90’s boom bap vibes through out 🔥🔥

this the best remix of this song honestly 

Remixed and remastered
Beat, mixing and mastering by Tapehead
Vocals from ‘C.R.E.A.M. Acapella’ by Wu Tang Clan 

Youtube: https://youtu.be/tuGQCfQWVmc (I did edit a video with the visuals from the music video, but the video got blocked and taken down straight away.)
Instrumental : https://soundcloud.com/tapeheadloops/ways-of-the-world-instrumental
https://tapehead.bandcamp.com/track/ways-of-the-world-instrumental

I flipped this sample early March 2018, I’d just finished writing an essay for university about the Black Star track ‘Thieves In The Night’, and was just gassed in general. I’d chosen this module where I knew I’d be able to write about Hip Hop, and in my free time I was always making beats or listening to Hip Hop, so I felt completely immersed in the culture, and that feeling is definitely where this beat came from. I really felt like I’d gained a new understanding of the Black Star track which has always meant so much to me and makes me bug out every time hearing it, and I just felt like expressing that musically. The song is one of the maddest reflections on society and negative states of mind that trap people, so it was the introspective/melancholy vibe of the sample that made me know I wanted to flip it. I was also pretty set on putting this verse over it, there aren’t many Black Star verses out there, and at the time I didn’t have many 12” acapellas, and Deck’s lyrics fit perfectly with the mood. 

I definitely rushed the original mix for this beat, at the time I made it the floppy drive on my MPC wasn’t working, so I couldn’t save beats and had to record a final mix out into audacity the same day I made them. The sample sounds nice but the drums aren’t layered very well and don’t really fit in the mix. Also the vocal is a bit quiet, so since I dropped it I’ve been a bit disappointed with it and wanted to rework it ( https://soundcloud.com/tapeheadloops/life-is-hectic-2 ). It was such a nice sample that I got multiple flips out of it, I originally picked two for when I uploaded this remix, bringing the alternate flip in for the outro after Deck’s verse. For this rework I decided to try and combine them both together, using the main loop for the highs, and filtering the second loop as a bassline to layer under it, giving the track more variation without drastically changing the loop throughout Deck’s verse, which I tried when originally remixing this but it was too jarring. I think the two melodies work well together, it gives the beat an interesting vibe, and I think it works in adding subtle variation to the track. One night while I was working on this my brother was watching an episode of the Sopranos in another room, and I had soloed the beat without the C.R.E.A.M. verse to see how the bass levels sounded on speakers, and the dialogue of the scene was fitting mad well with the beat. I had to ask him what episode it was from, and ripped the audio from a clip on youtube to use as an outro at the end of the track, chopping out the dialogue which I thought was relevant to the track. 

Peace and thanks for listening.

Ways Of The World

w/ DJ Platurn on the cuts
From the Headnodic 12" single "Now A Daze / The Drive" 2005 Tres Records ‎– TR396-004

Now A Daze (feat. Zion)

Da Youngstas - Mad Props (Hydrogenii & Loop Skywalker Remix)

FREE DOWNLOAD : http://revolutionaryrhythm.bandcamp.com

Soul Motion prod by Dee Soul

4 joints... 
Lost'n'Found in a sea of tapes!
SNAIL CAGE

Joints From Tha Tapedeck - Vol. 1

It's been a long time maybe too long since your audio uploaded a new rap song. Enjoy!

Masta

Produced by A Cat Called FRITZ
Rap by @Glad2Mecha
From the album VERTICAL IRIS feat. Audessey, Black Josh, Sach (of The Nonce), Glad2Mecha, Venomous2000, Pseudo Slang, LayFullStop, Pete Flux

VERTICAL IRIS

Vinyl & Digital

2 Hits feat. Glad2Mecha [Vertical Iris LP]

Green Papers

pre-order limited edition cassette, poster + digital: kadv.bandcamp.com/album/prospective-cuts

"dedicated to all boombap heads around the world" - mvnitou

all beats produced, mixed and mastered: mvnitou
soundcloud.com/mvnitou

kick a dope verse! © 2020

prospective cuts

mvnitou - prospective cuts [snippet mix] [limited edition cassette pre-order now]

Out now in all digital Platforms!
Free Bandcamp Download
https://dustybasementrecords.bandcamp.com/track/mz-boom-bap-x-warpath-the-lineage

Mz Boom Bap X Warpath - The Lineage (cuts by Dj Repete 23)

Instrumental: https://soundcloud.com/tapeheadloops/watch-me-speak-instrumental

Beat, mixing and mastering by Tapehead
Vocals from 'One Love' acapella by Nas
Visuals: https://youtu.be/teRpSeR39VE

As soon as I’d flipped this sample I knew I was putting One Love over it. I started spitting the verses in my head and was just bugging out. In my opinion, the song is one of the greatest ever written, and this verse is probably the best minute and a half of Illmatic for me. When I first heard the song it really changed my perspective on what music could be, and over the years different aspects of Nas’s verse continue to stand out to me, what he’s talking about is ridiculously layered and complex, and the way it's done is crazily profound it's just mad. I actually wrote an essay on this song a few years ago at university, and for my research I read ‘One Love, Two Brothers, Three Verses’ by Michael Eric Dyson from the book Born To Use Mics, Reading Nas’s Illmatic, who writes “at the heart of Nas’s description is a veiled lament of the illicit lifestyle that snares young lives, not a boast of the drug seller’s gain or glory.” This is what makes the song so powerful to me, and combined with the fact that the song is structured as a letter Nas is sending to someone in prison who is powerless to do anything to change the situation just adds so much to the atmosphere and attitude of the song. Nas is speaking on how things are in the most serious, compelling and tragic way is what I’m trying to say, and its always resonated with me crazily. 

It’s a blessing to be able remix this verse, I really am thankful that the acapella was released on the official 12”. I’ve remixed One Love a few times but I’ve only remixed the 3rd verse one other time, I’m always conscious about having to do it justice. This beat’s atmosphere got me too excited though, I think it matches the seriousness of what Nas is talking about, and I only tend to put this acapella over beats with emotion. Making this beat I was completely going off of the emotion in the sample, it was actually ridiculously long to flip because I was cutting different parts of one song together. The first 2 bar loop came to me pretty quickly but it took ages to work out the next 2 bars, because I was cutting different sections of the song together, so I had to find notes that made sense with the ones I had already flipped, and continued the melody in a way that made sense musically. It took a long time but I gradually worked it out through trial and error, and I was unbelievably gassed with the melody before I had even added drums to it, which is always a good sign. The loop reminded me of the time I made the beat for Night Time Writing, almost 3 years ago now. That was also a very emotional sample, and the feeling I got when I made that beat is exactly how I felt when I put this one together, like I conveyed the exact emotion through the chops that I wanted. Overall I’m just ridiculously happy with how this beat came out, I put my whole soul into this one, and it was worth all the time and effort for sure.

Peace.

Watch Me Speak

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

Ways Of The World

Tapehead

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