultures: Kung Fu and hip hop.

Artwork by https://soundcloud.com/keilimusic
Additional production by https://soundcloud.com/mavericksoul
Vocals by https://soundcloud.com/kemiade and https://soundcloud.com/whosblacc

Additional mastering and production by https://soundcloud.com/maxx-mortimer and Jason Tan (Eastward Audio)

Stream / 12"

KEI-LI x Maverick Soul - Revenge in Deep Space ft. Kemi Ade & Christopher Blacc | 'GTA FUNK' Ep

SUPPORT ME: https://flat-stanley.bandcamp.com/album/if-not-now-when

Influenced heavily by sounds from the local scenes and surroundings of Japan, I came back to LA with an entirely changed outlook on beatmaking. If Not Now, When? is the manifestation of inspirations from my recent travels. Above all else, it’s a coming of age project. It’s the scatterbrained feeling of a big life change. Like quitting your job. Or falling in love.

— FLAT STANLEY

IF NOT NOW, WHEN? [EP]

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

Protect That Neck

Tapehead

Recent comments

Bizo

RychusDon

Tashar Hickman

Related tracks